BLINDMAN

Biography and full discography of BLINDMAN, with a page for every album, on METAL BOOST.

English Discography Overview

This English discography hub highlights BLINDMAN albums such as After Rain, OUTBURST, Expansion. The album notes emphasize these records' riffs, vocals, production character, songwriting flow and listening context: Released on September 24, 2025, After Rain is BLINDMAN’s twelfth full-length album, issued in the band’s thirtieth-anniversary year. OUTBURST condenses new songs and re-recordings into a five-track mini album that captures BLINDMAN’s place during its twenty-fifth-anniversary era. Released for the band’s twenty-fifth anniversary, Expansion reinforces BLINDMAN’s identity as a melodic and emotional hard-rock band with a stronger sense of ensemble.

Biography

A Treasure in the Japanese Hard Rock Scene
The Trajectory and Musical Evolution of BLINDMAN

Based in Tokyo, BLINDMAN has consistently pursued a melodic yet robust sound rooted in 70s and 80s British Hard Rock, standing firm in a volatile music industry with rapidly changing trends.

2. Band Overview and Historical Evolution

2.1 Early Years: Formation and Rise in the Indie Scene (1995–2000)

【Background of Formation and Initial Impulse】 In 1995, the music scene in Tokyo was booming with the rise of Visual Kei bands and a Punk Rock movement. Against this historical backdrop, guitarist Tatsuya Nakamura sought to form an orthodox hard rock band, seemingly going against the trends of the times. His vision was clear: to blend emotional guitar melodies inspired by past guitar heroes such as Ritchie Blackmore and Gary Moore with soulful vocals.

The name "BLINDMAN" is said to be derived from a slang term used in Western countries for the special duties of protecting VIPs (Secret Service). This can be interpreted as implying their determination to act as "guardians" who protect the dignity of true rock music without being swayed by commercialism.

The early lineup consisted of talented musicians gathered to realize Nakamura's vision.

  • Tatsuya Nakamura: Guitar
  • Manabu Takaya: Vocals - His bluesy, deep, low-to-mid range voice and emotionally rich expressiveness defined the early identity of BLINDMAN.
  • Tatsuya Toda: Bass - Provided the groove that anchored the backbone of the band.
  • Hitoshi Endo: Keyboards - Made extensive use of the Hammond Organ, adding depth and a classic rock flavor to the band's sound.

The drum position was fluid; in the early stages (1995–1996), Ichiro Nagai, who would later achieve success with Concerto Moon, was a member, followed by the addition of Louis Sesto, which began to solidify the lineup for their golden era.

【The Castle Records Era】 In 1998, the band signed with the indie label Castle Records and released their debut album, *Sensitive Pictures*. With a level of perfection unexpected from a newcomer band and a sorrowful melody line, this album instantly became a hot topic among hard rock fans at the time. In particular, the crying guitar and dramatic progression seen in the song "Why Did You Come Back?" established it as BLINDMAN's signature sound.

The following year, in 1999, they released their second album, *Being Human*. This work showed an increased variety of songs, a lyrical world expressing the subtleties of human emotions, and improved tightness in their ensemble. In the same year, they also released *Live, Living, Alive!!*, a live album capturing the true essence of BLINDMAN's live performances, successfully packaging an intensity that rivaled or even surpassed their studio albums.

In 2000, they released the mini-album *... in the dark*. This work served as an important stepping stone toward their upcoming major debut, beginning to emphasize a heavier and more aggressive side. During this period, changes in the rhythm section occurred, including the temporary departure of drummer Louis Sesto and the recruitment of Katsutoshi Murakami as his successor, yet the band's momentum showed no signs of stopping.

2.2 Golden Era: Leap Forward with King Records (2001–2003)

【Major Debut and Birth of a Masterpiece】 With the dawn of the 21st century, BLINDMAN reached a major turning point. They secured a contract with the NEXUS label under King Records, a prestigious label in the Japanese heavy metal and hard rock scene. This meant that BLINDMAN had stood on the same field as legends like ANTHEM and LOUDNESS.

The major debut album *BLINDMAN*, released in 2001, is considered one of the band's greatest masterpieces, fully deserving of its self-titled status. The production quality improved significantly; with enhanced separation of instruments and increased sound pressure, the dynamism of BLINDMAN's music was fully unleashed. In particular, the track "Living a Lie" became a classic fusing a catchy chorus with hard riffs, and it remains a live staple to this day.

