SCORPIONS
Biography and full discography of SCORPIONS, with a page for every album, on METAL BOOST.
English Discography Overview
This English discography hub highlights SCORPIONS albums such as Rock Believer, Return to Forever, Comeblack. The album notes emphasize these records' riffs, vocals, production character, songwriting flow and listening context: As its title suggests, Rock Believer returns Scorpions directly to the sharp riffs, cutting guitar leads and crowd-ready choruses at the heart of their sound. Return to Forever brings Scorpions’ sharp guitar riffs, expansive vocals and memorable ballad sense together with the natural breathing of a veteran band. Comeblack is an album to place in SCORPIONS’s 2011 discography through melancholic guitars, global-scale songs and the universal language of German hard rock.
Biography
SCORPIONS
A Rock Trajectory and Musical Legacy Spanning Over Half a Century
1. A Global Leap from Hanover
Hanover, the capital city of the state of Lower Saxony in the Federal Republic of Germany. Emerging from this industrial city in the mid-1960s, the Scorpions (SCORPIONS) transcended the framework of a mere hard rock band to become an entity that provided the soundtrack for a historic turning point—the reconstruction of post-war Germany's cultural identity and the conclusion of the Cold War.
Even now (as of 2026), more than 60 years since their formation, SCORPIONS continue to reign as a global stadium-class act. Their career has undergone a wide range of musical evolution, beginning with an experimental fusion of Beat Music and Psychedelic Rock, moving through the lyrical hard rock of the 1970s, leading the global heavy metal movement of the 1980s, and culminating in ballad hits that symbolized the geopolitical transformations of the 1990s.
2. Biography: From Formation to Global Success and the Present
2.1 The Dawn: Rudolf Schenker's Ambition and Early Exploration (1965-1973)
2.1.1 Band Formation and the Influence of Beat Music
The history of the Scorpions (SCORPIONS) dates back to 1965 in Hanover. At the time, Rudolf Schenker, a young rhythm guitarist heavily influenced by the British beat boom—particularly The Yardbirds and The Rolling Stones—formed his own band.
The initial lineup was fluid, and there was a period when Rudolf Schenker himself handled vocals. While their early sound was heavily influenced by "German Beat," which was popular within Germany at the time, Rudolf harbored a grand ambition from the very beginning for the band to "become successful worldwide"—an immense dream for a local German band at the time. He recognized early on the importance of professional band management in addition to musical skill, which laid the foundation for their subsequent long-lasting career.
2.1.2 The Addition of Klaus Meine and Michael Schenker
There were crucial member additions that determined the destiny of the band: Michael Schenker, Rudolf's younger brother who possessed prodigious guitar technique at a young age, and Klaus Meine, the vocalist of Copernicus, a rival local band in Hanover.
The addition of Klaus Meine was especially decisive. His piercing, high-tone singing voice and emotionally rich expression established a perfect complementary relationship with Rudolf Schenker's songwriting abilities, giving birth to the powerful songwriting team of "Schenker/Meine." The lineup during this period was as follows:
- Klaus Meine: Vocals
- Rudolf Schenker: Rhythm Guitar
- Michael Schenker: Lead Guitar
- Lothar Heimberg: Bass
- Wolfgang Dziony: Drums
2.1.3 Debut Album "Lonesome Crow" and the Shadow of Krautrock
In 1972, the band released their debut album, "Lonesome Crow." It was produced by Conny Plank, who would later become a pivotal figure in "Krautrock" through his production work with Kraftwerk, Can, and others.
This album differs significantly from the later style of the Scorpions (SCORPIONS), featuring strong psychedelic and experimental elements. In particular, the lengthy improvisation of the title track reflects the atmosphere of the German music scene at the time, showing influences of jazz and avant-garde music. However, Michael Schenker's sharp guitar work was already prominent, demonstrating the band's latent potential.
Following the album's release, the band served as the support act for the German tour of the British hard rock band UFO. During this tour, trouble arose when UFO's guitarist went missing, and Michael Schenker hastily stepped in to perform as a substitute. Enamored by his talent, UFO recruited Michael, leading him to leave the band and move to the UK. Having lost their primary songwriter and lead guitarist, the Scorpions (SCORPIONS) were forced into a temporary breakup.
