BLACK LABEL SOCIETY
Biography and full discography of BLACK LABEL SOCIETY, with a page for every album, on METAL BOOST.
English Discography Overview
This English discography hub highlights BLACK LABEL SOCIETY albums such as Engines Of Demolition, Doom Crew Inc., Grimmest Hits. The album notes emphasize these records' riffs, vocals, production character, songwriting flow and listening context: Engines Of Demolition finds BLACK LABEL SOCIETY shaping Southern-rock grit, doom-leaning weight and bluesy guitar cries into a 2026 album with a clear sense of identity. Black Label Society’s eleventh album is packed with Zakk Wylde’s thick, sustaining riffs, blues-rooted phrasing and low-slung groove. Despite its title, Grimmest Hits is not a compilation but Black Label Society’s tenth studio record, packed with the band’s heaviest strengths.
Biography
BLACK LABEL SOCIETY
Musical Evolution, Cultural Impact
1. Building a "Society" in Heavy Metal
In the lineage of modern American Heavy Metal, Black Label Society (hereinafter BLS) occupies a unique position. Formed in Los Angeles, California in 1998, this band has transcended the framework of a mere musical group, succeeding in building a global community, or "Chapter," that fuses the aesthetics of biker culture, the aggression of heavy metal, and the lyricism of Southern rock.
The band's founder and absolute leader, Zakk Wylde, established BLS to embody his own musical vision after gaining worldwide fame as the guitarist for Ozzy Osbourne. The musicality of BLACK LABEL SOCIETY is defined by heavy doom riffs inherited from Black Sabbath, the gritty groove of Southern rock represented by Lynyrd Skynyrd and The Allman Brothers Band, and guitar play that makes frequent use of Zakk's signature "Pinch Harmonics."
2. Pre-formation History: Birth of a Guitar Hero and Early Concepts (1987-1998)
2.1 Encounter and Growth with Ozzy Osbourne
Zakk Wylde's (born Jeffrey Phillip Wielandt) career opened dramatically in 1987 at the young age of 20 when he was recruited as the lead guitarist for Ozzy Osbourne. The fact that an unknown young man working at a gas station in New Jersey would succeed legendary guitarists like Randy Rhoads and Jake E. Lee sent shockwaves through the rock world at the time.
On No Rest for the Wicked (1988), produced with Ozzy, and the multi-platinum No More Tears (1991), Zakk established his own playing style. His sound, featuring a Gibson Les Paul equipped with EMG pickups plugged straight into a Marshall JCM800 amplifier, was extremely thick and sharp. In particular, the intense vibrato and picking harmonics frequently woven into riffs on the low strings became his signature sound, forming the musical foundation for the later BLS.
2.2 Return to Southern Rock: Pride & Glory
In the early 1990s, when Ozzy hinted at retirement (later retracted), Zakk formed Pride & Glory, a project exploring his roots in Southern rock. The self-titled album released in 1994 featured a gritty sound incorporating banjo and mandolin, showcasing a musical direction that could be called the predecessor to BLS. The experience during this period became an important element in determining the direction of "hard rock with the scent of alcohol and cigarettes" in the later BLS.
2.3 Solo Album Book of Shadows and the Decision to Form a Band
In 1996, Zakk released his first solo album, Book of Shadows. This was an entirely acoustic and introspective work, strongly reflecting influences from Neil Young and The Eagles. However, during the tour following the release of Book of Shadows, Zakk and drummer Phil Ondich began to explore a return to more aggressive, riff-driven music. This became the direct trigger for the formation of BLS.
2.4 From "Hell's Kitchen" to "Black Label Society"
In 1998, Zakk and Phil began serious recording in Los Angeles. Initially, the band was planned to be named "Hell's Kitchen." In fact, the booklet design of the debut album Sonic Brew, which mimics a kitchen menu, is a remnant of that name.
However, during the trademark registration process, it turned out that the name "Hell's Kitchen" could not be secured. Adding the reason that it sounded "too '80s," Zakk changed the band name to "BLACK LABEL SOCIETY," named after his favorite whiskey, Johnnie Walker Black Label. This name change determined the fate of the band. The word "Society" developed into a concept symbolizing solidarity and "Brotherhood" with fans, far beyond just a band name.