【Deepening Musicality and Sudden Disbandment】 In 2002, they released their fourth studio album, *Turning Back*. The collection of songs, incorporating a sense of speed and neoclassical elements as seen in the title track "Turning Back," appealed not only to hard rock fans but also to melodic speed metal enthusiasts. The lineup at this time (Nakamura, Takaya, Toda, and Murakami) could be said to have reached a pinnacle in terms of performance technique and band unity.

However, in 2003, following the release of the best-of album *Soul Talks, Melodies Walk*, the band announced their disbandment. Whether driven by a desire for further creative pursuits or the difficulty of operating as a pure hard rock band in the music scene at that time, the reasons were presumed to be complex, and this breakup sent shockwaves through many fans. Afterward, the members went their separate ways, with Manabu Takaya forming DIABLO GRANDE.

2.3 Reunion and Evolution: Triumph Records Era (2006–2014)

【Signals of Revival】 Breaking a silence of about three years since their disbandment, BLINDMAN reunited in 2006. The revival of the golden duo—core figure Tatsuya Nakamura and vocalist Manabu Takaya—was welcomed with wild enthusiasm by the scene. Choosing Triumph Records as their new partner, they released the album *Pain for the Pleasure*. While maintaining their previous lyricism, this work incorporated a more modern and heavy sound production, proving the band's evolution.

【Fluidity of Members and Expansion of Musicality】 This period was also characterized by frequent changes in the rhythm section and keyboard players.

  • Bass: Replacing original member Toda, Yu-Ki Usuba (2004–2006) and subsequently Masayuki "Az" Azuma (2007–2010) joined the band. Each brought a distinct groove, altering the band's sound.
  • Keyboards: Hiroki Matsui, who joined officially in 2009 after serving as a support member, remained with the band for a long time until 2024. He played a crucial role in supporting the band's mid-to-late sound with symphonic arrangements and technical solo plays.
  • Drums: After Katsutoshi Murakami served until 2011, former member Louis Sesto made a return (2011–2014).

Within this fluid lineup, the band repeated musical experiments. They showed a Progressive Rock approach in *Subconscious In Xperience* (2008), returned to orthodox hard rock in *Re-rise* (2010), and pushed their most aggressive side to date in *Blazing Crisis* (2012).

However, in 2014, vocalist Manabu Takaya, who had long been the "face" of the band, departed. This was the biggest crisis for the band, putting its very survival in jeopardy.

2.4 A New Chapter Begins: Ray's Arrival and the Walküre Records Era (2016–2023)

【Discovery of a New "Voice" in Ray】 Following Takaya's departure, Nakamura refused to let the band end and searched for a new vocalist. The choice fell upon Ray. Having active experience in bands like GALACTICA PHANTOM, Ray was a vocalist with a piercing high tone and clear vocal quality, in contrast to Takaya's bluesy voice. Additionally, the young drum prodigy Shun Minari joined on drums. With original bassist Tatsuya Toda having already returned in 2011, a reborn BLINDMAN was established, merging the rock-solid foundation of "Nakamura and Toda" with the fresh energy of "Ray and Minari."

【Toward a Second Golden Era】 In 2016, they released their first album under the new lineup, *To the Light*, from Walküre Records. As the album title indicated, the band began moving forward in search of a new light. Ray's vocals brought fresh interpretations to existing tracks and enabled more melodious and high-speed progressions in new compositions.

Energetic releases continued thereafter.

  • *Reach for the Sky* (2018): The anthemic uplift of the title track became the symbol of the reborn BLINDMAN.
  • *Expansion* (2020): Produced amidst the COVID-19 pandemic, this album showcased the band's maturation and "expansion," yielding gems like the ballad "Promise of Love."
  • *Outburst* (2023): Though a mini-album, it included re-recordings of past classics, attempting a fusion of the past and present.

2.5 30th Anniversary and Return to Roots (2024–Present)

【Return of the Original Member】 In 2024, just before the band's 30th anniversary, a surprising announcement was made. In place of long-time keyboardist Hiroki Matsui, original founding member Hitoshi Endo made a shocking return after about 26 years. As a result, the current lineup became as follows, bringing together three original members (Nakamura, Toda, and Endo)—a structure that brought tears of joy to long-time fans.

