MEGADETH

Biography and full discography of MEGADETH, with a page for every album, on METAL BOOST.

English Discography Overview

This English discography hub highlights MEGADETH albums such as Megadeth, The Sick, the Dying... and the Dead!, Dystopia. The album notes emphasize these records' riffs, vocals, production character, songwriting flow and listening context: Released on January 23, 2026, Megadeth is MEGADETH’s seventeenth and final studio album. Building on the renewed strength of Dystopia, this album is charged with the urgency that defines Megadeth at their best. Dystopia concentrates Megadeth’s sharp riffs, crooked structures and cold, pressurized atmosphere into a tightly focused record.

Biography

MEGADETH: Symphony of Destruction and the Path of Rebirth
Biography & Discography

1. The Zenith of Intellectual Thrash Metal

Founded in 1983 amidst the chaos of Los Angeles, California, MEGADETH has reigned supreme not merely as a heavy metal band, but as an emblem of "rage" and "virtuosity" in modern music history. Forming a corner of "The Big Four" of thrash metal along with METALLICA, Slayer, and Anthrax, MEGADETH established a one-of-a-kind status through the intense charisma of leader Dave Mustaine, cold and calculated music theory, and a lyrical world that cuts sharply into politics, war, and social issues.

2. Part I: The Birth of Rage and Early Chaos (1983-1989)

2.1 Expulsion and the Vow of Revenge: The Eve of Formation (1983)

Ironically, the history of MEGADETH is inextricably linked with that of another legendary band, METALLICA. From 1981 to 1983, Dave Mustaine served as METALLICA's lead guitarist, contributing riffs and song structures to many of their early tracks. However, due to severe alcohol dependence, substance abuse, and definitive conflicts with James Hetfield and Lars Ulrich, he was fired from the band in April 1983, just before recording sessions in New York.

On a long-distance bus heading to Los Angeles, Mustaine noticed a pamphlet by Senator Alan Cranston regarding the threat of nuclear weapons. Dropping the "a" from the word "Megadeath" (meaning one million deaths caused by nuclear war) mentioned within, he chose MEGADETH as the name for his new band. At that moment, his musical direction was determined by a desire for revenge: "to create a band that is faster, heavier, and more technical than METALLICA."

2.2 The Formative Lineup and "Killing Is My Business..." (1983-1985)

Upon returning to Los Angeles, Mustaine initially began activities under the name "Fallen Angels" but soon renamed the group to MEGADETH. The early lineup was fluid; although vocalist Lor Kane, guitarist Robbie McKinney, and bassist Matt Kisselstein were among those who joined, their tenures were short-lived.

The core of the band was formed upon meeting bassist David Ellefson from Minnesota. Mustaine and Ellefson hit it off after meeting as downstairs and upstairs neighbors in an apartment building, and Ellefson would support the band for a long time as Mustaine's right-hand man.

Regarding drummers, after Dijon Carruthers and Lee Rauch drifted in and out, Gar Samuelson, who possessed a jazz-fusion background, joined the band. Furthermore, his bandmate, guitarist Chris Poland, was brought into the fold, completing the first golden lineup.

In 1985, having signed with the independent label Combat Records, the band released their debut album, Killing Is My Business... and Business Is Good!. Produced on a low budget of $8,000 (half of which reportedly vanished into drugs and alcohol), this work showcased a frantic speed and complex riff progressions that more than compensated for its raw production. In particular, performing "Mechanix"—the original version of the METALLICA-era track "The Four Horsemen"—at a tempo near double speed was a clear manifestation of Mustaine's obsession.

2.3 Major Label Debut and the Impact of "Peace Sells..." (1986-1987)

The underground success of their debut album attracted the interest of major label Capitol Records. Winning a contract, the band released their second album, Peace Sells... but Who's Buying?, in 1986.

This album is regarded as a monumental milestone in the history of thrash metal. The jazz-influenced rhythm sensibilities of Samuelson and Poland generated a groove that set them apart from standard, purely fast thrash metal. The bassline of the title track, "Peace Sells," was used as the opening theme for MTV News, instantly propelling the band's name recognition.

