Browse Japan 2020s albums in the METAL BOOST catalog.
Japan Metal & Hard Rock Albums
Explore 264 metal and hard rock albums connected to the Japan scene, organized by decade with detailed artist and album pages.
Browse by Decade
To keep this large hub fast, all 264 albums are divided into decade subhubs.
Browse Japan 2010s albums in the METAL BOOST catalog.
Browse Japan 2000s albums in the METAL BOOST catalog.
Browse Japan 1990s albums in the METAL BOOST catalog.
Browse Japan 1980s albums in the METAL BOOST catalog.
Latest Albums
BAND-MAID's first single in four years and seven months: the title track plus 'Days' and 'CAGE', with footage from the 2024 Zepp tour on the limited editions.
Dir En Grey's twelfth album, released on 8 April 2026, their newest record and fourteen tracks long.
A 2026 tie-in single: the title song and "No time to fall", each with an instrumental, across four tracks.
A five-track EP that balances open, refreshing melodies with loud-rock weight and presents the second chapter of East Of Eden through Ayasa’s violin-led identity.
The fourteenth full-length album by Galneryus and their first in about two years, after the twentieth-anniversary record The Stars Will Light the Way. This is the standard edition: nine songs and about sixty-five minutes on a single CD, with the same track list as every other format.
A melodic-metal EP that links fantasy-adventure imagery with bright speed, heroic guitar work and the renewed identity of HAGANE.
The second full-length album since HAGANE regrouped in 2024: eleven songs, two of them from the METAL QUEST EP, issued in Japan as a CD + Blu-ray and as a CD.
A five-track EP that condenses HANABIE.’s current Harajuku-core sound into metalcore impact, digital pop color, streetwise energy and unapologetic self-affirmation.
KOIAI's fourth EP and the first release by the settled five-piece line-up with vocalist Mirei Sakurada; the title track became the August 2026 ending theme for Nippon TV's DayDay.
Lonesome_Blue’s second full-length album, produced with Mao, in the standard edition containing the ten main tracks.
Outstanding Power finds LOVEBITES shaping Japanese power/speed-metal drive and the shine of classical twin guitars into a 2026 album with a clear sense of…
The first new song from the lineup that formed in July 2026, a streaming single written and sound-produced by Kayoko Kusano with Shota Horie on guitar and Kishida on beat programming.
METALVERSE's first official recording of any kind. The one-track digital single appeared at midnight JST on 8 May 2026 alongside the group's first studio-shot music video, on which KOBAMETAL is credited as executive producer.
NEMOPHILA's second EP: five songs including the single "-GOU-", self-produced like GOZO and billed as the four-piece's last original recording.
A five-song 2026 EP that condenses the four-piece NEMOPHILA’s physical groove, self-written material and renewed identity.
A second maxi single built on the theme of setting out, led by “Starlight Voyage” — three songs, with a DVD on the limited edition.
TMG's third album: six songs, including the title track with Ado, a Beatles cover and “DOOM”, the theme of the film Yatsuhakamura.
The sixth album, released on 3 June 2026 as the companion piece to Gate of Heaven: the band's own announcement calls it the darkest and most chaotic world they have written. It gathers the two songs of the December 2025 single, "Zen'aku no Higan" and "∞", and re-records "affected" and "Get Revenge On The Tyrant" from the 2014 debut. Eleven tracks.
Zilqy's first full-length album: ten songs, every lyric by Anna, mixed and mastered by Lance Prenc, including “World's End”, “CAVEAT” and “RUN”.
A two-disc live CD of Aldious' final one-man show at Toyosu PIT on August 13, 2025, carrying every song performed before the band's indefinite hiatus.
BABYMETAL’s 15th-anniversary album, using ten globally connected tracks to push beyond established metal boundaries.
A 2025 EP that compresses BAND-MAID’s sharp riffs, modern impact and hook-driven songwriting into a focused statement.
Released on September 24, 2025, After Rain is BLINDMAN’s twelfth full-length album, issued in the band’s thirtieth-anniversary year.
A mini album on which the current line-up re-records six songs from 2013-2016 that had stayed in the live set ever since.
East Of Eden’s first full album, recorded entirely by the MINA-era five-piece and uniting metal, loud rock and melodic drama across ten core songs plus the standard-edition instrumental bonus.
A full-length statement from HAGANE’s renewed line-up, combining Japanese melodic color, speed, weight and direct choruses.
A focused digital single that strips Lonesome_Blue down to the force of three performers and a direct, resilient melodic core.
Lonesome_Blue’s second EP condenses the renewed three-member lineup into six songs balancing weight, pop immediacy and emotional range.
LUMiRiSE’s first full album, capturing its formation, vocalist change and restart across twelve tracks that move through loud rock, punk, metal, anime-song brightness and ballad drama.
NEMOPHILA’s fourth album, written by the four members and renewing the band’s heaviness, emotional vocals and free-form mixture.
A second full album arriving in the band's second year, closing on the four-part suite “Shisha no Sho.”
A first maxi single sold at the venues from the opening night of the band's first national tour, its sleeve the artist photograph that had been shot before the songs existed.
A five-track EP that opens TRiDENT’s major-label chapter with a sense of daybreak, renewed purpose and an increasingly open, singable rock sound.
The fifth album, released by FABTONE on 26 November 2025 and the first half of a concept pair completed by Gate of Hell in June 2026. Its ten songs include the title tracks of the three singles that preceded it — Sekai Rinne, SAKURA chevalier and Convergent Rays — and close with a re-recording of "Satsuriku no Miseria" from the 2014 debut.
Zilqy’s first EP, presenting the Japanese all-female metal band’s post-melodic nu-metal identity with global ambition.
A 2024 full-length that channels BAND-MAID’s global experience into technical hard rock, strong songs and cinematic scale.
Recorded in Gothenburg with producer Fredrik Nordström; its opener "Still Burning" placed 42nd in Metal Hammer's readers' poll for the best song of 2024.
The second chapter of Forbidden Fruit, preserving the debut’s vivid impact while deepening the groove, darkness and dramatic interaction of the five-piece.
The Stars Will Light the Way ties GALNERYUS’s virtuosity and melodic instinct together with unusual density.
An EP that reignites HAGANE’s melody, speed and optimistic force around the theme of survival and forward motion.
The band’s first major-label EP, packing Tokyo identity, otaku culture, transformation-heroine imagery and modern romance into fierce breakdowns and vivid pop hooks.
The last EP recorded with founding vocalist Kotono — five songs led by the title track, whose video came out three months ahead of the release and carried the band to its first European shows.
A groove-driven single that releases the playful, live-ready side of Lonesome_Blue’s three-member lineup through bold rhythmic hooks.
The first record the current five-piece wrote from nothing — five songs that swallow the raw drive of the debut EP.
NEMOPHILA’s third album, concentrating scale, technique, melody and modern heaviness ahead of the band’s Budokan milestone.
A self-produced first mini album sold only at the venue and by mail order on the day of the band's first-anniversary headline show; all 500 copies went at once.
The band's VAA debut and first full album, conceived as a single score on which eleven genre-crossing songs are written out.
TMG's second album, twenty years after the first: Tak Matsumoto, Eric Martin and Jack Blades with Matt Sorum on drums, and guest turns from BABYMETAL and LiSA.
TRiDENT’s second full album, reorganizing key songs from 2022 onward with new material to present twelve tracks of attack, melody and live-driven momentum.
A five-track EP that expands TRiDENT’s range through spicy riffs, nocturnal atmosphere and more intimate melodic writing.