Current Lineup (As of 2025):

  • Gt: Tatsuya Nakamura
  • Vo: Ray
  • Ba: Tatsuya Toda
  • Key: Hitoshi Endo
  • Dr: Shun Minari

【Latest Work: After Rain】 Then, in September 2025, their 12th studio album overall, *After Rain*, which serves as their 30th-anniversary commemorative work, will be released. Like light shining through a world after the rain, high expectations surround this album as an encapsulation of the "present" of BLINDMAN, a band that has survived a long history.

3. Detailed Member Profiles and Play Style Analysis

In this chapter, we delve deeper into the roles and characteristics of each member shaping the sound of BLINDMAN.

Current Members

Tatsuya Nakamura - Guitar / Composer / Leader

  • Date of Birth: August 14
  • Role: Founder of the band and the main songwriter who composes almost all tracks.
  • Play Style:
    • His playing is often described as a "crying guitar." He is highly particular about the nuances of choking and vibrato, possessing one of Japan's finest abilities to make a guitar "sing."
    • He favors the combination of a Gibson Les Paul Custom and Marshall amplifiers, characterized by a wide dynamic range where distortion and tone are controlled purely by picking dynamics.
    • In terms of riff-making, he excels at blasting simple yet catchy riffs directly descended from 70s hard rock with a modern sound pressure.

Ray - Vocals

  • Date of Birth: February 6
  • Role: Vocalist who joined in 2016. He also handles songwriting/lyrics.
  • Play Style:
    • His greatest characteristic is a clear, soaring high-tone voice. If his predecessor Takaya represented "strength," Ray embodies "flight."
    • With his arrival, the band became capable of performing high-register tracks and taking approaches closer to melodic metal. Furthermore, his English pronunciation is smooth, fitting well with BLINDMAN's Western-oriented sound.
    • In live performances, he combines an aggressive edge that fires up the audience with the sensitivity required to sing ballads beautifully.

Tatsuya Toda - Bass

  • Date of Birth: September 30
  • Role: Original bassist (1995–2003, 2011–Present).
  • Play Style:
    • Primarily uses fingerpicking to create an undulating groove. While Nakamura's guitar delivers the melody, the bass line moving beneath drives the songs forward.
    • Rather than flashy tapping or slapping, he is a craftsman-like player who prefers a "singing bass line" utilizing root notes and passing tones effectively.

Hitoshi Endo - Keyboards

  • Role: Original keyboardist (1995–1998, 2024–Present).
  • Play Style:
    • Renowned for his Hammond Organ play. The earthy yet solemn atmosphere found in early BLINDMAN sound owes much to his hands.
    • With his return after 26 years, attention is focused on how he will fuse the latest digital synthesizers with vintage organ sounds.

Shun Minari - Drums

  • Role: Joined in 2016.
  • Play Style:
    • Demonstrates highly technical and powerful drumming despite his youth. He effortlessly handles double bass drum rolls and odd-meter approaches, elevating the band's rhythm section to modern metal standards.
    • Leveraging his experience in activities such as Crying Machine, he possesses the flexibility to handle progressive arrangements.

Notable Past Members

  • Manabu Takaya - Vocals (1995–2014): The founding vocalist. Reminiscent of David Coverdale from Deep Purple, his soulful and alluring voice was the symbol of early-to-mid BLINDMAN.
  • Hiroki Matsui - Keyboards (2009–2024): A key contributor who supported their mid-era sound. He expanded the band's scale with brilliant synth sounds and orchestration.
  • Louis Sesto - Drums: Hailing from the United States. In addition to being powerful, his drumming possessed a singing quality, and he made significant contributions to songwriting (such as supervising English lyrics).

4. Discography

Here, all works released by BLINDMAN to date are comprehensively listed along with their details.