2.2 The Uli Jon Roth Era: The Fusion of Neoclassical and Hard Rock (1973-1978)
2.2.1 Fusion with "Dawn Road" and Rebirth
With the band's survival in jeopardy, Rudolf Schenker reached out to another Hanover band, Dawn Road. This band featured Uli Jon Roth, a guitarist deeply devoted to Jimi Hendrix, and bassist Francis Buchholz.
Rudolf, along with Klaus Meine, joined Dawn Road's rehearsals, and they hit it off immediately. As a result, the band was reorganized with Rudolf and Klaus joining the members of Dawn Road, but they decided to retain the name "Scorpions (SCORPIONS)" since it already had an album release history. Through this reorganization, the band acquired a creative tension born from the clash of two distinct personalities: "Rudolf's straightforward hard rock" and "Uli's lyrical and technical guitar playing."
2.2.2 Meeting Dieter Dierks and the Dawn of the Golden Era
Beginning with the 1975 album "In Trance," Dieter Dierks joined as producer. He streamlined the band's sound and brought tight arrangements and production suitable for the international market, earning him the moniker of the "sixth member."
During this period, Uli Jon Roth's guitar playing continued to evolve. His style, incorporating musical scales and arpeggios, became a pioneer for the later "Neoclassical Metal" movement. This tendency is particularly prominent in the albums "Virgin Killer" and "Taken by Force."
On the other hand, the original jacket artwork for 1976's "Virgin Killer" sparked fierce controversy by using a nude underage girl, leading to it being banned in many countries. This incident marked the band's first major conflict between freedom of expression and ethical regulation.
2.2.3 "Tokyo Tapes" and Uli's Departure
In 1978, the band embarked on their first tour of Japan and released the live album "Tokyo Tapes," which captured the performances. The enthusiastic welcome in Japan gave the band confidence, and their cover of "Kojo no Tsuki" (The Moon over the Ruined Castle) in particular became legendary as a symbol of their deep bond with Japanese fans.
However, differences in musical direction had reached their limit. The divide between Uli Jon Roth, who wished to pursue a spiritual and artistic approach like Jimi Hendrix, and Rudolf Schenker, who aimed for global commercial success, could not be bridged. Uli left the band after this album to form his own project, Electric Sun.
2.3 The Arrival of Matthias Jabs and Global Success (1978-1992)
2.3.1 The Search for a New Guitarist and "Lovedrive"
To find a successor for Uli, the band is said to have auditioned over 140 guitarists. Ultimately, Matthias Jabs from Hanover was chosen. Rather than being a bundle of eccentric individuality like Uli, his playing style was technical and modern, maximizing the song's melody, which aligned perfectly with the "arena rock" direction the band was aiming for.
During the recording of the 1979 album "Lovedrive," Michael Schenker, who had left UFO, temporarily returned and handled lead guitar on several tracks. However, Michael's unstable condition persisted, and he departed again during the tour. Ultimately, Matthias Jabs settled in as the permanent and official lead guitarist. The album charted in the United States, serving as a stepping stone for the band's full-scale entry into the US market.
2.3.2 Vocal Cord Surgery and the Miracle of "Blackout"
The greatest crisis in the band's seemingly smooth career occurred in 1981. During the recording of the album "Blackout," Klaus Meine lost his voice. Doctors declared that his career as a singer was over.
Rudolf Schenker refused to fire Klaus and fully supported his surgery and rehabilitation. Returning after a rest period of about a year, Klaus's voice possessed even more power and range than before. Released in 1982, "Blackout" was filled with the explosive energy of a band that had overcome adversity. Along with the hit single "No One Like You," it entered the US Top 10 and achieved platinum status.
2.3.3 "Love at First Sting" and Evolution into a Monster Band
In 1984, the band released the album "Love at First Sting," which would become the pinnacle of their career. Containing hit singles such as "Rock You Like a Hurricane" and "Still Loving You," the album rode the wave of the MTV boom and recorded explosive sales worldwide.
The subsequent world tour lasted for two years and was recorded as the live album "World Wide Live." During this period, the Scorpions (SCORPIONS) established their status as one of the world's largest rock bands, standing alongside Van Halen, AC/DC, and Iron Maiden.