3. Dawn Era: Sonic Brew and the Establishment of Identity (1998-2002)
3.1 Sonic Brew: Raw Impulse (1998/1999)
The memorable debut album Sonic Brew was released ahead of schedule in Japan on October 28, 1998, and subsequently released in the United States on May 4, 1999. Behind the delay of the US release, there is an anecdote that Johnnie Walker lodged a complaint regarding the trademark, necessitating a modification of the bottle design on the album cover.
Musical Characteristics and Analysis: This album is one of the works with the strongest Groove Metal color in Zakk's career. Tracks like "Bored to Tears" and "Born to Lose" feature heavy down-tuned riffs and a fluctuating guitar sound with deep Uni-Vibe and Rotovibe effects. The worldview of the lyrics depicts the loneliness, anger, and sorrow of a man drowning in alcohol, and Zakk's vocal style also shifted to a much lower, thicker growl than during his time with Ozzy.
Insights on Key Tracks:
- "Spoke in the Wheel": An acoustic ballad that stands as the earliest track symbolizing the "static" side of BLS. The fusion of piano and acoustic guitar serves as a stepping stone to the later Hangover Music.
3.2 Building a Live Lineup and Stronger Than Death (2000)
After their debut, rhythm guitarist Nick Catanese and bassist John DeServio were recruited to conduct live activities. Nick Catanese, in particular, was affectionately called "The Evil Twin" and supported the band for many years as Zakk's counterpart.
Stronger Than Death, the second album released in 2000, was an extension of the previous work but became more aggressive and metallic.
- Production Background: Zakk maintained a very aggressive stance toward critics during this period, and that anger is reflected in the overall tone of the album. Songs like "13 Years of Grief" and "All for You" are blocks of riffs meant to intimidate the listener.
- Member Changes: During this period, drummer Phil Ondich departed, and Craig Nunenmacher, formerly of Crowbar, joined. With Craig's addition, the band's rhythm section evolved into something more solid and heavy.
3.3 1919 Eternal and the Metaphor of War (2002)
1919 Eternal, released in 2002, became a turning point for the band. The title "1919" refers to the birth year of Zakk's father, and the artwork throughout the album adopted designs mimicking World War II propaganda posters.
Deepening of Music: There are rumors that riffs originally written for Ozzy Osbourne's album (Down to Earth) were repurposed for this album, but Zakk sublimated them into a unique BLS sound. Tracks like "Bleed for Me" and "Demise of Sanity" push mid-tempo heaviness to the extreme and became staples in live performances. It was also a period when Robert Trujillo (who later joined Metallica) participated as a bassist, and his funky, finger-picked powerful basslines elevated the band's groove to the next level.
4. Golden Era: Commercial Success and Tragedy (2003-2006)
4.1 The Blessed Hellride: Reaching the Pinnacle (2003)
The Blessed Hellride, released in 2003, is recognized by critics and many fans alike as one of BLS's greatest masterpieces. It reached number 50 on the Billboard charts, instantly expanding the band's recognition.
Completion of Style: On this album, ferocious heaviness, catchy melodies, and acoustic lyricism coexist in perfect balance.
- "Stillborn": The band's biggest hit. Ozzy Osbourne participated on backing vocals, demonstrating the strength of the master-disciple relationship with Zakk. The music video directed by Rob Zombie was also frequently aired on MTV and other networks.
- "The Blessed Hellride": The title track, driven by acoustic guitar, strongly reflects the influence of Southern rock, showcasing the maturity of Zakk's songwriting.
4.2 Hangover Music Vol. VI: An Experiment in Silence (2004)
Released due to the expiration of the contract with Spitfire Records, Hangover Music Vol. VI is an unusual work that intentionally excludes heavy metal elements.
- Musicality: Piano and acoustic guitar take center stage throughout, and distortion guitars are restrained except for a few songs like "House of Doom." This album, which could be called an homage to Neil Young and Elton John, highlighted Zakk's delicate vocal performance.
- Presentation to Fans: Although there were voices of bewilderment from some metal fans, it is evaluated in the long run as an important work demonstrating the band's musical depth. Ballads such as "Won't Find It Here" would play an important role in later live setlists.