4.1 Studio Albums

Year Title Label Notes
1998 Sensitive Pictures Castle Records The memorable debut album. Boasts a high degree of perfection despite being an indie release. Includes "Why Did You Come Back?".
1999 Being Human Castle Records 2nd album (July 10, 1999). Characterized by lyrics dealing with more human themes and a deepened ensemble.
2001 BLINDMAN King Records Major debut album (June 27, 2001). Includes the classic track "Living a Lie." Highly renowned as the band's representative work.
2002 Turning Back King Records 2nd major album (April 24, 2002). A work with an exquisite balance between high-speed tracks and lyrical ballads.
2006 Pain for the Pleasure Triumph Records First release after reforming (April 21, 2006). A revival work that evolved into a heavy and modern sound production.
2008 Subconscious In Xperience Triumph Records 6th album (August 6, 2008). An ambitious work incorporating progressive elements and creating more complex song structures.
2010 Re-rise Triumph Records 7th album (July 28, 2010). A return to orthodox hard rock. Includes "The Tears of God."
2012 Blazing Crisis Triumph Records 8th album (October 17, 2012). A hard & heavy work with aggressive riffs pushed to the forefront. The final album featuring Manabu Takaya.
2016 To the Light Walküre Records 9th album (December 21, 2016). The first album after Ray (Vo) joined. A light-filled work heralding the dawn of a reborn BLINDMAN.
2018 Reach for the Sky Walküre Records 10th album (November 21, 2018). Packed with tracks that shine in live settings, including the anthemic title track and a cover song.
2020 Expansion Walküre Records 11th album (November 11, 2020). Commemorating the 25th anniversary of formation. A masterpiece where maturity and new challenges coexist.
2025 After Rain Walküre Records 12th album (Scheduled for September 24, 2025). 30th-anniversary commemorative work. The return album for original member Hitoshi Endo.

4.2 Tracklist Analysis of Notable Albums

*Reach for the Sky* (2018)
A work where the band's direction after Ray's arrival became completely established.

  1. Strangers In The Night: An opening number full of a sense of speed.
  2. Now Or Never: Characterized by catchy chorus work.
  3. Da Doo Ron Ron: A cover of The Crystals. Upgraded into a fun rock 'n' roll tune with a hard rock arrangement.
  4. Survive: A mid-tempo track with a heavy, resounding rhythm.
  5. The End Of My Dream: Sorrowful melodies touch the heart.
  6. Love In The Middle Of The Night
  7. Blue Moon
  8. Roll The Dice
  9. Reach For The Sky: The highlight of the album. Impressions are left by hopeful lyrics and a piercing high tone.
  10. Angels Ladder: A magnificent ballad that closes the album.

*Expansion* (2020)

  1. Love Drifter: A light rock number.
  2. Angel Smile: A track showcasing melodious and pop aspects.
  3. Promise of Love: Also released as a lead single, possessing a beautiful melody.
  4. Tonight
  5. Over There
  6. Never Say Never
  7. One Step Closer
  8. Your Melody
  9. In the Autumn Wind: The tone of Nakamura's guitar is superb, evoking the feeling of an autumn breeze.
  10. Solitude
  11. I'm Falling Down: Includes a song written by Manabu Takaya, serving as a bridge between old and new fans.

*After Rain* (2025)

  1. Spreading Out the Wings
  2. Groove the Night
  3. Soul Stealer
  4. Love So Blue
  5. No Pain No Love
  6. Rain (Instrumental)
  7. After Rain
  8. Upside Down
  9. Red Sunset
  10. Perfect World

4.3 EPs, Singles & Compilations

  • EP: *...in the dark* (October 10, 2000)
    A mini-album released during the transition period from indie to major. Characterized by a dark and heavy texture.
  • Single: *Slave of You* (2001)
    A single cut from their 1st major album.
  • Compilation: *Soul Talks, Melodies Walk* (2003)
    A best-of album released upon their disbandment, comprehensively covering their representative songs.
  • Self-Cover Best: *Evergreen* (August 7, 2013)
    As a culmination of Manabu Takaya's tenure, this work features re-recordings of past classics by the lineup at that time. Classics like "Turning Back" and "Living a Lie" were revived with modern sound quality.
  • Live Album: *Live...in the dark to the light* (November 22, 2017)
    A 2-disc live album recording the Nagoya performance from the tour after Ray's arrival. The highlight is not only the new songs but also how Ray interpreted and sang the tracks from the Takaya era.
  • Single: *Promise of Love* (October 21, 2020)
  • EP: *Outburst* (September 20, 2023)
    In addition to 3 new tracks, it includes re-recorded versions of the classics "The Bed of Nails" and "Living a Lie" featuring Ray's vocals.

5. Musical Characteristics and Position in the Scene

5.1 Uniqueness of Sound: Fusion of Lyricism and Robustness

While the musical style of BLINDMAN is often described as "Melodic Hard Rock," their sound possesses a depth that cannot be contained within simple vocal-oriented tracks.

