Y&T

Biography and full discography of Y&T, with a page for every album, on METAL BOOST.

English Discography Overview

This English discography hub highlights Y&T albums such as Facemelter, Endangered Species, Musically Incorrect. The album notes emphasize these records' riffs, vocals, production character, songwriting flow and listening context: Facemelter delivers classic hard rock through Y&T’s bluesy guitar, sturdy rhythm and direct vocals. Endangered Species brings together thick riffs, blues-rooted guitar and Dave Meniketti’s heated vocal presence. Musically Incorrect strips Y&T back to straight-ahead hard rock centered on Dave Meniketti’s voice and guitar.

Biography

Y&T
The Giants of Bay Area Hard Rock: History, Works, and Influence

1. The Eternal "Musician's Musician"

In the history of American hard rock, it is no exaggeration to say that no band embodies the contradictory elements of "success" and "misfortune," as well as "respect" and "undervaluation," simultaneously as much as Y&T. Formed in the early 1970s in Oakland and Hayward, California, Y&T established their unique sound—a fusion of heavy metal and melodic rock—long before the LA metal/glam metal boom of the 1980s arrived.

While Y&T were the "pioneers" who heavily influenced subsequent monster bands such as Van Halen, Mötley Crüe, and Metallica, they never achieved the same explosive figures in terms of commercial sales. However, their musical legacy—especially Dave Meniketti's passionate vocals and soul-stirring "crying" guitar, combined with the groove created by their rock-solid early rhythm section—continues to receive enthusiastic support from rock fans worldwide, particularly in Japan, even after half a century.

2. Band Biography: A Half-Century Trajectory of Glory and Hardship

2.1 The Dawn: Formation of Yesterday & Today and the London Records Era (1972-1979)

The Eve of Formation and the Origin of the Band Name

The history of Y&T dates back to 1972 in the East Bay region of California. At the time, drummer Leonard Haze, bassist Bob Gardner, and pianist Wayne Stitzer were operating as an unnamed band playing cover tunes based in Hayward. The band found its true direction in 1973 when Dave Meniketti showed up for an audition seeking the position of guitarist and vocalist. With Meniketti joining, the core sound of the band began to take shape.

There is a famous anecdote in rock history regarding the choosing of the band name. When the newly formed group received their first offer for a gig (live performance), they did not yet have a name. In a pressing situation, Leonard Haze looked around his room and noticed The Beatles' Capitol compilation album "Yesterday and Today" sitting on the turntable. Sensing "This is it!", Haze proposed the idea, and the band name was officially decided as Yesterday & Today.

Completion of the Classic Lineup

The early lineup was fluid. When Wayne Stitzer departed, Bob Gardner switched parts from bass to rhythm guitar, and Phil Kennemore was welcomed to fill the vacant bassist slot. Kennemore later mentioned that when he joined, he did not understand the bass guitar itself very well, but through intense practice modeled after players like Gary Thain of Uriah Heep, he grew into an indispensable presence for the band.

In 1974, Bob Gardner departed, and Joey Alves joined in his place. Alves had been a rival who competed against Yesterday & Today with his previous group in the "Hayward Battle of the Bands," but his energetic rhythm guitar became the final piece that defined the band's heavy sound. Thus, the four members who would later be hailed as the "Golden Lineup" came together: Dave Meniketti (Vo/G), Joey Alves (G), Phil Kennemore (B), and Leonard Haze (Dr).

Debut and Struggle

Yesterday & Today showcased overwhelming live performances in their local Bay Area, expanding their fan base. Catching wind of their reputation, London Records successfully signed them to a contract. However, London Records was a label known for The Rolling Stones and classical music, and its lack of know-how in marketing an up-and-coming American hard rock band was Yesterday & Today's first misfortune.

  • 1976: Released their debut album "Yesterday and Today". They unfolded a youth-fueled boogie rock sound but failed to capture the frenzy of their live shows in the package.
  • 1978: Released their second album "Struck Down". Recorded at The Record Plant in Sausalito and Los Angeles, this work showed a dramatic leap forward in songwriting and composition, but due to a lack of label support, it did not lead to a commercial breakthrough.

In 1979, with the rise of the disco boom and the aftermath of punk, a winter era was approaching for traditional hard rock bands. Yesterday & Today lost their contract with London Records and found themselves at a crossroads.

2.2 The Golden Era: A&M Records and Evolution into "Y&T" (1980-1985)

Shortening the Band Name and the Impact of "Earthshaker"

In 1980, the band secured a contract with the major label A&M Records. At this juncture, matching how fans had long been chanting "Y&T! Y&T!" during encores, they officially shortened the band name to Y&T.