However, behind the scenes of success, the members' drug addictions were worsening. In particular, Poland and Samuelson reached their breaking points, forcing Mustaine to fire them. The instability of this period suggests that the band consistently channeled their creativity while on the brink of collapse.

2.4 A New System and "So Far, So Good... So What!" (1988-1989)

Recruiting drummer Chuck Behler and guitarist Jeff Young as replacements, the band released their third album, So Far, So Good... So What!, in 1988. This album leaned more heavily into punk-derived aggressiveness and a somber atmosphere rather than the refined, jazz-like elements of their previous works.

Of particular note are the inclusion of a cover of the Sex Pistols' "Anarchy in the U.K." and the masterpiece "In My Darkest Hour," written to mourn the tragic death of METALLICA bassist Cliff Burton. However, this lineup did not last long either; due to deteriorating personal relationships, Behler and Young were dismissed in 1989.

3. Part II: The Golden Era and Technical Zenith (1990-1998)

3.1 Completion of the Ultimate Lineup and "Rust in Peace" (1990)

In 1990, the lineup considered the most critical in MEGADETH's history—and indeed, in heavy metal history—was finalized. Nick Menza joined on drums. For lead guitar, Marty Friedman was welcomed; known for his work in Cacophony, he possessed exotic Eastern melodies and astonishing picking technique.

The fourth album, Rust in Peace, released that same year, is highly acclaimed as the absolute masterpiece of technical thrash metal. The guitar duo of Mustaine and Friedman beautifully harmonized highly complex odd-time signatures and rapid-fire riff exchanges. The intricate song structures in "Holy Wars... The Punishment Due" and "Hangar 18" served as the definitive factor in branding MEGADETH as "intellectual thrash metal."

3.2 Commercial Success and a Change in Direction (1992-1995)

In 1992, in response to changes in the metal scene triggered by the explosive hit of METALLICA's Black Album, MEGADETH also experimented with more compact songs and a transition to mid-tempo structures. The resulting fifth album, Countdown to Extinction, peaked at No. 2 on the US Billboard 200 chart, achieving the greatest commercial success in the band's history. The single "Symphony of Destruction" dominated radio airplay with its simple yet massive riff.

They pushed a further melodious direction in the following 1994 album, Youthanasia. Recorded in a dedicated studio built in Phoenix, Arizona, this album involved all members in the songwriting process and is considered a work from the period when the band's internal cohesion was at its strongest. Ballads like "A Tout le Monde" emerged, marking the band's entry into maturity.

3.3 Exploration and the End of the Golden Era (1997-1998)

On 1997's Cryptic Writings, the band brought in producer Dann Huff, introducing a pop and radio-friendly sound. "Trust" became a hit that earned a Grammy nomination, though it sparked mixed reactions among early fans.

In 1998, drummer Nick Menza left the tour to undergo surgery for a knee tumor (which later turned out to be benign). Mustaine informed him of his dismissal over the phone. This caused the collapse of the golden lineup that had lasted for approximately eight years, with Jimmy DeGrasso stepping in as his successor.

4. Part III: Lost Direction, Dissolution, and Rebirth (1999-2009)

4.1 The Risky Failure "Risk" and Marty Friedman's Departure (1999-2000)

Released in 1999, Risk truly became the band's greatest risk, just as its title implied. Incorporating digital loops and even dance beats, this work ended up a commercial and critical failure. Marty Friedman, who was increasingly drawn to his musical roots in Enka and J-POP, felt the band's direction had reached its limit and announced his departure in 2000. He subsequently moved his base of activities to Japan, carving out a unique status for himself.

Welcoming Al Pitrelli as the replacement guitarist, they released The World Needs a Hero in 2001 aiming for a return to roots, but it failed to recapture their former momentum.

4.2 Left Arm Paralysis and the Dissolution of the Band (2002)

In 2002, tragedy struck Dave Mustaine. While staying at a treatment facility, he fell asleep with his left arm draped over the back of a chair, compressing his radial nerve. His left arm became completely paralyzed, and doctors diagnosed that he would "never play guitar again." Mustaine officially announced the dissolution of MEGADETH and hinted at retirement from the music industry.