  1. Return to Blues: While many Japanese metal bands lean toward speed or classical music, BLINDMAN has consistently cherished a rock 'n' roll groove based on the blues. The nuances of restraint and choking in Nakamura's guitar solos evoke the lineage of blues rock extending continuously from B.B. King and Eric Clapton.
  2. Inheritance and Modernization of the "Orthodox": BLINDMAN faithfully inherits the stylistic beauty of British hard rock—such as the use of the Hammond organ, guitar-and-keyboard unisons, and dramatic song progressions—found in bands like Deep Purple, Rainbow, and Whitesnake. However, they never remain a mere copy band; they impart a strength that holds up in the modern metal scene through heavy riffs incorporating down tuning and high-pressure sound design using modern equipment.
  3. Fusion of Japanese and English: In their lyrics, while valuing the resonance of the Japanese language, they skillfully interweave English phrases that do not compromise the rock groove. Particularly in tracks like "Living a Lie," the catchiness of the English chorus becomes a vital element that generates sing-alongs with the audience.

5.2 Influence on the Scene

Alongside bands like ANTHEM, SABER TIGER, and CONCERTO MOON, BLINDMAN was one of the driving forces that supported the "Japanese metal winter era" from the late 90s to the 00s and revived the scene. BLINDMAN's uncompromising stance toward their activities has shown succeeding bands the importance of "sticking to the rock you believe in without being swayed by trends."

Furthermore, they regularly appear at events such as PURE ROCK JAPAN, continuing to display their presence to rock fans across different genres.

6. Conclusion

It is no exaggeration to say that the 30-year history of BLINDMAN is indeed the history of Japanese hard rock itself. From the initial impulse of their indie days, the glory and setbacks in the major scene, to their new evolution following their reunion—throughout every process, BLINDMAN never once lost sight of their core: "high-quality melodies and a soul-stirring guitar."

Hitoshi Endo's return in 2024 and the new album *After Rain* in 2025 are a declaration of intent that the band is not merely immersing itself in nostalgia, but fusing the past (original members) and present (Ray and Shun Minari) to march into the future. As long as the guitar played by Tatsuya Nakamura continues to resound, BLINDMAN will surely keep shining as an immortal "treasure" in the Japanese rock scene.

Trivia

The official biography traces the band's name to a slang term used in the West for close-protection work — the job of guarding people who need guarding. What makes the entry unusual is the clause that follows it. The band notes, in the same breath, that this account dates from the time of their formation and that they have no way of confirming it against anything findable online today. A band publishing its own name origin while flagging that the origin is unverified is a rare thing to find on an official page.

Source: BLINDMAN official site, BIOGRAPHY page

Every BLINDMAN lyric and every song title is in English; not one is in Japanese. Tatsuya Nakamura has explained that this is a deliberate rule, and that it goes back to a cassette a friend handed him around the age of twenty. It was billed as the biggest metal band in Korea at the time. The verses were sung in Korean and the chorus switched to English, and the seam between the two bothered him enormously — it struck him that a mix of Japanese and English probably landed on English-speaking ears in exactly the same way. He settled on English only from that point on. During the band's major-label years he was asked to write the next batch in Japanese, and refused.

Source: BARKS (interview with all five members of BLINDMAN)

On 22 December 2024 BLINDMAN played Meguro Rokumeikan under the banner LIVE 2024 – PROLOGUE TO 30TH ANNIVERSARY. Nakamura noted that he had been playing that stage since the Shōwa era, on through Heisei and into Reiwa — three imperial reigns on one small stage. What he liked about the room, he said, was that he could see the audience's faces clearly, which of course meant they could see his; there are venues, he added, where you cannot even tell who is playing the drums. And there was no point being sentimental about it: the building was old, and nothing built lasts forever.

Source: Marshall Blog (live report, Meguro Rokumeikan, 22 December 2024)

From BLAZING CRISIS onward, Nakamura has handled recording, mixing and mastering himself. He is candid that he cannot do what a professional engineer does. What he has instead, by his own account, is two things: a clear picture of what he wants, and a soundproofed room at home. The second buys him an amount of time that would be unaffordable in a rented studio, and that time, he argues, is what makes up for the engineering skill he lacks.