Released in 1981, their third album (the first under the Y&T name), "Earthshaker," became a monument in hard rock history. From the opening track "Hungry for Rock" to the passionate ballad "I Believe in You," and the signature song "Rescue Me," Meniketti's expressive guitar work, powerful vocals, and the band's cohesive unity reached their zenith. With this album, Y&T gained a foothold to leap from Bay Area local heroes to global hard rock icons.

Global Expansion and Performing with Monster Bands

In the following album "Black Tiger" (1982), they recorded in the UK and recruited Max Norman, known for producing Ozzy Osbourne, building a more metallic and European sound. During this period, Y&T toured the world as a support act for stadium-class bands such as AC/DC and Ozzy Osbourne. AC/DC's Bon Scott was so fond of spending time backstage with the members of Y&T rather than his own band, an anecdote that reflects how deeply Y&T was loved by their fellow musicians.

With 1983's "Mean Streak," they achieved a ranking on the US charts (Billboard 200), and signs of commercial success began to appear. In particular, the title track and "Midnight in Tokyo" gained radio airplay, cementing their popularity in Japan.

Pressure for Commercial Success and "Summertime Girls"

1984's "In Rock We Trust" brought in Tom Allom, who worked with Judas Priest, as producer, aiming for a more arena-rock-oriented sound. This album recorded the band's highest chart position in its history (No. 46 in the US) and sold over 450,000 copies.

However, demands from the label for a "smash-hit single" grew stronger year by year. For 1985's "Down for the Count," they attempted to approach glam metal/pop metal, which was flourishing on MTV at the time. The result was "Summertime Girls." This thoroughly bright and catchy song went into heavy rotation on MTV, bringing a new fan base to the band. On the other hand, long-time fans who loved their early hard-core heavy metal sound criticized it as a "sellout," causing the band's identity to waver.

2.3 Transformation and Dissolution: The Geffen Era and Member Changes (1986-1991)

Departure of the Rhythm Anchor, Leonard Haze

Years of grueling tours and changes in musical direction caused cracks in the lineup that had remained unchanged since formation. In 1986, original drummer Leonard Haze left the band. Jimmy DeGrasso, who possessed a more technical and modern style, joined as his successor. With DeGrasso's addition, the band's sound transformed into something tighter and more contemporary.

In 1987, they moved to Geffen Records and released "Contagious." The title track was a powerful hard rock number, proving that the band still possessed high potential, but it lacked explosive power in terms of sales.

Departure of Joey Alves and Joining of Stef Burns

In 1989, rhythm guitarist Joey Alves left the band due to health problems and personal circumstances. His absence thinned out the "wall of guitars" thickness that had been the foundation of the Y&T sound. Stef Burns, a talented guitarist known for his work with Huey Lewis & The News and others, joined as his successor.

In 1990, they released the album "Ten." With Stef Burns on board, the album became a more refined, AOR-tinged work, but the era was already shifting rapidly toward grunge and alternative rock, led by bands like Nirvana. For 1980s-style hard rock bands, the market environment became devastating, and Y&T chose to dissolve in 1991 following the release of the live album "Yesterday & Today Live."

2.4 Resurrection and into the Modern Era: Overcoming Loss (1995-Present)

Reunion and Independent Activity

After the breakup, Dave Meniketti pursued a solo career, but the demand for Y&T never vanished. In 1995, they reunited with the lineup from the time of dissolution (Meniketti, Kennemore, Burns, and DeGrasso) and released "Musically Incorrect." As the title implies, it was a statement of intent to play "anachronistic" hard rock during the height of the grunge era.

Following subsequent member changes (including a temporary return of Leonard Haze), from the 2000s onward, the band maintained stable activity with the lineup of Dave Meniketti (Vo/G), John Nymann (G), Phil Kennemore (B), and Mike Vanderhule (Dr).

"Facemelter" and Successive Tragedies

In 2010, they released "Facemelter," their first studio album in 13 years, via Frontiers Records. It was highly acclaimed as a masterpiece that recaptured their former vigor.

However, the joy was short-lived, as the band was struck by the greatest tragedies since its formation.

  • 2011: Original bassist and Meniketti's long-time ally Phil Kennemore passed away from lung cancer (January 7). Brad Lang stood in for him and subsequently joined as an official member.
  • 2016: Original drummer Leonard Haze passed away due to complications from COPD (Chronic Obstructive Pulmonary Disease) (September 11).
  • 2017: Original guitarist Joey Alves passed away due to complications from ulcerative colitis and other issues (March 12).

With this, Dave Meniketti became the sole surviving original member.