4.3 A Miraculous Recovery and "The System Has Failed" (2004)

Engaging in rehabilitation with an indomitable spirit, Mustaine miraculously regained functionality. Initially developed as a solo album, it was ultimately released under the MEGADETH name due to contractual obligations; this was 2004's The System Has Failed.

On this album, early guitarist Chris Poland returned as a session member, delighting long-time fans. However, his multi-year partner David Ellefson did not participate, as their financial disputes had escalated into a legal battle. For the next few years, MEGADETH took on a strong coloration of a Mustaine solo project, with members like brothers Glen and Shawn Drover, James MacDonough, and James LoMenzo rotating through the lineup.

4.4 Signs of a New Golden Era: From "United Abominations" to "Endgame"

Moving to Roadrunner Records, they released United Abominations in 2007. It became a politically charged work featuring criticisms of the United Nations, cementing the impression of the band's full comeback.

Furthermore, virtuoso guitarist Chris Broderick joined for 2009's Endgame. His flawless execution inspired Mustaine, and the work was highly praised by many critics as the "best masterpiece since Rust in Peace."

5. Part IV: The Return of David Ellefson to the Modern Era (2010-2022)

5.1 The Return of "Junior" and "Th1rt3en" (2010-2013)

In 2010, overcoming years of animosity, original bassist David Ellefson made a shocking return. This dramatically improved the band's stability. 2011's Th1rt3en and 2013's Super Collider were produced under this lineup, although Super Collider veered into a pop direction once again, leading to divided evaluations.

5.2 Kiko Loureiro's Entry and the Grammy Win (2015-2017)

In 2015, the band refreshed its lineup once more. Guitarist Kiko Loureiro of the Brazilian metal band Angra and drummer Chris Adler of Lamb of God joined. Produced under this new structure, 2016's Dystopia became a dark masterpiece depicting a near-future dystopia and the shadows of modern society.

With its title track "Dystopia," MEGADETH won the "Best Metal Performance" award at the 59th Grammy Awards. This was a monumental first achievement after 12 nominations, marking the moment Mustaine's obsession finally paid off. Afterwards, drummer Dirk Verbeuren, formerly of Soilwork, formally joined, completing an ironclad rhythm section.

5.3 Overcoming Throat Cancer, Scandals, and "The Sick, the Dying..." (2019-2022)

In 2019, Mustaine announced that he had been diagnosed with throat cancer. Band activities were temporarily paused, but after undergoing grueling treatment, he triumphantly declared himself cancer-free.

However, in 2021, shockwaves struck yet again. David Ellefson was dismissed from the band due to a sexual scandal. The bass tracks for the new album then under production were entirely deleted and re-recorded by Steve Di Giorgio of Testament.

The 16th album, The Sick, the Dying... and the Dead!, released in 2022, reflected dark times such as pandemics and wars, yet stood out as a powerful thrash metal album proving the band's continued vitality. James LoMenzo re-joined as the official bassist.

6. Part V: The Final Chapter "MEGADETH" (2023-2026)

6.1 The Final Guitarist: The Selection of Teemu Mäntysaari

In late 2023, Kiko Loureiro stepped away from touring due to family matters and subsequently announced his departure. Recruited as a successor based on his recommendation was Finnish guitarist Teemu Mäntysaari. Known for his work in Wintersun and Smackbound, his precise playing—rivaling even Kiko's—and an aggressive style reminiscent of Mustaine's youth quickly gained acceptance among fans.

6.2 The Final Studio Album "MEGADETH" (2026)

On January 23, 2026, MEGADETH released their 17th and final studio album, MEGADETH, bringing down the curtain on their history spanning over 40 years. Commonly referred to as "The White Album," this work was released via a partnership between Dave Mustaine's independent label Tradecraft and BLKIIBLK Records.