4.3 Mafia and the Death of Dimebag Darrell (2005)
In 2005, the band moved to Artemis Records and released the album Mafia. This album reached number 15 on the Billboard charts, achieving the highest commercial success in the band's history at the time.
Impact of Tragedy: In December 2004, just before the album's production, Zakk's close friend and Pantera guitarist, Dimebag Darrell, was shot and killed on stage. This event dealt an immeasurable shock to Zakk, casting a shadow of loss and anger over the entire album.
- "In This River": Although originally written before the album's production, the lyrics resonated miraculously like a memorial to Dimebag, so it was included as a song dedicated to him. This song, featuring Zakk singing while playing the piano, has become the most moving highlight of BLS live shows, performed while displaying a massive portrait of Dimebag.
- Strength of Tracks: Tracks like "Suicide Messiah" and "Fire It Up" burst with guitar solos utilizing talk boxes and wah pedals, firmly establishing Zakk's status as a guitar hero.
4.4 Shot to Hell and the Challenge on a Major Label (2006)
Shot to Hell, released through a contract with major metal label Roadrunner Records, features a more polished production. It had a higher ratio of ballads, and experiments such as the introduction of strings were also seen. While it includes tracks like "Concrete Jungle" and "Blood Is Thicker Than Water," it is said that the promotion did not function sufficiently due to a deteriorating relationship with the label. As a result, the band left Roadrunner after just one album.
5. Rebirth and Evolution: The E1 Music Era (2010-2018)
5.1 Recovery from Health Issues and Order of the Black (2010)
In 2009, Zakk Wylde suffered from pulmonary embolism (a condition where blood clots form in the lungs), placing his life in jeopardy. Excessive alcohol consumption over many years was cited as one of the causes, and he was ordered by doctors to abstain from drinking. Around the same time, he also departed from Ozzy Osbourne's band.
Overcoming these adversities, the 2010 album Order of the Black was produced in a completely sober state.
- Complete Comeback: Released under a contract with E1 Music, this work debuted at number 4 on the Billboard charts, showing the world that the band was alive and well.
- Content: High-speed tracks like "Crazy Horse" and "Parade of the Dead" spoke to Zakk's physical recovery and full-hearted enthusiasm. Furthermore, from this period, Zakk began recording in his private studio, "The Black Vatican," completely taking control of the production environment.
- New Drummer: Long-time contributor Craig Nunenmacher departed, and Will Hunt took charge of the drums (later, Chad Szeliga officially joined).
5.2 Catacombs of the Black Vatican and Member Changes (2014)
In 2013, Nick Catanese, a member since the early days of formation, left the band. Although it was an amicable split, it was a major change for long-time fans. In his place, Dario Lorina, a young technical guitarist who had been active in Lizzy Borden and other projects, joined.
The 2014 album Catacombs of the Black Vatican was produced under this new lineup. As seen in "My Dying Time" and "Angel of Mercy," dark melodies reminiscent of grunge and Alice In Chains are emphasized. Dario's addition improved the reproducibility of guitar harmonies in live performances, raising the band's playing power even higher.
5.3 Grimmest Hits: Irony in the Title (2018)
Although the title of Grimmest Hits, released in 2018, sounds like a "Greatest Hits" compilation, it is actually an original album consisting entirely of new songs.
- Musicality: The return to Black Sabbath is prominent, and on tracks like "Trampled Down Below" and "All That Once Shined," heavy riffs directly descended from Tony Iommi are dominant. On the other hand, beautiful ballads like "The Day That Heaven Had Gone Away" are alive and well, demonstrating that BLS's stylistic beauty has reached completion.
6. Modern Era: Doom Crew Inc. and the Future (2021-2026)
6.1 Doom Crew Inc. and the Establishment of a Twin-Guitar System (2021)
Produced in the midst of the pandemic and released in November 2021, the 11th studio album Doom Crew Inc. is a work that clearly demonstrates the band's evolution.
- Concept: The album title refers to the entire community, including the band's tour crew and fans.
- Changes in Playing Style: While Zakk had played almost all of the guitar solos on previous albums, this work assigns many solo parts to Dario Lorina, fully featuring the twin-lead guitar trading-off with Zakk. This realized richer guitar orchestration, reminiscent of bands like The Allman Brothers Band and Judas Priest.