2.4 "Wind of Change" and the End of the Cold War (1989-1991)
2.4.1 Moscow Music Peace Festival
In 1988, the Scorpions (SCORPIONS) became the first Western rock band to hold large-scale concerts in Leningrad in the Soviet Union (Soviet Union). The following year, in August 1989, they appeared at the "Moscow Music Peace Festival" held at Lenin Stadium (Lenin Stadium) in Moscow (Moscow), performing alongside Bon Jovi, Mötley Crüe, and others.
During a boat cruise down the Moskva River (Moskva River) toward Gorky Park (Gorky Park) held in connection with the festival, Klaus Meine received a historic inspiration. He witnessed Western musicians, journalists, and Soviet soldiers becoming one through music. This experience gave birth to the lyrics and the iconic whistling melody of the masterpiece "Wind of Change."
2.4.2 "Crazy World" and a Global Anthem
Included in the 1990 album release "Crazy World," "Wind of Change" overlapped with the turbulent times of the fall of the Berlin Wall (Berlin Wall) and the dissolution of the Soviet Union, becoming a global anthem symbolizing peace and change. This single sold over 14 million copies worldwide, ranking as one of the best-selling singles by a German artist.
2.5 The Turbulent '90s and Experimental Approaches (1993-2009)
Entering the 1990s, with the rise of grunge (Grunge) and alternative rock (Alternative Rock), the Scorpions (SCORPIONS), like many '80s hard rock bands, faced a difficult struggle. Bassist Francis Buchholz departed in 1992, and drummer Herman Rarebell left in 1996, resulting in the collapse of the golden era lineup.
The band repeatedly went through trial and error to adapt to the times.
- "Face the Heat" (1993): A heavier, socially conscious approach.
- "Pure Instinct" (1996): A softer route centered around ballads.
- "Eye II Eye" (1999): An experimental work boldly incorporating techno and pop elements. However, this drew strong backlash from traditional fans.
In the 2000s, they expanded their musical scope with high-concept projects, such as "Moment of Glory" (2000), a collaboration with the Berlin Philharmonic Orchestra (Berlin Philharmonic Orchestra), and the acoustic live album "Acoustica" (2001). Later, they returned to their orthodox hard rock path with 2004's "Unbreakable," gradually regaining critical acclaim.
2.6 Retraction of the Breakup Announcement and a New Heyday (2010-2026)
2.6.1 The Retirement Tour and Its Retraction
In 2010, the band released the album "Sting in the Tail" and announced they would "break up" following a subsequent three-year world tour. However, as the tour dates sold out worldwide and the band realized their fanbase was growing among the younger generation, they made the decision to retract their retirement. Klaus Meine stated in an interview, "We deleted the word retirement from our dictionary."
2.6.2 The Addition of Mikkey Dee and the Present
In 2016, longtime drummer James Kottak was dismissed due to health reasons (alcohol dependency, etc.), and Mikkey Dee, the drummer for Motörhead (Motörhead), joined in his place. His powerful drumming injected new vitality into the band, further elevating the quality of their live performances.
In 2022, they released the album "Rock Believer." Its energetic sound, reminiscent of their prime, was highly praised.
2.6.3 Recent Health Issues and the Road to the 60th Anniversary
From 2024 to 2026, health issues among the aging members have impacted their touring activities.
- In September 2024, Matthias Jabs fell down the stairs at his villa, fracturing his left pinky finger and heel. This resulted in the cancellation of their German tour.
- In May 2025, Klaus Meine contracted bacterial bronchitis following a viral infection, making it difficult for him to sing, which led to the cancellation of several shows in South America and Europe.
However, the band is overcoming these difficulties and planning a "60th Anniversary Tour" for 2026. Kicking off with a Brussels (Brussels) performance in March 2026, shows are scheduled for Abu Dhabi (Abu Dhabi), Budapest (Budapest), Helsinki (Helsinki), and other cities, showing that their desire to perform remains undiminished.
3. Discography
Below is a chronological detail of the primary studio and live albums of the Scorpions (SCORPIONS). The table for each set of data is used to visualize the band's evolution.