Album Overview and Evaluation
Described as the "ultimate and greatest intellectual thrash metal work," this album serves as a culmination of their past career. With the addition of Teemu Mäntysaari, the guitar work recaptured the complexity and speed reminiscent of the Rust in Peace era. The single-cut track "Let There Be Shred" stands as its symbol, showcasing a fierce guitar battle just as the title implies.

It achieved massive commercial success, securing the No. 1 spot on the US Billboard 200 for the first time in the band's history. It also topped Australia's ARIA Charts, bringing their career to a spectacular close.

Japanese Edition Specifications and Bonus Tracks
Possessing a deep relationship with Japan, MEGADETH gave special consideration to the Japanese market even for their final album. The Japanese edition released by Ward Records includes the following features:

  • Japan-Exclusive Bonus Track: The biggest surprise was the inclusion of a cover of METALLICA's classic track "Ride the Lightning." Performing this track as MEGADETH at the end of his career—a song he was involved in writing but which became a source of animosity due to credit issues—was a historic milestone for Mustaine, signifying a complete reconciliation and closure with the past.
  • Specifications: The limited first edition features a tri-side slipcase specification and comes with a special sleeve featuring the album artwork.
  • Liner Notes: Liner notes by Masanori Ito, a music critic who has followed the band for many years, along with translated lyrics, are enclosed.

6.3 Documentary Film "MEGADETH: Behind the Mask"

On January 22, 2026, the day before the album's release, the documentary film MEGADETH: Behind the Mask was released in theaters worldwide (with a limited screening in Japan). This work combines an interview where Dave Mustaine looks back on his 40-year career, a full preview of the final album, and behind-the-scenes production stories, serving as a visual "last will and testament" for the band.

7. Detailed Analysis of Personnel (Members)

While MEGADETH is an organization centered around the absolute monarch Dave Mustaine, the members who colored its history were all musicians possessing outstanding skills.

7.1 Final Lineup (2026)

Name (English) Role / Instrument Tenure Characteristics & Role
Dave Mustaine Vo, Gt 1983-Present Founder and absolute leader. His style of singing while playing complex riffs is truly one-of-a-kind.
James LoMenzo Ba, Cho 2006-2010,
2021-Present
Formerly of White Lion. A veteran who supports the band with solid playing and flashy stage presence.
Dirk Verbeuren Dr 2016-Present Formerly of Soilwork. Accelerated the band with an incredibly precise blast beat known as the "Dirk Blast."
Teemu Mäntysaari Gt 2023-Present From Finland. As Kiko's successor, he displayed phenomenal technique on the final album.

7.2 Key Former Members

Name (English) Role / Instrument Special Notes
David Ellefson Ba An original member affectionately known as "Junior." Dismissed in disgrace in 2021.
Marty Friedman Gt Supported the golden era (1990–2000). Brought in Enka-like melodies to expand the band's musicality. Currently active as a media personality in Japan.
Nick Menza Dr A powerful drummer who drove the rhythms of the golden era. Passed away suddenly on stage in 2016.
Kiko Loureiro Gt Contributed to the resurrection with Dystopia. Earned Mustaine's trust through his versatile musicality.
Gar Samuelson Dr Established the early jazz-fusion style. Passed away in 1999.
Chris Poland Gt Participated in the early era and The System Has Failed. Characterized by his unique legato technique.

8. Discography (Studio Albums)

8.1 1980s: Establishing Thrash Metal

Title Release Year Label Overview & Critical Tracks
Killing Is My Business... and Business Is Good! 1985 Combat Overview: Suffered from poor sound quality due to budget constraints, but its raw bloodlust and speed are unmatched in their career.
Critical Tracks: "Mechanix", "Rattlehead"
Peace Sells... but Who's Buying?
... ?
1986 Capitol Overview: A sacred scripture of thrash metal. A fusion of socially conscious lyrics and complex structures.
Critical Tracks: "Peace Sells", "Wake Up Dead"
So Far, So Good... So What!
、...
1988 Capitol Overview: A work from a chaotic transitional period. The production is raw and aggressive, enveloped in a dark atmosphere.
Critical Tracks: "In My Darkest Hour", "Set the World Afire"