- Key Tracks: "Set You Free" and "End of Days" are tracks that symbolize this new twin-guitar style, expanding the freedom of live performance.
6.2 Outlook for the 2026 New Album
From 2024 to 2025, BLS accelerated its activities. Zakk was participating as a guitarist in Pantera's reunion tour, performing in stadiums around the world, but he ran BLS activities in parallel.
- Release of New Songs: The single "The Gallows" was released in 2024, "Lord Humungus" in February 2025, and "Broken and Blind" in October.
- "Broken and Blind": Zakk commented with his unique humor about this song, stating, "It's a song about being blind with rage if I don't get my peanut butter and chocolate," but the track itself is the classic BLS sound carrying a heavy groove and melancholy.
- New Album: The 12th studio album in total, including these singles, was released through MNRK Heavy / Spinefarm Records on March 27, 2026, as Engines Of Demolition (see 6.3).
6.3 Engines Of Demolition (2026)
On March 27, 2026, BLS released the album Engines Of Demolition. Its thirteen tracks refine the band's music around Southern-rock earthiness, doom-leaning weight and the weeping of bluesy guitar.
- Sound: Over riffs that surge thick and slow, Zakk Wylde's low, gruff singing does not over-decorate, and contrary to the destructive title the album also values quiet melancholy and the afterglow of the solos.
- Key Tracks: Thick riffs and heavy groove come to the front on "Name In Blood," "Gatherer Of Souls," "Broken And Blind" and "Pedal To The Floor," and "The Gallows," released as a single in 2024, is also included.
7. Membership and the Lineage of "Chapters"
7.1 Detailed Analysis of the Current Lineup
| Member Name | Role | Tenure | Characteristics & Contributions |
|---|---|---|---|
| Zakk Wylde | Vocals, Lead Guitar, Piano | 1998-Present | Founder. Responsible for writing the lyrics and music of almost all songs. Leads the band with overwhelming charisma and performing technique. |
| John "JD" DeServio | Bass, Backing Vocals | 1999, 2005-Present | Zakk's childhood friend and right-hand man. A theoretical mind from Berklee College of Music, creating grooves with his funky basslines. |
| Jeff Fabb | Drums | 2014-Present (*2012-2013) | From In This Moment. Supports recent stable live performances with powerful and tight drumming. |
| Dario Lorina | Rhythm/Lead Guitar, Backing Vocals | 2014-Present | A technical player from Las Vegas. Formerly in Lizzy Borden. Also proficient in piano, sometimes switching between piano and guitar with Zakk during live shows. |
7.2 Key Former Members
- Nick Catanese [1999-2013]: Rhythm guitar. Appointed as "The Evil Twin," he stayed for nearly 15 years and was Zakk's longest-running partner. His departure marked a turning point for changes in the band's sound.
- Craig Nunenmacher [2000-2010]: Drums. Nicknamed "Louisiana Lightning." He anchored the band's backbone for 10 years and is the drummer who participated in the most albums.
- Robert Trujillo [2001-2003]: Bass. Although it was a short period before joining Metallica, his unique finger-picking style contributed greatly to the sound of 1919 Eternal.
7.3 "Chapter" Culture
BLS's fan base is called "Berserkers," and "Chapters" (branches) exist all over the world (e.g., Tokyo Chapter, London Chapter). Fans wear "cuts" (sleeveless denim jackets) featuring the band's logo (a skull and the letters SDMF), possessing a sense of belonging akin to a motorcycle club (MC). SDMF stands as an acronym for "Strength, Determination, Merciless, Forever," serving as the shared creed between the band and its fans.
