Heavy Metal 2020s Albums - Page 3

Lonesome_Blue’s debut EP joins voice-actor expression and professional rock musicianship through metal, progressive detail and pop melody.

A pre-debut single featuring Ayasa, expanding Lonesome_Blue’s sound through psychedelic color, violin and progressive movement.

Second To None by LONESOME_BLUE: track list, Spotify player, music videos and English liner notes on METAL BOOST.

Building on the renewed strength of Dystopia, this album is charged with the urgency that defines Megadeth at their best.

True to its title, Universal presents Michael Schenker’s guitar vocabulary as a language of melody shared by an international cast of singers.

A second album capturing NEMOPHILA’s international momentum through heavy riffs, wide melodies and an unrestricted mixture.

With guest turns from Jeff Beck, Tony Iommi, Zakk Wylde and more, this album surrounds Ozzy Osbourne’s unmistakable voice with a wide range of guitar colors.

Digital Noise Alliance brings together sharp guitars, accessible progressive turns and a sense of social tension in the current Queensrÿche lineup.

As its title suggests, Rock Believer returns Scorpions directly to the sharp riffs, cutting guitar leads and crowd-ready choruses at the heart of their sound.

The band's first album for Atomic Fire Records, made by the four-piece of Mat Sinner, Tom Naumann, Alex Scholpp and Markus Kullmann, and mixed by Jacob Hansen.

2022年発表のスタジオ作。

A four-track EP: two new songs and two re-recordings from the 1980 debut Wild Cat.

Too Mean to Die reaffirms the muscular, traditional heavy-metal language ACCEPT have defended for decades, now delivered with contemporary weight.

An album that sharpens both aggression and melody, presenting BAND-MAID’s musicianship on a world-class hard-rock scale.

Black Label Society’s eleventh album is packed with Zakk Wylde’s thick, sustaining riffs, blues-rooted phrasing and low-slung groove.

The second avex album — twelve songs, followed three weeks later by a European edition on Setsuzoku Records.

Returning to the studio after a long gap, Exodus deliver an extended blast of uncompromising thrash metal.

Senjutsu pushes Iron Maiden’s large-scale instincts further, layering riffs, melody, key changes and quiet space across extended songs.

Made with a varied group of guest vocalists, Immortal feels like a celebration of Michael Schenker’s long career.

An international early compilation collecting NEMOPHILA’s three independent singles plus an English version of “DISSENSION.”

NEMOPHILA’s debut album, rebuilding its early independent songs into a worldwide statement of the band’s “hellishly heavy, otherwise fluffy” sound.

An eighth album that digs into werewolf legend country by country, with Jens Bogren and Joost van den Broek widening the band's sound another step.

Resurrection Day puts Rage’s twin-guitar lineup at the front, intensifying the mix of heavy riffs, speed and melodic guitar interplay.

Across a large sixteen-song running order, U.D.O. deliver traditional German heavy metal straight on.

Parabellum expands Yngwie Malmsteen’s neoclassical-metal language into an even denser guitar orchestra.

Evoke 2010-2020 is best heard not simply as a covers-related entry, but as a record that shows how ALDIOUS translates outside material into its own

Evoke II 2010-2020 is best heard not simply as a covers-related entry, but as a record that shows how ALDIOUS translates outside material into its own

Released for the band’s twenty-fifth anniversary, Expansion reinforces BLINDMAN’s identity as a melodic and emotional hard-rock band with a stronger sense of ensemble.

Fates Warning’s thirteenth album uses progressive-metal complexity not as a display case, but as a way to trace time and shifting emotion.

On its self-titled ninth album, Firewind organize the elements that make the band immediately recognizable.

HAGANE’s debut EP, condensing clear melody, speed and technical guitar work into a concise first statement.

Skycrest drives Iron Savior’s long-running space-age imagery and straightforward power metal with renewed heat.

Electric Pentagram shows Lovebites’ unity as a five-piece through both speed and drama.

Tokyo Jukebox 3 is best heard not simply as a covers-related entry, but as a record that shows how MARTY FRIEDMAN translates outside material into its

Metal Division does exactly what its title promises: it puts fundamental heavy-metal elements directly in front of the listener.

Ordinary Man, Ozzy Osbourne’s first studio album in nearly a decade, places his enduring defiance beside direct thoughts about age and mortality.

Metal Commando lives up to its title by committing fully to traditional heavy metal’s forward drive.

Wings of Rage connects the forward drive of German metal with Rage’s particular sense of melancholy.

The fourteenth album, and the first studio record with Mike Heller. Gallagher pitched it as the album Raven would have made straight after 1982's Wiped Out.

2020年発表のスタジオ作。

Testament’s thirteenth album retains thrash metal’s cutting edge while adding the weight and ease of a long career.

We Are One is an unusual collaboration between U.D.O. and the German Armed Forces Concert Band, directly combining heavy-metal riffs with full wind-band arrangements.