3.1 Studio Albums
| Release Year | Album Title | Special Notes / Key Tracks | Lineup Features |
|---|---|---|---|
| 1972 | Lonesome Crow Ronsamu Kurou (Kyofu no Sakatsudan) |
The only album featuring Michael Schenker as an official member. Strong psychedelic color. Key Track: I'm Goin' Mad, Lonesome Crow |
Klaus Meine, Rudolf Schenker, Michael Schenker, Lothar Heimberg, Wolfgang Dziony |
| 1974 | Fly to the Rainbow Dengeki no Sakatsudan |
The first work featuring Uli Jon Roth. A transition period to hard rock. Key Track: Speedy's Coming, Fly to the Rainbow |
Klaus, Rudolf, Uli Jon Roth, Francis Buchholz, Jürgen Rosenthal |
| 1975 | In Trance In Toransu |
The first collaboration with producer Dieter Dierks. Style established. Key Track: In Trance, Dark Lady |
Klaus, Rudolf, Uli, Francis, Rudy Lenners |
| 1976 | Virgin Killer Kyoretsu no Sakatsudan |
The jacket artwork sparks controversy. Uli's guitar playing shines. Key Track: Pictured Life, Virgin Killer |
Klaus, Rudolf, Uli, Francis, Rudy Lenners |
| 1977 | Taken by Force Bogyaku no Sakatsudan |
Uli's final album with the band. Herman Rarebell joins. The pinnacle of stylized beauty. Key Track: We'll Burn the Sky, The Sails of Charon |
Klaus, Rudolf, Uli, Francis, Herman Rarebell |
| 1979 | Lovedrive Ai no Doraibu |
Matthias Jabs joins (Michael Schenker participates in some tracks). Breakout in the United States. Key Track: Lovedrive, Holiday |
Klaus, Rudolf, Matthias Jabs, Francis, Herman (Guest: Michael Schenker) |
| 1980 | Animal Magnetism Animaru Magunetizumu |
Heavy and groove-oriented sound. The last album before Klaus's vocal cord surgery. Key Track: The Zoo, Make It Real |
Klaus, Rudolf, Matthias, Francis, Herman |
| 1982 | Blackout Katsumakyu ~ Burakkuauto |
Klaus's comeback album. Entered the US Top 10. An energetic masterpiece. Key Track: No One Like You, Blackout, Dynamite |
Same as above |
| 1984 | Love at First Sting Kindan no Shizumi |
The biggest hit album. Arena rock symbolizing the MTV era. Key Track: Rock You Like a Hurricane, Still Loving You |
Same as above |
| 1988 | Savage Amusement Saveiji Amyuzumento |
More polished production. Leads to the Leningrad performance. Key Track: Rhythm of Love, Passion Rules the Game |
Same as above |
| 1990 | Crazy World Kureizi Wado |
Includes "Wind of Change." Produced by Keith Olsen. Key Track: Wind of Change, Send Me an Angel |
Same as above (Francis Buchholz's final participation) |
| 1993 | Face the Heat Feisu za Hito |
Return to a heavier route. Bassist replacement. Key Track: Alien Nation, Under the Same Sun |
Klaus, Rudolf, Matthias, Herman, Ralph Rieckermann |
| 1996 | Pure Instinct Pyua Insutinkuto |
A ballad-centric pop route. First work after Herman's departure. Key Track: Wild Child, You and I |
Klaus, Rudolf, Matthias, Ralph, Curt Cress (Session) |
| 1999 | Eye II Eye Ai tu Ai |
An experimental work introducing digital beats. Divided fans' opinions. Key Track: To Be No. 1 |
Klaus, Rudolf, Matthias, Ralph, James Kottak |
| 2004 | Unbreakable Anbureikaburu |
A return to their roots in hard rock. Pawel Mąciwoda joins. Key Track: New Generation |
Klaus, Rudolf, Matthias, James Kottak, Paweł Mąciwoda |
| 2007 | Humanity: Hour 1 Jinmen Katsubi |
A concept album co-created with Desmond Child and others. Key Track: Hour I, The Game of Life |
Same as above |
| 2010 | Sting in the Tail Katsudan no Saishusho |
Produced as the "last album" before the retirement retraction. Revival of the '80s style. Key Track: Raised on Rock |
Same as above |
| 2015 | Return to Forever Shuhai no Katsudan |
50th anniversary celebration. Remakes of unreleased past tracks and new songs. Key Track: We Built This House |
Same as above |
| 2022 | Rock Believer Rokku Biriva |
The first studio album after Mikkey Dee joined. Emphasizes a live feel. Key Track: Rock Believer, Peacemaker |
Klaus, Rudolf, Matthias, Pawel, Mikkey Dee |
3.2 Key Live Albums
- Tokyo Tapes - Released in 1978
- Location: Nakano Sun Plaza (Tokyo)
- Significance: The final official recording during Uli Jon Roth's tenure. It solidified a powerful relationship with Japanese fans. Includes a cover of "Kojo no Tsuki."
