Metalcore Albums

The End Is Not The End finds ATREYU shaping metalcore aggression and the larger melodies of modern rock and post-hardcore into a 2026 album with a clear sense of identity

A five-track EP that condenses HANABIE.’s current Harajuku-core sound into metalcore impact, digital pop color, streetwise energy and unapologetic self-affirmation.

Into Oblivion finds LAMB OF GOD shaping physical groove-metal weight, thrash-sharp riffing and modern aggression into a 2026 album with a clear sense of identity.

A five-song 2026 EP that condenses the four-piece NEMOPHILA’s physical groove, self-written material and renewed identity.

Antifragile finds ALL THAT REMAINS shaping metalcore riffing and emotionally direct melodic-metal hooks into a 2025 album with a clear sense of identity.

BABYMETAL’s 15th-anniversary album, using ten globally connected tracks to push beyond established metal boundaries.

This Consequence finds KILLSWITCH ENGAGE shaping metalcore weight and a melodic-death/heavy-metal sense of melancholy into a 2025 album with a clear sense of identity.

NEMOPHILA’s fourth album, written by the four members and renewing the band’s heaviness, emotional vocals and free-form mixture.

Zilqy’s first EP, presenting the Japanese all-female metal band’s post-melodic nu-metal identity with global ambition.

The band’s first major-label EP, packing Tokyo identity, otaku culture, transformation-heroine imagery and modern romance into fierce breakdowns and vivid pop hooks.

NEMOPHILA’s third album, concentrating scale, technique, melody and modern heaviness ahead of the band’s Budokan milestone.

The Beautiful Dark of Life collects ATREYU’s three 2023 EPs and adds new songs to complete a larger statement.

Life Is But a Dream... pushes AVENGED SEVENFOLD far beyond a simple metal framework and into an intensely experimental, existential space.

A concept album announcing BABYMETAL’s return through ten parallel worlds of reflection, loss and renewal.

The major-label breakthrough that expands Harajuku-core through space, games, escape, everyday anxiety and rebirth, establishing HANABIE. on an international scale.

A cover EP that rebuilds songs by Metallica, System of a Down, Slipknot and Limp Bizkit through NEMOPHILA’s own attack.

Omens puts Lamb of God’s interlocking riffs, groove and Randy Blythe’s raw roar directly in the listener’s path.

A second album capturing NEMOPHILA’s international momentum through heavy riffs, wide melodies and an unrestricted mixture.

After a major shift in its vocal setup, Atreyu move toward more open melodies and larger choruses on Baptize.

The first full album turns miso soup, dating apps, sweets and obsessive everyday life into a reform manifesto powered by metalcore and electronic color.

An international early compilation collecting NEMOPHILA’s three independent singles plus an English version of “DISSENSION.”

NEMOPHILA’s debut album, rebuilding its early independent songs into a worldwide statement of the band’s “hellishly heavy, otherwise fluffy” sound.

Trivium’s tenth album integrates thrash sharpness, metalcore aggression and progressive structure at high density.

BABYMETAL’s first best-of collection, tracing ten years of transformation from early shock to global-scale metal spectacle.

By choosing a self-title for its tenth album, Lamb of God reasserts the band’s core.

Trivium’s ninth album tightly connects thrash sharpness, metalcore aggression and progressive movement, even within compact songs.

BABYMETAL’s third album expands its universe through worldwide musical colors, major guests and a broad light-and-dark design.

Atonement brings together the elements Killswitch Engage do best—heavy riffs, urgent screams and clean vocals that reach for relief—in an especially emotional form.

Victim of the New Disease shifts All That Remains back toward a heavier metalcore center after the broader reach of Madness.

In Our Wake retains Atreyu’s sharp riffs and breakdowns while putting the force of the choruses in clear view.

An early six-track EP that captures teenage urgency, envy, time pressure, ghosts and a return to zero through raw metalcore and fresh melody.

Madness retains All That Remains’ metalcore edge while reaching toward wider melody and a more modern-rock texture.

The Sin and the Sentence integrates Trivium’s thrash sharpness, metalcore aggression and melodic chorus work at a high level of tension.

The Stage turns themes of space, science and existence into complex, dramatic heavy metal.

BABYMETAL’s second album turns global momentum into power metal, metalcore and progressive scale, confirming the group’s strength.

Incarnate gathers Killswitch Engage’s sharp metalcore riffs, breakdowns and melodic choruses into a concentrated form.

The Order of Things balances All That Remains’ heavy riff pressure with clean-vocal melodies that stay in the ear.

Long Live brings Atreyu’s heavy riffs, cutting shouts and expansive clean vocals together with direct momentum.

VII: Sturm und Drang uses Lamb of God’s low-slung groove, cutting riffs and raw vocal edge to create sustained tension.

Silence in the Snow places Trivium’s sharp heavy-metal riffs beside strong, fully sung clean vocals.

The debut album that collided idol pop with extreme metal language and introduced kawaii metal as a worldwide surprise.