Indomitable Spirit: Present

In 2016, Aaron Leigh replaced Brad Lang as bassist. In 2022, Dave Meniketti announced that he had been diagnosed with prostate cancer, canceling tours to focus on treatment. While fans worldwide watched with bated breath, Meniketti declared total remission in 2023.

Spanning 2025 to 2026, Y&T continues to tour the world, passing their 50th anniversary. Meniketti considers it his mission to deliver passionate, "facemelting" live shows, continuing to stand on stage to honor the legacy of the departed members.

3. Detailed Member Profiles

Current Members

Name Role / Instrument Tenure Notes
Dave Meniketti Lead Vocals, Lead Guitar 1972-Present The band's founder and sole remaining original member. He favors the Gibson Les Paul, and his thick, sustaining tone and soulful singing voice are the symbols of Y&T.
John Nymann Rhythm Guitar, Vocals 2003-Present Originally the band's guitar tech, he had a history of performing backing vocals on albums like "Down for the Count." He officially joined as Stef Burns' successor.
Mike Vanderhule Drums, Vocals 2006-Present Joined after Leonard Haze's second departure. Possessing high technical skills ranging from hard rock to jazz, he forms the backbone of modern Y&T.
Aaron Leigh Bass, Vocals 2016-Present A friend of Brad Lang, he joined after Lang's departure. He also has performance experience in Frank Hannon's (Tesla) band.

Past Major Members (Original Lineup)

Name Role / Instrument Tenure Notes
Phil Kennemore Bass, Vocals 1973-2011 Deceased 2011. Formed the core of songcraft along with Meniketti. He wrote many of the lyrics, bringing a cynical and philosophical perspective to the band. His energetic stage presence made him highly popular with fans.
Leonard Haze Drums, Vocals 1972-1986, 2001-2006 Deceased 2016. The band's namer. Characterized by a powerful bass drum that earned him the moniker "World's Fastest Foot" and showmanship-filled drumming. He was the energy source of early Y&T.
Joey Alves Rhythm Guitar 1974-1989 Deceased 2017. Never flashy, but a master of rhythm guitar who created the "chunk" of the band's sound. Meniketti praised him as "the ultimate rhythm guitarist."
Other Past Members
  • Jimmy DeGrasso: Drums (1986-1991, 1995-2001)
    After leaving Y&T, he became one of the metal world's prominent drummers, playing with Megadeth, Alice Cooper, and Suicidal Tendencies.
  • Stef Burns: Guitar (1989-1991, 1995-2003)
    A technical and refined guitarist. He has also performed with Huey Lewis & The News and Italian superstar Vasco Rossi's band.
  • Brad Lang: Bass (2010-2016)
    Joined urgently to cover for the ailing Kennemore, mastering the setlist with astonishing speed. He departed amicably in 2016.

4. Discography

This section covers Y&T's studio albums, as well as key live and compilation albums. The existence of unique Japanese titles and bonus tracks underscores their immense popularity in Japan.

