Japan Metal & Hard Rock Albums

A five-track EP that balances open, refreshing melodies with loud-rock weight and presents the second chapter of East Of Eden through Ayasa’s violin-led identity.

The fourteenth full-length album by Galneryus and their first in about two years, after the twentieth-anniversary record The Stars Will Light the Way. This is the standard edition: nine songs and about sixty-five minutes on a single CD, with the same track list as every other format.

A melodic-metal EP that links fantasy-adventure imagery with bright speed, heroic guitar work and the renewed identity of HAGANE.

A five-track EP that condenses HANABIE.’s current Harajuku-core sound into metalcore impact, digital pop color, streetwise energy and unapologetic self-affirmation.

KOIAI's fourth EP and the first release by the settled five-piece line-up with vocalist Mirei Sakurada; the title track became the August 2026 ending theme for Nippon TV's DayDay.

Lonesome_Blue’s second full-length album, produced with Mao, in the standard edition containing the ten main tracks.

Outstanding Power finds LOVEBITES shaping Japanese power/speed-metal drive and the shine of classical twin guitars into a 2026 album with a clear sense of identity.

"Reimei" — the word means daybreak — is the first new song LUMiRiSE released under its current lineup, issued as a streaming-only single at midnight JST on 2…

A five-song 2026 EP that condenses the four-piece NEMOPHILA’s physical groove, self-written material and renewed identity.

A second maxi single built on the theme of setting out, led by “Starlight Voyage” — three songs, with a DVD on the limited edition.

The Dominators Last Standing 2025 is a live album of Aldious’ final one-man show, held at Toyosu PIT on August 13, 2025, ahead of the band’s indefinite hiatus.

BABYMETAL’s 15th-anniversary album, using ten globally connected tracks to push beyond established metal boundaries.

A 2025 EP that compresses BAND-MAID’s sharp riffs, modern impact and hook-driven songwriting into a focused statement.

Released on September 24, 2025, After Rain is BLINDMAN’s twelfth full-length album, issued in the band’s thirtieth-anniversary year.

A mini album on which the current line-up re-records six songs from 2013-2016 that had stayed in the live set ever since.

East Of Eden’s first full album, recorded entirely by the MINA-era five-piece and uniting metal, loud rock and melodic drama across ten core songs plus the standard-edition instrumental bonus.

A full-length statement from HAGANE’s renewed line-up, combining Japanese melodic color, speed, weight and direct choruses.

A focused digital single that strips Lonesome_Blue down to the force of three performers and a direct, resilient melodic core.

Lonesome_Blue’s second EP condenses the renewed three-member lineup into six songs balancing weight, pop immediacy and emotional range.

LUMiRiSE’s first full album, capturing its formation, vocalist change and restart across twelve tracks that move through loud rock, punk, metal, anime-song brightness and ballad drama.

NEMOPHILA’s fourth album, written by the four members and renewing the band’s heaviness, emotional vocals and free-form mixture.

A second full album arriving in the band's second year, closing on the four-part suite “Shisha no Sho.”

A first maxi single sold at the venues from the opening night of the band's first national tour, its sleeve the artist photograph that had been shot before the songs existed.

A five-track EP that opens TRiDENT’s major-label chapter with a sense of daybreak, renewed purpose and an increasingly open, singable rock sound.

Zilqy’s first EP, presenting the Japanese all-female metal band’s post-melodic nu-metal identity with global ambition.

A 2024 full-length that channels BAND-MAID’s global experience into technical hard rock, strong songs and cinematic scale.

Recorded in Gothenburg with producer Fredrik Nordström; its opener "Still Burning" placed 42nd in Metal Hammer's readers' poll for the best song of 2024.

The second chapter of Forbidden Fruit, preserving the debut’s vivid impact while deepening the groove, darkness and dramatic interaction of the five-piece.

The Stars Will Light the Way ties GALNERYUS’s virtuosity and melodic instinct together with unusual density.

An EP that reignites HAGANE’s melody, speed and optimistic force around the theme of survival and forward motion.

The band’s first major-label EP, packing Tokyo identity, otaku culture, transformation-heroine imagery and modern romance into fierce breakdowns and vivid pop hooks.

The last EP recorded with founding vocalist Kotono — five songs led by the title track, whose video came out three months ahead of the release and carried the band to its first European shows.

A groove-driven single that releases the playful, live-ready side of Lonesome_Blue’s three-member lineup through bold rhythmic hooks.

NEMOPHILA’s third album, concentrating scale, technique, melody and modern heaviness ahead of the band’s Budokan milestone.

A self-produced first mini album sold only at the venue and by mail order on the day of the band's first-anniversary headline show; all 500 copies went at once.

The band's VAA debut and first full album, conceived as a single score on which eleven genre-crossing songs are written out.

TMG's second album, twenty years after the first: Tak Matsumoto, Eric Martin and Jack Blades with Matt Sorum on drums, and guest turns from BABYMETAL and LiSA.

TRiDENT’s second full album, reorganizing key songs from 2022 onward with new material to present twelve tracks of attack, melody and live-driven momentum.

A five-track EP that expands TRiDENT’s range through spicy riffs, nocturnal atmosphere and more intimate melodic writing.

A concept album announcing BABYMETAL’s return through ten parallel worlds of reflection, loss and renewal.

OUTBURST condenses new songs and re-recordings into a five-track mini album that captures BLINDMAN’s place during its twenty-fifth-anniversary era.

A live album from the band's London show — and the record whose release moved their Japanese home to IYT RECORDS.

East Of Eden’s debut EP, placing violin and heavy rock on equal footing while introducing the five musicians’ technique, melody and international ambition.

Between Dread and Valor compresses new songs, instrumentals and a re-recording into a special GALNERYUS release with the density of a short, sharp statement.

The major-label breakthrough that expands Harajuku-core through space, games, escape, everyday anxiety and rebirth, establishing HANABIE. on an international scale.

The self-released debut EP — the first five songs put out by a band that had already been invited to a festival in India before it had any recordings at all.

A second EP arriving barely five months after the first, its five songs — from “Inside” to “My Breath” — each issued in turn as official audio.

A tense digital single that turns the decision to end a damaging cycle into heavy rock momentum and emotionally direct vocals.

A melodic digital single that holds onto a shared sense of “blue” and future possibility while the band moves through change.

Judgement Day introduces LOVEBITES with Fami in the lineup and drives forward with speed, precise ensemble playing and big melodic payoff.

A cover EP that rebuilds songs by Metallica, System of a Down, Slipknot and Limp Bizkit through NEMOPHILA’s own attack.

The third digital single, closing the band's first year; its video passed 110,000 plays within a fortnight of going up.

A three-song first digital single put out barely two months after the band began playing; the free headline show that month drew over a hundred people.

A three-song second digital single arriving six months after the band started; all three songs went on to later records.

STMLT’s six-track debut EP, joining the group’s accessible video-creator identity with heavy loud-rock and metal arrangements built for the live stage.

A five-track EP that turns the act of pulling a dream into reality into loud-rock force, bright melody and future-facing momentum.