8. Discography
8.1 Studio Albums List
| Year | Title | Label | Billboard Peak (US) | Remarks / Key Tracks |
|---|---|---|---|---|
| 1999 | Sonic Brew | Spitfire | - | Contains "Bored to Tears" and "Spoke in the Wheel". The dawn of Southern metal. |
| 2000 | Stronger Than Death | Spitfire | - | Contains "Counterfeit God". A barrage of aggressive riffs. |
| 2002 | 1919 Eternal | Spitfire | - | Contains "Bleed for Me" and "Genocide Junkies". Features Robert Trujillo. |
| 2003 | The Blessed Hellride | Spitfire | 50 | Contains "Stillborn" (feat. Ozzy) and "Funeral Bell". The band's signature work. |
| 2004 | Hangover Music Vol. VI | Spitfire | 40 | Contains "House of Doom". An acoustic-driven experimental work. |
| 2005 | Mafia | Artemis | 15 | Contains "In This River", "Suicide Messiah", and "Fire It Up". A commercially successful work. |
| 2006 | Shot to Hell | Roadrunner | 21 | Contains "Concrete Jungle". The sole work on a major label. |
| 2010 | Order of the Black | E1 Music | 4 | Contains "Overlord" and "Parade of the Dead". A powerful album marking a complete comeback. |
| 2014 | Catacombs of the Black Vatican | E1 Music | 5 | Contains "My Dying Time" and "Angel of Mercy". First work featuring Dario Lorina. |
| 2018 | Grimmest Hits | E1 Music | 29 | Contains "Room of Nightmares" and "Trampled Down Below". A return to Sabbath-esque doom. |
| 2021 | Doom Crew Inc. | MNRK Heavy | - | Contains "Set You Free" and "End of Days". Full introduction of twin-lead guitars. |
| 2026 | Engines Of Demolition | MNRK/Spinefarm | — | Contains "Name In Blood", "Broken And Blind" and "The Gallows". Southern-rock earthiness and doom-leaning weight. |
8.2 Details of Live Albums & Video Works
The true value of BLS lies in their live performances. The following works are important records documenting the band's performances across various eras.
1. Boozed, Broozed & Broken-Boned (2003)
- Recorded: September 14, 2002, at Harpos Concert Theatre in Detroit.
- Content: A raw live performance from the 1919 Eternal era. A valuable video featuring Robert Trujillo participating on bass. It records the "wild boy" style of the time, performing while drinking beer.
- Tracks: "Demise of Sanity", "Bleed for Me", "13 Years of Grief", etc.
2. The European Invasion - Doom Troopin' Live (2006)
- Recorded: Performances in Paris and London.
- Content: A record of the Mafia tour. The video quality is vastly improved. The performance scene of "In This River" moves viewers to tears. It also includes a 50-minute documentary, "Backstage Pass," giving a look behind the scenes of the tour.
3. Skullage (2009)
- Content: A set consisting of a greatest hits CD and a DVD. The DVD features a collection of music videos as well as footage from the acoustic live show "Slightly Amped" performed in Lehigh Valley in 2004.
4. Unblackened (2013)
- Recorded: Club Nokia, Los Angeles.
- Content: A semi-acoustic live performance titled "Unblackened," playing on the concept of "Unplugged." Performed in a seated style, heavy songs are rearranged into blues or country flavors. One of the last official video works featuring Nick Catanese.
- Setlist: "The Blessed Hellride", "Spoke in the Wheel", "House of Doom", "Losin' Your Mind", etc.
8.3 EPs & Other Releases
- No More Tears Sampler (1999): An early promotional EP. Features covers of Ozzy, among others.
- Kings of Damnation 98-04 (2005): A greatest hits album covering the early era (Spitfire era).
- Glorious Christmas Songs That Will Make Your Black Label Heart Feel Good (2011):
- Content: An instrumental guitar cover EP of Christmas songs by Zakk. Beautiful arrangements are applied using acoustic guitars.
- Tracks: "I'll Be Home for Christmas", "O Little Town of Bethlehem", "It's a Wonderful World".
- Nuns and Roaches (2019):
- Content: A vinyl EP released exclusively for Record Store Day. Contains 6 unreleased tracks recorded in 1999.
- Tracks: "The Killing Cross", "Peace & Sympathy", "Black Pearl (Fermented Version)", etc.
9. Musical Style & Gear Analysis
9.1 Core of the Sound: Southern Doom Metal
The sound of BLS is born from the collision of the following three elements:
- Black Sabbath-style Doom: Heavy, slow riffs using half-step down (Eb) tuning or even lower, influenced by Tony Iommi.
- Southern Rock Lyricism: Within the darkness of doom metal, gritty grooves mixed with major scale brightness like The Allman Brothers Band and bluesy phrasing utilizing pentatonic scales coexist.