4.1 Studio Albums

1. Yesterday and Today (Japanese Title: Yesterday & Today)
  • Release Year: 1976
  • Label: London Records
  • Description: The memorable debut album. Strong shades of blues rock and boogie remain, while the later metallic elements are thin. It contains prototypes of live staples such as "Alcohol" and "Earthshaker" (the song that inspired their later album name). While the production is still unpolished, the raw energy of their youth is encapsulated within.
2. Struck Down (Japanese Title: Struck Down)
  • Release Year: June 1978
  • Label: London Records
  • Description: The sophomore album featuring more dramatic arrangements than its predecessor. Tracks like "Dreams of Egypt" foreshadow the lyrical hard rock style that would fully blossom in "Earthshaker." A hidden gem buried due to lack of label support, it has seen growing reevaluation since the 2000s.
3. Earthshaker (Japanese Title: Earthshaker / Shintan no Rock)
  • Release Year: 1981
  • Label: A&M Records
  • Key Tracks: "Hungry for Rock", "Dirty Girl", "Rescue Me", "I Believe in You"
  • Description: The first album after changing their name to Y&T, widely hailed as their masterpiece. Heavy riffs and melancholic melodies blend perfectly. "Rescue Me" became a radio hit, and "I Believe in You" serves as a textbook hard rock ballad, still performed at the climax of their live shows today. It is also well known for inspiring the name of the Japanese band "EARTHSHAKER."
4. Black Tiger (Japanese Title: Black Tiger)
  • Release Year: 1982
  • Label: A&M Records
  • Key Tracks: "Open Fire", "Black Tiger", "Forever"
  • Description: Recorded in the UK. The clockwork tiger on the jacket art leaves a lasting impression. The transition from the opening intro "From the Moon" into "Open Fire" is breathtaking. In particular, "Forever" is a legendary track synonymous with the band in Japan, its melancholic melody and driving speed striking a deep chord with Japanese fans. The grand scale of the closing track "Winds of Change" is also highly noteworthy.
5. Mean Streak (Japanese Title: Mean Streak)
  • Release Year: 1983
  • Label: A&M Records
  • Key Tracks: "Mean Streak", "Midnight in Tokyo", "Hang 'Em High"
  • Description: An offering from a period when the band's momentum was peaking, breaking onto the US charts. "Midnight in Tokyo" was written as a token of appreciation to Japanese fans, and lyrics like "Neon lights are flashing..." vividly evoke the Japanese landscape of that era. The sound grew more solid, accentuating the weight of the rhythm section.
6. In Rock We Trust (Japanese Title: In Rock We Trust)
  • Release Year: 1984
  • Label: A&M Records
  • Key Tracks: "Rock & Roll's Gonna Save the World", "Don't Stop Runnin'", "Lipstick and Leather"
  • Description: Produced by Tom Allom, who worked with Judas Priest, securing a big sound tailored for arenas. It peaked at No. 46 in the US. "Don't Stop Runnin'" became a topic of conversation along with its music video featuring a robot. The album title parodies "In God We Trust," reflecting Y&T's unwavering faith in rock 'n' roll.
7. Down for the Count (Japanese Title: Down for the Count)
  • Release Year: November 9, 1985
  • Label: A&M Records
  • Key Tracks: "Summertime Girls", "In the Name of Rock", "Face Like an Angel"
  • Description: A controversial album that pushed a more pop-oriented direction. While the smash hit "Summertime Girls" dramatically boosted the band's name recognition, the heavy use of synthesizers and overly light production bewildered traditional fans. Nonetheless, the quality of the songwriting remained high, and their melodic sense was fully intact.
8. Contagious (Japanese Title: Contagious)
  • Release Year: 1987
  • Label: Geffen Records
  • Key Tracks: "Contagious", "L.A. Rocks", "The Kid Goes Crazy"
  • Description: The first album after Jimmy DeGrasso joined. Swings back from the previous album's pop direction, returning to a sharp-edged hard rock sound. The riff of "Contagious" is aggressive, resurrecting Y&T's guitar-oriented charm. It is highly regarded as a hidden gem experiencing reevaluation.
9. Ten (Japanese Title: Ten)
  • Release Year: 1990
  • Label: Geffen Records
  • Key Tracks: "Don't Be Afraid of the Dark", "Ten Lovers", "City"
  • Description: The debut work featuring Stef Burns. The title signifies their 10th album overall (including live releases). Mike Stone, who worked with Journey and Asia, was involved in production, resulting in an exceptionally well-crafted AOR/hard pop album. While the sophisticated vocal arrangements on "Don't Be Afraid of the Dark" are superb, the album suffered the ill fate of releasing on the eve of the grunge boom, missing out on proper recognition.
10. Musically Incorrect (Japanese Title: Musically Incorrect)
  • Release Year: 1995
  • Label: Music for Nations
  • Description: The reunion album. Swimming against the tide of the 1990s, this ambitious work incorporated 1970s-style long jam sessions and a bluesy approach.
11. Endangered Species (Japanese Title: Endangered Species)
  • Release Year: 1997
  • Label: Music for Nations
  • Description: Carrying forward the direction of the previous work, this album pursued a darker and heavier groove. Meniketti's vocals show an added layer of mature depth.
12. Facemelter (Japanese Title: Facemelter)
  • Release Year: May 21, 2010
  • Label: Frontiers Records
  • Key Tracks: "I'm Coming Home", "Blind Patriot", "If You Want Me"
  • Description: Their first studio release in 13 years. "I'm Coming Home" became a new anthem exploding with the classic Y&T signature sound. This was the final album to feature full participation from Phil Kennemore, offering rich content that stands as the culmination of Y&T's career.

4.2 Key Live Albums

Title Release Year Description
Open Fire 1985 Captures performances from the "In Rock We Trust" tour. It also includes unreleased tracks at the time, such as "Go for the Throat," conveying the momentum of the band's peak era.
Yesterday & Today Live 1991 Records the 1990 farewell tour. Listeners can savor their high level of performance technique and the tight ensemble from the DeGrasso/Burns era.
Live at the Mystic 2012 A double-live album from Brad Lang's tenure. It covers a comprehensive modern setlist with exceptionally high audio quality.