8.2 1990s: The Golden Era and Transformation

Title Release Year Label Overview & Critical Tracks
Rust in Peace 1990 Capitol Overview: The highest pinnacle of technical thrash. Every track is a masterpiece performance.
Critical Tracks: "Holy Wars... The Punishment Due", "Hangar 18", "Tornado of Souls"
Countdown to Extinction
破滅へのカウントダウン
1992 Capitol Overview: Reached No. 2 in the US. Captured commercial success through architectural beauty primarily built on mid-tempo paces.
Critical Tracks: "Symphony of Destruction", "Sweating Bullets"
Youthanasia 1994 Capitol Overview: Melodious and heavy sound. Demonstrates strong unity within the band.
Critical Tracks: "A Tout le Monde", "Train of Consequences"
Cryptic Writings 1997 Capitol Overview: Incorporated pop sensibilities, targeting radio hits.
Critical Tracks: "Trust", "She-Wolf"
Risk 1999 Capitol Overview: An experimental rock album. Though it baffled fans, the quality of its melodies remains high.
Critical Tracks: "Crush 'Em", "Breadline"

8.3 2000s: The Path toward Rebirth

Title Release Year Label Overview & Critical Tracks
The World Needs a Hero 2001 Sanctuary Overview: Attempted a return to roots, but hesitation is still visible in this work.
Critical Tracks: "Dread and the Fugitive Mind"
The System Has Failed 2004 Sanctuary Overview: Mustaine's comeback album. The participation of Chris Poland revives their early atmosphere.
Critical Tracks: "Blackmail the Universe", "Kick the Chair"
United Abominations 2007 Roadrunner Overview: Rebirth in full band format. Aggressive thrash tracks made a welcome return.
Critical Tracks: "Washington Is Next!", "Sleepwalker"
Endgame 2009 Roadrunner Overview: Extremely technical and aggressive. Highly praised among critics.
Critical Tracks: "Head Crusher", "This Day We Fight!"

8.4 2010s and Beyond: Maturity and the Final Chapter

Title Release Year Label Overview & Critical Tracks
Thirteen 2011 Roadrunner Overview: Ellefson's return work. Features many remakes of previously unreleased songs.
Critical Tracks: "Public Enemy No. 1"
Super Collider 2013 Tradecraft Overview: Shifted to a melodious direction once again. Evaluations were mixed.
Critical Tracks: "Kingmaker"
Dystopia 2016 Tradecraft Overview: Dramatic evolution with Kiko's addition. A Grammy-winning masterpiece.
Critical Tracks: "Dystopia", "The Threat Is Real"
The Sick, the Dying... and the Dead!
、... !
2022 Tradecraft Overview: A high-speed thrash album produced during the pandemic crisis.
Critical Tracks: "We'll Be Back", "Night Stalkers"
MEGADETH 2026 Tradecraft Overview: The final work summarizing their entire career. Their first No. 1 in the US.
Critical Tracks: "Tipping Point", "Let There Be Shred", "Ride the Lightning" (Japan Bonus)

9. 2026 Final Album "MEGADETH" Tracklist

As information regarding the final work is extremely critical for fans, the tracklist (Japanese edition specifications) is provided below.

No. Song Title (English) Remarks
1 Tipping Point Lead single
2 I Don't Care Second single.
3 Hey, God?!
4 Let There Be Shred Third single. Exchange of guitar solos.
5 Puppet Parade Fourth single
6 Another Bad Day
7 Made to Kill
8 Obey the Call
9 I Am War
10 The Last Note Instrumental. The ending of the main album.
11 Ride the Lightning Japan edition bonus. METALLICA cover.
12 The Last Note (Instrumental) Japan edition bonus. Extended version.

10. The Legacy of MEGADETH

The history of MEGADETH spanning over 40 years was a history of struggle for one man, Dave Mustaine. Beginning with a thirst for revenge against METALLICA, battles with drugs, separations from members, loss of physical functionality, and a fight against throat cancer—he sublimated all these hardships into music fueled by rage.