- Shred Guitar: Zakk's superb technique. High-speed full picking that applies the country technique called "chicken picking" to metal, and "pinch harmonics" that produce high-pitched sounds by sharply striking the strings, serve as his very ID.
9.2 Gear Evolution
- Gibson Les Paul Era: Throughout most of his career, Zakk used Gibson Les Paul Customs. The guitar with the "Bullseye" paint job was his ultimate symbol.
- Wylde Audio Era (2016-Present): In 2016, Zakk launched his own guitar brand, "Wylde Audio." Since then, in BLS recordings and live performances, he uses uniquely shaped guitars like the "Odin," "War Hammer," and "Viking V," along with amplifiers from his own brand. This allowed him to pursue his ideal tone more freely.
10. The Future of a Strong "Society"
Having passed more than 25 years since its formation, Black Label Society is no longer just "the band of the former Ozzy Osbourne guitarist." BLACK LABEL SOCIETY has established a position that can be called a unique genre within the history of heavy metal. Overcoming trials such as membership turn-overs and Zakk's own health crises, the band has strengthened its solidarity.
The evolution of the twin-guitar system shown in Doom Crew Inc. and the richness of the new songs heading into 2026 prove that Zakk Wylde's creativity has not run dry. Along with the solidarity of "Chapters" spreading across the globe, BLS's engine will continue to roar. The banner raised by BLACK LABEL SOCIETY, "SDMF (Strength, Determination, Merciless, Forever)," is not just a slogan, but the very way of life for BLACK LABEL SOCIETY.
Trivia
Black Label Society's debut reached shops in Japan before anywhere else. Sonic Brew was issued there on 28 October 1998 with thirteen tracks and a free Zakk Wylde guitar pick. North America did not see it until 4 May 1999, more than six months later, and that edition carried three bonus tracks — among them a cover of Ozzy Osbourne's 'No More Tears' with Mike Inez of Alice in Chains on bass.
Black Label Society was started in 1998 by Zakk Wylde. The band's own site describes a group that has lasted more than a quarter of a century on music that puts crushing riffs, blues-soaked grooves, soaring guitar leads and unexpectedly unguarded balladry into one place.
The band was very nearly called something else. Zakk Wylde's first choice was Hell's Kitchen, and the drummer Phil Ondich had already worked up a sleeve design under that name — but the name could not be trademarked, so it had to go. What replaced it was Black Label Society, chosen because Wylde liked Johnnie Walker Black Label and because the phrase 'black label' itself stands for the best of something.
The Sonic Brew sleeve in circulation today is not the one the band first printed. Zakk Wylde had picked a whisky bottle off a supermarket shelf, decided its label was the cover, and used it. After release, Johnnie Walker got in touch — Wylde assumed an endorsement was coming, and what arrived was a cease and desist. The artwork was scrapped in a hurry and replaced with a motorcycle-club-style logo of the band's name.
Black Label Society exists because Zakk Wylde briefly had nowhere to go. Ozzy Osbourne stood down after 1995's Ozzmosis, and in that same year Axl Rose rang to invite Wylde to jam with Guns N' Roses. After Ozzy's Black Sabbath reunion in the summer of 1997 came the question of whether Wylde was in or out for a tour, and lawyers and managers turned it into something harder. He did go back for dates in Japan, Australia and New Zealand early in 1998, but he was left off that year's American Ozzfest, and the Guns N' Roses jam never turned into anything. With a pile of riffs and song ideas and no outlet for them, he began work in 1998 on a record of his own.
Ozzy Osbourne's appearance on The Blessed Hellride came about because of Zakk Wylde's wife. Wylde was reluctant to ask — they had come off a tour together only weeks earlier — so she rang Sharon Osbourne, who is also Ozzy's manager, herself. Sharon, by Wylde's account, welcomed it as a chance to get Ozzy out of the house and working. The recording itself took about two takes, and the first thing Ozzy said afterwards was to ask whether there was any beer.
Asked about the title of Mafia, Zakk Wylde explained that what the word means to him is God and family. It is, he said, another way of saying Black Label Society: run into someone wearing a BLS shirt anywhere in the world and you know you have met one of your own, part of the same large family.