4.3 Japanese Releases and Compilations

In Japan, reissues in SHM-CD (Super High Material CD) format and paper sleeve editions have frequently taken place. In particular, best-of albums like "Best of '81 to '85" have long been embraced as introductions to the band.
Furthermore, "UnEarthed Vol. 1" (2003) & "Vol. 2" (2004) are collections of unreleased demo recordings, serving as extremely vital documentation for understanding the band's creative process.

5. Cultural Impact & The Japan Connection

5.1 Y&T as the "Uncrowned Kings"

While Y&T is often described as "the Van Halen that didn't sell" or "the late-coming Zeppelin," Y&T's achievements lie more in their influence on fellow musicians than in sales numbers.

  • Pioneers of Bay Area Metal: They proved that hard and aggressive rock could succeed in the Bay Area, where thrash metal forces like Metallica and Exodus would later emerge. Lars Ulrich has openly proclaimed Y&T's influence on him.
  • Resurgence of the Les Paul: In the 1980s, while many guitarists used modified Stratocaster-type guitars (equipped with Floyd Rose bridges), Dave Meniketti stubbornly continued to use a Gibson Les Paul. His thick, sustaining tone is mentioned in the same breath as greats like Gary Moore.

5.2 A Special Bond with Japan (Midnight in Tokyo)

The relationship between Y&T and Japan is exceptional. Since their first visit in 1982, Y&T's lyrical, melancholic melodies (popularly termed "naki" or "crying" guitar lines) have consistently struck a chord with Japanese rock fans.

  • The Track "Midnight in Tokyo": Featured on the album "Mean Streak," this song is far more than just a track with a place name; it is a masterpiece that vividly captures the excitement of their visit and Tokyo's night scenery, serving as an absolute highlight performed at every Japanese show.
  • The Sanctuary of "Forever": In Japan, the popularity of "Forever" is exceptionally high. With a dramatic arrangement reminiscent of an anime or TV drama theme song, it remains a standard track in Japanese hard rock/heavy metal bars (HR/HM Bars) even today, boasting such penetration that sing-alongs erupt the moment the intro notes play.
  • Japan Tours: The band has visited Japan numerous times, leaving behind legendary performances at venues like CLUB CITTA' Kawasaki. They continuously sent messages of support to Japanese fans even during challenging periods, such as in the aftermath of major earthquakes.

6. The Legacy of Y&T

The story of Y&T is not merely "the history of a rock band." It is a record of the indomitable spirit (Resilience) of men who stuck to the music they believed in (Rock & Roll), even beneath desperate circumstances such as the stormy waves of the music industry, rapid shifts in trends, and the deaths of irreplaceable bandmates.

When Dave Meniketti, having overcome cancer, still takes the stage to sing out "I Believe in You," 50 years of weight overlap with thoughts of Phil, Leonard, and Joey, who departed before him. While they might never have grasped massive commercial success, the music left behind by Y&T never fades, continuing to shake (Earthshaking) the hearts of listeners seeking the "real deal" across generations.

Albums

Facemelter CD
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Facemelter delivers classic hard rock through Y&T’s bluesy guitar, sturdy rhythm and direct vocals.

Endangered Species CD
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Endangered Species brings together thick riffs, blues-rooted guitar and Dave Meniketti’s heated vocal presence.

Musically Incorrect CD
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Musically Incorrect strips Y&T back to straight-ahead hard rock centered on Dave Meniketti’s voice and guitar.

Ten CD
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Ten finds Y&T in a phase that puts hard rock’s physical pull forward on a base of bluesy grit and thick riffs.

Contagious CD
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Contagious keeps Y&T’s direct hard-rock feel while polishing its choruses and production toward a broader radio sound.

Down for the Count CD
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Down for the Count keeps Y&T’s blues-rooted hard-rock feel while bringing in brighter melodies and keyboard color.

In Rock We Trust CD
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In Rock We Trust naturally joins Y&T’s bluesy guitar instinct to the larger choruses of 1980s hard rock.

Mean Streak CD
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Mean Streak is a forceful Y&T record centered on Dave Meniketti’s voice and guitar.

Black Tiger CD
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Black Tiger gathers Y&T’s blues-tinged heavy riffs, strong vocal delivery and persistent rhythm.

Earthshaker CD
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Earthshaker joins Y&T’s thick guitar riffs, straightforward rhythm section and Dave Meniketti’s emotional vocal delivery with real force.

Struck Down CD
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Struck Down captures the band, still billed as Yesterday & Today, pushing a direct hard-rock attack.

Yesterday and Today CD
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Yesterday and Today captures the band later known as Y&T playing Bay Area hard rock with direct commitment on its debut.