Source: BARKS (interview with all five members of BLINDMAN)

Expansion is the band's eleventh album, it carries eleven tracks, and it was released on 11 November 2020 — a triple eleven. The record was not conceived that way. It began life as a mini-album gathering songs that sat slightly outside the band's usual range, and grew into a full-length as Nakamura kept adding to it. He admits without embarrassment to padding it out, and reckons a few of the songs would never have existed had he set out to make a full album from the start. His own ideal album length, incidentally, is whatever fits on a 46-minute cassette.

Source: BARKS (interview with all five members of BLINDMAN)

"Over There," the fifth track on Expansion, is the first instrumental Nakamura ever wrote. It was not for want of interest — he simply never believed he had the ability, and it took him more than two decades of the band's existence to decide he was ready. Everyone who hears it thinks of Gary Moore, and he has stopped resisting: it comes up in every interview, so he concedes it. He does not mind, because Moore looms larger for him than any other player. He recorded it knowing he could not reach that standard, but suspecting he might have something of his own to offer. Meaning was also read into its placement at number five — the end of side A, in vinyl terms. That part, he says, had genuinely not occurred to him.

Source: BARKS (interview with all five members of BLINDMAN)

OUTBURST arrived in 2023 as a mini-album rather than a full-length, and the reason was the pandemic. Expansion had come out in November 2020, and the tour that should have carried it never really happened. With so few shows played, Nakamura felt the band had not finished living with those songs, and he did not want to move straight on to another full album. A shorter release meant the tour could cover both records at once. Two older tracks he had long wanted to re-record went on it as well — and since both were up-tempo, he steered the new material away from speed. Fast songs, he adds drily, come to him less readily as he gets older.

Source: OKMusic (interview with Tatsuya Nakamura)

Nakamura has no quarrel with BLINDMAN being filed under hard rock and heavy metal, or with being described as an HM/HR musician himself. He simply declines to use the words about his own work: asked what he does, he answers "rock musician" and stops there. His reasoning is that the same record will have one listener insisting it is heavy metal and another insisting it is not, and that drawing that line is not his call to make. He would rather not put a frame around it at all.

Source: OKMusic (interview with Tatsuya Nakamura)

See all 10 trivia entries

Albums

After Rain CD
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Released on September 24, 2025, After Rain is BLINDMAN’s twelfth full-length album, issued in the band’s thirtieth-anniversary year.

OUTBURST CD
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OUTBURST condenses new songs and re-recordings into a five-track mini album that captures BLINDMAN’s place during its twenty-fifth-anniversary era.

Expansion CD
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Released for the band’s twenty-fifth anniversary, Expansion reinforces BLINDMAN’s identity as a melodic and emotional hard-rock band with a stronger sense of ensemble.

Reach for the Sky CD
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Reach for the Sky turns Blindman’s live-bred unity as a newer lineup into a precise tenth studio album.

To the Light CD
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To the Light shapes Blindman’s lyrical melody, expansive vocals and precise guitar work into traditional hard rock with care.

EVERGREEN CD
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EVERGREEN re-records Blindman’s key songs from its early years through the early 2000s with the then-current lineup, bringing the strength of the band’s melodic hard

BLAZING CRISIS CD
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BLAZING CRISIS joins Blindman’s expressive vocals, fluent guitar lines and full choruses into dramatic melodic hard rock.

Re-rise CD
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Re-rise reaffirms Blindman’s melodic-hard-rock strengths through fluent guitar work, rich melody and flexible rhythm.

Subconscious In Xperience CD
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Subconscious In Xperience combines Blindman’s detailed guitar phrases, clear keyboards and emotionally forward vocals.

Pain for the Pleasure CD
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Pain for the Pleasure joins Blindman’s expansive vocal lines, melodic guitar, and full keyboards into dramatic melodic hard rock.

Soul Talks, Melodies Walk CD
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Soul Talks, Melodies Walk layers smooth vocals, full keyboards and poised guitar into hard rock that values melody.

Turning Back CD
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Turning Back layers soaring vocals, bright keyboards and lyrical guitar with great order and polish.

BLINDMAN CD
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BLINDMAN combines intricate guitar phrasing with lyrical melody in a polished Japanese melodic-hard-rock record.

…in the dark CD
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…in the dark presents Blindman’s melancholy-rich melodic hard rock in a compact form.

Being Human CD
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Being Human builds melody-centered hard rock from clear vocals, lyrical keyboards and finely detailed guitar.

Sensitive Pictures CD
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Sensitive Pictures is an early Blindman album built from soaring vocals, sharply defined guitar work and keyboard color.