- World Wide Live - Released in 1985
- Location: Paris, Los Angeles, San Diego, etc.
- Significance: Captured the craze of their peak arena tour. It ranked high on the Billboard charts, securing their reputation as a premier live act.
- Acoustica - Released in 2001
- Location: Convent of Beato, Lisbon, Portugal
- Significance: A live performance completely arranged in acoustic format. It proved the high quality of their songwriting.
- MTV Unplugged in Athens - Released in 2013
- Location: Athens, Greece
- Significance: Their first unplugged performance in an open-air theater. New songs were also unveiled.
4. Member Profiles
Numerous musicians have been involved throughout the band's long history. Detailed below are the current members and key former members who were indispensable to the formation of the band's sound.
4.1 Current Members (As of 2026)
Rudolf Schenker
- Responsibility: Rhythm Guitar, Backing Vocals
- Period: 1965–Present
- Role: The founder and spiritual pillar of the band. He composes the riffs for many of the songs. His trademark "Flying V" guitar and energetic stage antics are icons of the band. His brother is Michael Schenker.
Klaus Meine
- Responsibility: Lead Vocals
- Period: 1969–Present
- Role: Handles lyrics and composition for many songs, including "Wind of Change." His clear yet powerful tenor voice remains intact even as he approaches his late 70s (excluding recent medical treatments). His trademark newsboy cap (casquette) is said to have been worn initially to hide changes in his hair style, though he himself has stated, "I simply like it," and it has become his icon.
Matthias Jabs
- Responsibility: Lead Guitar, Backing Vocals
- Period: 1978–Present
- Role: The guitarist who defined the band's sound after Uli's departure. His solo playing, which was technical yet prioritized melody, was an indispensable element of their '80s hits. He loves Explorer-type guitars. His return from a major injury in 2024 is highly anticipated.
Pawel Mąciwoda
- Responsibility: Bass, Backing Vocals
- Period: 2003–Present
- Origin: Poland
- Role: With a background in jazz and fusion, he anchors the bottom of the band with solid and groovy basslines.
Mikkey Dee
- Responsibility: Drums
- Period: 2016–Present
- Origin: Sweden
- Career: Joined after stints with King Diamond and Motörhead.
- Role: His overwhelming power, speed, and unerringly precise drumming injected astonishing energy into the aging band. Notably, he took over the drum solo section of his predecessor, known as the "Kottak Attack," displaying his own unique performance.
4.2 Notable Former Members
| Name | Responsibility | Period | Special Notes |
|---|---|---|---|
| Michael Schenker | Lead Guitar | 1970-1973, 1979 |
Rudolf's younger brother. A genius guitarist dubbed "God." Active in UFO and MSG. Exerted tremendous influence on their early musicality. |
| Uli Jon Roth | Lead Guitar, Vocals | 1973-1978 | The progenitor of neoclassical metal. Inventor of the "Sky Guitar." The core of their lyrical '70s sound. |
| Francis Buchholz | Bass | 1973-1992 | Bassist during the golden era. Anchored the band with his solid play, but departed due to financial troubles, etc. |
| Herman Rarebell | Drums | 1977-1995 | Drummer during the golden era. Contributed to the lyrics of songs such as "Rock You Like a Hurricane." Fluent in English, he refined the English expressions in their lyrics. |
| James Kottak | Drums | 1996-2016 | The first American member. Supported the band for a long period but was dismissed due to alcohol issues. Passed away in 2024. |
5. Musical Style & Legacy
5.1 Establishment of the "Scorpions Sound"
The musical characteristic of the Scorpions (SCORPIONS) lies in the fusion of two opposing elements. One is a riff-driven, hard, and aggressive rock sound reminiscent of Led Zeppelin and Deep Purple. The other is a melancholic, beautiful melodic line rooted in German folk music and classical music. This contrast between "hard" and "mellow" made SCORPIONS a unique entity. Particularly in the style known as "Power Ballads" (e.g., "Still Loving You," "Holiday"), SCORPIONS have established a position as the perfecters of the genre.