'In This River' did not begin as a memorial. Zakk Wylde wrote it for Mafia several months before his friend Darrell 'Dimebag' Abbott was killed. It was after Abbott's death that Wylde read the words back, decided the song could only be Dime's, and let it become one. The video casts the two guitarists as children who ride their bikes to the edge of a river and swim for the far bank; only Wylde reaches it. The river, in his description, stands for life itself.
News
Black Label Society Share Live Debut Video Of Ozzy Osbourne Tribute "Ozzy’s Song"
Zakk Wylde’s Black Label Society have shared footage of the live debut of "Ozzy’s Song," their tribute to Ozzy Osbourne, performed on March 27, 2026 at The Sylvee in Madison, Wisconsin.
Play MVZAKK WYLDE’s Complete BLACK LABEL SOCIETY Catalog Acquired By MNRK MUSIC GROUP
The deal covers 11 studio albums including “Stronger Than Death”, “1919 Eternal”, “The Blessed Hellride” and “Order Of The Black”, plus live releases, compilations, EPs and Zakk Wylde’s solo record “Unblackened”. MNRK says reissues and catalog campaigns are planned.
PANTERA Put Tickets For Two-Night New Orleans Event “The Great NOLA Trendkill” On Sale
The band announced that tickets are now on sale for two nights at the Lakefront Arena in New Orleans on November 20 and 21. The bill also features DOWN, BLACK LABEL SOCIETY, POWER TRIP, CORROSION OF CONFORMITY, CROWBAR, PIG DESTROYER, EYEHATEGOD, Rāde and Herakleion.
PANTERA Announces “The Great Nola Trendkill” Two-Day Festival With DOWN, BLACK LABEL SOCIETY, CORROSION OF CONFORMITY, Others
Presented by Housecore Horror, Housecore Records and Live Nation, the two-day festival takes place at Lakefront Arena in New Orleans on 20-21 November and marks PANTERA's first show in the city in 30 years, nodding to the 30th anniversary of 1996's “The Great Southern Trendkill”. The weekend also serves as DOWN's official “Volume V” release show, with BLACK LABEL SOCIETY, CORROSION OF CONFORMITY, POWER TRIP, CROWBAR, EYEHATEGOD and PIG DESTROYER also performing.
MEGADETH Announce ‘Breakout: Hibernation Of The Nations’ 2027 European Tour
The 24-date run across the U.K. and mainland Europe opens March 9, 2027 in Belfast and closes April 13 in Lisbon, Portugal, with Black Label Society and Testament supporting.
Albums
Engines Of Demolition finds BLACK LABEL SOCIETY shaping Southern-rock grit, doom-leaning weight and bluesy guitar cries into a 2026 album with a clear sense of identity.
Black Label Society’s eleventh album is packed with Zakk Wylde’s thick, sustaining riffs, blues-rooted phrasing and low-slung groove.
Despite its title, Grimmest Hits is not a compilation but Black Label Society’s tenth studio record, packed with the band’s heaviest strengths.
Catacombs of the Black Vatican combines Black Label Society’s heavyweight riffs with a blues-born sense of melody, creating a record with deep shadows.
Order of the Black puts Zakk Wylde’s thick guitar riffs, heavy groove and bluesy song sense at the front in classic Black Label Society fashion.
Shot to Hell builds Black Label Society around Zakk Wylde’s thick guitar, low rolling rhythm, and rough vocal style.
Mafia anchors its sound in heavily distorted guitar, low groove and Zakk Wylde’s rough vocal character.
Hangover Music Vol. VI steps away from Black Label Society’s usual riff-heavy attack toward acoustic guitar, piano and melancholy melody.
The Blessed Hellride joins Zakk Wylde’s thick riffing and Southern-blues feeling to a dragging, heavy groove.
1919 Eternal joins Zakk Wylde’s enormous guitar riffs with Black Label Society’s bluesy, shadowed sense of melody.
Stronger Than Death pushes Black Label Society further into thick riffs, low-slung groove and Zakk Wylde’s southern-metal grit.
Sonic Brew establishes Black Label Society through weighty riffs, earthy blues feeling and rough vocal delivery.