Securing the US No. 1 spot and covering "Ride the Lightning" on 2026's MEGADETH symbolizes that he has completely broken free from the shackles of his past, closing his career as a victor. The legacy of "intellectual thrash" left by MEGADETH will continue to live on in subsequent technical death metal and progressive metal bands, forever engraved in heavy metal history alongside the sneer of Vic Rattlehead.

Trivia

On February 27, 2023, Megadeth played Nippon Budokan for the first time in their four-decade career. A Budokan date had in fact been scheduled for spring 1993 but was cancelled due to a member's health, making this a thirty-year-delayed debut. That night Marty Friedman — a member back in 1993 and now a Tokyo resident — appeared as a guest, performing with the band for the first time in roughly 24 years on "Countdown to Extinction," "Tornado of Souls" and "Symphony of Destruction." The show was broadcast live on WOWOW and streamed worldwide. The two reunited again that August at Wacken Open Air in Germany.

Source: BARKS

Megadeth first came to Japan in 1987, on what was also their first tour of the UK, Europe and Japan. The run opened on 6 March at the Hammersmith Odeon in London and closed on 6 April at the Koseinenkin Big Hall in Osaka.

Source: Megadeth official site, Timeline

The February 2023 visit was Megadeth's fifteenth Japanese tour. It was also the first time they had ever held an in-store event in Japan — at Tower Records Shibuya on 26 February, the day before the Budokan show. In all their years of touring the country, they had never before met fans at that kind of range.

Source: BARKS (Japan)

After the Budokan show planned for 1993 was cancelled, Megadeth toured Japan eight more times without ever playing the hall. When they finally did, on 27 February 2023, it fell exactly thirty years after the cancellation. The line-up that had been due to play it in 1993 included Marty Friedman and Nick Menza.

Source: Gekirock News (Japan)

After leaving Megadeth, Marty Friedman made his base in Japan. He has worked out of Tokyo for many years and was appointed a Japan Heritage ambassador in 2016. Part of why the 2023 Budokan reunion was reported in Japan as a once-in-a-lifetime night is that by then he had long since become part of the country's own music scene.

Source: Loudwire

On 18 May 2017, before Megadeth's show at Zepp DiverCity in Tokyo, Mustaine received the news that Chris Cornell of SOUNDGARDEN had died. He spoke of Cornell as a close friend and sang SOUNDGARDEN's "Outshined" in the encore that night, with what can have been little time to rehearse it. It was the band's first Japanese visit since their first Grammy win, and both Tokyo dates sold out.

Source: BARKS (Japan, official show report)

The band name traces back to a pamphlet Dave Mustaine found on a long-distance bus after being fired from METALLICA in April 1983. It was nuclear-disarmament literature from California senator Alan Cranston, and the phrase "the arsenal of megadeath" stuck with him. A megadeath is a unit denoting one million deaths from a nuclear blast; dropping the "a" gave the band its name. The same line also fed the lyrics of "Set the World Afire."

Source: Megadeth official site, Scorpion Q&A #273

The title track "Countdown to Extinction" attacks canned hunting — the practice of paying large sums to shoot exotic animals confined on private ranches. The song earned Megadeth The Doris Day Music Award at the Humane Society's 1993 Genesis Awards, an honor whose recipients include Paul McCartney and Peter Gabriel, making a metal band's win highly unusual. The spoken passage around the three-minute mark is delivered by a woman who worked at a sushi restaurant near the recording studio.

Source: PR Newswire (official band release) / Rolling Stone

See all 134 trivia entries

News

MEGADETH Farewell Japan Tour Presale Opens September 1 — S Seat ¥18,000, A Seat ¥17,000

Udo Premium Members book from 12:00 on September 1 to 23:59 on September 6, and Udo Members from 12:00 on September 3 to 18:00 on September 18. Both presales cover S seats only, and general on-sale begins at 10:00 on September 19.