5.2 Politics and Music: A Bridge between East and West
One of SCORPIONS' greatest achievements is piercing through the Cold War's "Iron Curtain" with music. The fact that SCORPIONS, hailing from West Germany, were accepted in the Soviet Union and that "Wind of Change" was sung as a symbol of transformation demonstrates the pinnacle of the soft power possessed by rock music. Since the 2022 Russian invasion of Ukraine, Klaus Meine has demonstrated solidarity with Ukraine by altering part of the lyrics to "Wind of Change" (where Moscow place names appear).
6. Conclusion
Starting as a local band in Hanover, the Scorpions (SCORPIONS) overcame countless member changes, shifts in musical trends, and life-threatening crises for its members to become a living legend in the rock world. Their journey is not merely a record of commercial success, but also a grand empirical experiment showing how music can transcend borders and political conflicts to connect people's hearts. In 2026, the sight of SCORPIONS continuing to stand on stage even past their 60th anniversary embodies their unyielding spirit as a "Rock Believer." Recent trials, such as Matthias Jabs's injury and Klaus Meine's illness, might be nothing more than the start of a new chapter in SCORPIONS' long history. The Scorpions' venomous sting (music) deeply pierces the hearts of fans worldwide even now.
Trivia
Japan took to the band early. Rudolf Schenker's view is that 1976's Virgin Killer landed exactly on the mood of the moment there, and the album duly earned them a gold disc in Japan. He tells it against a contrast: the same record sounded distinctly strange to German ears. A former bandmate of Meine's from The Mushrooms got three songs into it, pulled off the headphones and said he could not listen to any more. Opinions differed that much depending on where you were standing.
Scorpions' 1970s Japanese releases were given Japanese titles that have nothing to do with the original ones — and that follow a visible formula. Fly to the Rainbow, In Trance, Virgin Killer and Taken by Force each became a two-character Japanese word followed by the same suffix, a coined Japanese name for the band itself meaning roughly "the scorpion troop." The pattern shows how thoroughly the band had been renamed for that market.
Scorpions' first Japanese tour was in April 1978. It produced the live album Tokyo Tapes, recorded at Nakano Sun Plaza in Tokyo — a record that outlasted almost everything around it. For Uli Jon Roth those shows fell at the very end of his time in the band, and in 2015 he returned to the same hall to play that material again.
The 2016 Japanese visit was their first in nine years. The Tokyo show was on 6 October at Zepp DiverCity and ran about a hundred minutes, opening with "Going Out with a Bang" from Return to Forever. The set included a cover of Motörhead's "Overkill," which Klaus Meine introduced as a tribute to Lemmy while an image of him was projected behind the band — Mikkey Dee being Motörhead's former drummer. Two days later, on 8 October, they played LOUD PARK 16 at Saitama Super Arena.
On 23 January 2026 Scorpions announced on their official site that Francis Buchholz, the band's bassist for many years, had died. The notice is short and addressed directly to the band's fans: it says that what he left with the band will last, that they will always remember the time they spent together, and it closes with words for Hella, his family and his friends. It is signed by Klaus, Rudolf and Matthias.
The band's own biography marks its American high-water mark with three titles. Their Billboard 200 top ten entries are Savage Amusement at No. 5 in 1988, Love at First Sting at No. 6 in 1984, and Blackout at No. 10 in 1982. Certified sales across the four main markets are given as 22 million, and worldwide sales as more than 100 million — figures on which they describe themselves as the most successful rock band continental Europe has produced.
1990's Crazy World marked two endings at once. The band's long relationship with Dieter Dierks, the Cologne producer behind so many of their records, finished before it was made. And it was the first album Scorpions produced themselves, worked on in Los Angeles with Keith Olsen as co-producer. It went on to become the most successful record they had made to that point.
