Heavy Metal 2010s Albums

A full-length that expands BAND-MAID’s expressive range, balancing wider melodies with hard-driving performances.

The major-label debut on avex, made by a line-up that had just gained guitarist AYUMI and drummer NATSUMI.

Humanicide shows Death Angel preserving the sharp identity of Bay Area thrash while making its arrangements and weight even more exacting.

Kill or Get Killed unites Iron Savior’s science-fiction imagery, steel-edged riffing and heroic choruses into a single forward drive.

A sixteenth studio album that turned out to be the last before Ronnie Atkins' illness was made public.

The Verdict condenses Queensrÿche’s hard-metal drive and progressive-rock shading into a notably focused set of songs.

The band's third full live album — a late-November 2017 show in Aalborg, Denmark, captured without Raven knowing a tape was running.

The first SINNER album with a permanent second voice, Giorgia Colleluori, alongside Mat Sinner. Ricky Warwick and Ronnie Romero guest on it, and Dennis Ward co-produced and mixed.

The twelfth studio album, released by Mighty Music on 22 November 2019 — eleven songs running from "Worlds Apart" to "Sail On".

Blue Lightning has Yngwie Malmsteen facing the blues and classic-rock music at the roots of his style through a mix of covers and originals.

An early release that documents the origin of BAND-MAID’s maid concept and rock-band direction.

A decisive hard-rock statement whose title mirrors BAND-MAID’s ambition to reach audiences beyond Japan.

Despite its title, Grimmest Hits is not a compilation but Black Label Society’s tenth studio record, packed with the band’s heaviest strengths.

Reach for the Sky turns Blindman’s live-bred unity as a newer lineup into a precise tenth studio album.

Seven songs opening on an instrumental title track, made in the years when the band's reputation in Europe was hardening.

The sixth album and the last with Iuri Sanson — released weeks after the mass departure was announced, and so the closing chapter of the band's first era.

Firepower reignites the heavy-metal language Judas Priest established over decades with a muscular, contemporary sound.

Clockwork Immortality expands the speed-metal and power-metal strengths Lovebites showed on their debut into a larger scale.

Damned If You Do shows the stability of Metal Church in the Mike Howe reunion era through traditional heavy-metal form.

The seventh album, produced by Jens Bogren and a German No. 1 — the turning point that produced “Demons Are a Girl's Best Friend.”

Apocalypse pursues the pleasures of traditional power metal with complete commitment around Ralf Scheepers’ fierce high voice and Mat Sinner’s heavy bass.

Armor of Light finds Riot V making the Riot legacy of speed metal, twin guitars and melody even more secure after the loss of Mark Reale.

Play to Win brings Striker’s speed-metal attack and eighties hard-rock chorus sense into one of the band’s most buoyant balances.

2018年発表のスタジオ作。

Steelfactory finds U.D.O. returning to direct, heavy metal with a strong sense of performing unity.

Reidolized (The Soundtrack to the Crimson Idol) revisits familiar material through the voice, production weight and arrangement sense of its recording

The Rise of Chaos delivers Accept’s steel-hard riffs and large choruses with present-day weight.

Unlimited Diffusion expands Aldious’ ornate twin guitars, speed and clear vocal character into a more colorful melodic-metal setting.

A key album that clarifies BAND-MAID’s hard-rock direction while connecting musicianship with catchy songwriting.

A four-track EP led by the advance single "IGNITE," cut during the band's touring years abroad.

Six delivers the pleasures of traditional heavy metal in a direct burst of thick riffs and large choruses.

Immortals shapes mythic storytelling into Firewind’s fast power metal and dramatic melody.

Reforged – Riding on Fire revisits familiar material through the voice, production weight and arrangement sense of its recording period.

Awakening from Abyss introduces Lovebites with a remarkably complete union of speed, precise twin guitars, soaring vocals and large melodic payoff.

Wall of Sound places Marty Friedman’s individual melodic sense and emotion-speaking guitar tone at the front of an instrumental record.

Seasons of the Black places Rage’s power-metal speed and thrash sharpness inside a darker tonal world.

Produced by Mat Sinner with Dennis Ward, and carrying guest appearances from Gus G, Ricky Warwick and Pete Lincoln.

The self-titled Striker record joins the band’s speed-metal sharpness with approachable hard-rock hooks in a very concentrated form.

For All Kings keeps Anthrax’s agile thrash attack while giving equal space to heavy groove, chorus lift and modern weight.

The Stage turns themes of space, science and existence into complex, dramatic heavy metal.

A release that pushes BAND-MAID’s rock-band strength forward and builds the foundation for the breakthroughs that followed.

To the Light shapes Blindman’s lyrical melody, expansive vocals and precise guitar work into traditional hard rock with care.

The first full album, four years in — and the source of four of the six songs re-cut for 2025's Reborn 2013-2016.

The Evil Divide brings together Death Angel’s lively speed and twisting guitar work in a tightly focused record.

Theories of Flight raises Fates Warning’s progressive-metal tension through complex rhythm, fluid guitar and introspective vocals.

Titancraft delivers Iron Savior’s science-fiction world and thick-riffed German power metal with complete confidence.

Dystopia concentrates Megadeth’s sharp riffs, crooked structures and cold, pressurized atmosphere into a tightly focused record.

XI restates the sturdy appeal of traditional American heavy metal through hard riffs, heavy rhythm and commanding vocal lines.