Source: Udo Artists (August 31, 2026)

MEGADETH Announce Their Final Japan Dates — Osaka And Tokyo In February 2027

Part of the band's worldwide farewell tour, the two shows play Grand Cube Osaka on February 22 and Nippon Budokan in Tokyo on February 24. It is their 17th visit to Japan and their first in four years, with a combined attendance of 10,000 expected. Tickets are 18,000 yen (S seat) and 17,000 yen (A seat) including tax, with the general on-sale opening on September 19 in both cities. Promoted by Udo Artists.

Source: Sports Hochi (August 31, 2026)

MEGADETH Have At Least Two Songs Left Over From Their Final Album, But DAVE MUSTAINE Isn’t Sure He’ll Release Them

Speaking exclusively in the upcoming issue of Metal Hammer, Mustaine named “Bloodlust” and “Farewell My Love” as tracks that did not make January 23’s self-titled final album. He also floated a third title, “When Robots Rule,” before conceding he may have invented it, citing the effect of his 2019 throat cancer treatment on his memory.

Source: Louder (Metal Hammer) (August 18, 2026)

MEGADETH Announce ‘Breakout: Hibernation Of The Nations’ 2027 European Tour

The 24-date run across the U.K. and mainland Europe opens March 9, 2027 in Belfast and closes April 13 in Lisbon, Portugal, with Black Label Society and Testament supporting.

Source: MEGADETH (official site) (August 3, 2026)

New MEGADETH Vinyl Release "Fast Hits" Expected In August

The new vinyl release is expected to arrive in August.

Source: ThePRP (July 30, 2026)

All news →

Albums

Megadeth CD
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Released on January 23, 2026, Megadeth is MEGADETH’s seventeenth and final studio album.

The Sick, the Dying... and the Dead! CD
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Building on the renewed strength of Dystopia, this album is charged with the urgency that defines Megadeth at their best.

Dystopia CD
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Dystopia concentrates Megadeth’s sharp riffs, crooked structures and cold, pressurized atmosphere into a tightly focused record.

Super Collider CD
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Super Collider keeps Megadeth’s cutting guitar identity while giving more room to mid-tempo groove and vocal melody.

Thirteen CD
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Thirteen combines Megadeth’s slicing riffs, restless rhythm and Dave Mustaine’s dry, sardonic vocal character.

Endgame CD
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Endgame reconnects Megadeth with speed, intricate riffs and high-level ensemble playing.

United Abominations CD
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United Abominations connects political frustration to intricate guitar work with a renewed sense of attack.

The System Has Failed CD
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The System Has Failed sharpens Megadeth’s identity through cutting riffs, shifting rhythm and Dave Mustaine’s distinctive vocal delivery.

The World Needs a Hero CD
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The World Needs a Hero sees Megadeth move back toward hard riffs and tense songwriting after the broader melodic direction of the late 1990s.

Risk CD
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Risk deliberately pulls back from Megadeth’s usual thrash attack and moves toward smoother melody, mid-tempo groove and more pop-shaped arrangements.

Cryptic Writings CD
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Cryptic Writings retains Megadeth’s thrash-rooted tension while moving toward cleaner construction and more immediate choruses.

Youthanasia CD
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Youthanasia finds MEGADETH in a phase that keeps Megadeth's thrash-born tension while shifting weight toward thick mid-tempo motion and denser melody.

Countdown to Extinction CD
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Countdown to Extinction streamlines some of the intricate thrash complexity of Rust in Peace and brings thick riffs, clear choruses and heavy groove to the front.

Rust in Peace CD
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Rust in Peace finds MEGADETH in a phase that uses angular riffs and urgent rhythm to examine thrash-metal aggression from several sides.

So Far, So Good... So What! CD
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So Far, So Good... So What! drives Megadeth’s twisted riffs, sharp turns and Dave Mustaine’s abrasive voice into a volatile whole.

Peace Sells... but Who's Buying? CD
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Peace Sells... but Who’s Buying? sets Dave Mustaine’s twisted riff sense against Chris Poland’s fluid guitar work.

Killing Is My Business... CD
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Killing Is My Business... captures Megadeth’s raw early drive around Dave Mustaine’s sharp, twisted riff sense.