1996's Pure Instinct was finished without a drummer in the band. Herman Rarebell left at the end of 1995, just before it was completed, and the official credits give the drums to the session player Curt Cress. Keith Olsen and Erwin Musper co-produced. The replacement was hired over the phone: the manager the band engaged in 1995, Stewart Young, formerly of AC/DC, rang James Kottak and signed him up for the 1996–97 touring band. Kottak became the first American ever to play in the group.
News
SCORPIONS Postpone Their 2026 Las Vegas Residency To September 2027
Live Nation announced the postponement on September 2, citing unforeseen circumstances. "Scorpions - Coming Home To Las Vegas", originally set for September 17 through October 3, moves to September 9, 11, 14, 16, 18, 21, 23 and 25, 2027, with BUCKCHERRY still supporting.
Scorpions And Rufus Publications Announce The Official Book "Scorpions - 60 Illustrated Years"
Compiled over more than two years with the band’s involvement, the full-colour book runs to over 670 pages and comes in three editions, among them a 500-copy deluxe hand-signed by Rudolf Schenker, Klaus Meine, Matthias Jabs, Mikkey Dee, Paweł Mąciwoda and Uli Jon Roth.
Play videoSCORPIONS' 'Rock You Like A Hurricane' Music Video Comes To Life In New Official Graphic Novel
'Scorpions: Hurricane' is an officially licensed 96-page graphic novel created with Sumerian Comics, the band's first.
Albums
As its title suggests, Rock Believer returns Scorpions directly to the sharp riffs, cutting guitar leads and crowd-ready choruses at the heart of their sound.
Return to Forever brings Scorpions’ sharp guitar riffs, expansive vocals and memorable ballad sense together with the natural breathing of a veteran band.
Comeblack is an album to place in SCORPIONS’s 2011 discography through melancholic guitars, global-scale songs and the universal language of German hard rock.
Sting in the Tail balances Scorpions’ hard guitar riffs, forceful rockers and emotional balladry.
Humanity: Hour I keeps Scorpions’ heavy riffs and large melodic instincts while stepping into a more modern, shadowed sound.
Unbreakable brings Scorpions back to a hard-rock core of low-slung riffs, steady beat and powerful vocal delivery.
Acoustica is an album to place in SCORPIONS’s 2001 discography through melancholic guitars, global-scale songs and the universal language of German hard rock.
Moment of Glory is an album to place in SCORPIONS’s 2000 discography through melancholic guitars, global-scale songs and the universal language of German hard rock.
Eye II Eye finds Scorpions expanding beyond their familiar hard-rock frame with programming, pop texture and a more contemporary compactness.
Pure Instinct places Scorpions’ melodic strength inside a more restrained, adult atmosphere.
Face the Heat finds SCORPIONS in a phase that keeps Scorpions’ large melodic sense while taking in harder riffs and the social tension of the early 1990s.
Crazy World finds SCORPIONS in a phase that joins large choruses, thick guitar and arena-scale drive to tighter song construction.
Savage Amusement shapes thick guitars, clear rhythm and Klaus Meine’s bright voice into a polished hard-rock sound.
Love at First Sting joins the aggression Scorpions had refined for years to melody in its brightest form.
Blackout brings Scorpions’ hard riffs, cutting solos and Klaus Meine’s open, soaring voice into lean, focused songs.
Animal Magnetism places Scorpions’ thick riffs and Klaus Meine’s soaring voice inside a darker, more persistent groove.
Lovedrive brings Scorpions’ cutting riffs, wistful melodic sense and dramatic vocal character into an especially focused hard-rock statement.
Taken by Force finds Scorpions pursuing both hard-rock sharpness and more dramatic melody.
Virgin Killer joins Scorpions’ hard-rock attack to Uli Jon Roth’s fluid, classically colored guitar sense.
In Trance moves Scorpions away from the longer progressive turns of its earliest work and toward tighter, sharper hard rock.
Fly to the Rainbow finds Scorpions before its later, streamlined heavy-metal identity, using Uli Jon Roth’s fluid guitar to blend psychedelic space, blues, and hard
Lonesome Crow is the Scorpions debut, far removed from the sharp melodic hard rock the band would later make its own.