Metalcore Albums

STMLT’s six-track debut EP, joining the group’s accessible video-creator identity with heavy loud-rock and metal arrangements built for the live stage.

A five-track EP that condenses HANABIE.’s current Harajuku-core sound into metalcore impact, digital pop color, streetwise energy and unapologetic self-affirmation.

The band’s first major-label EP, packing Tokyo identity, otaku culture, transformation-heroine imagery and modern romance into fierce breakdowns and vivid pop hooks.

The major-label breakthrough that expands Harajuku-core through space, games, escape, everyday anxiety and rebirth, establishing HANABIE. on an international scale.

The first full album turns miso soup, dating apps, sweets and obsessive everyday life into a reform manifesto powered by metalcore and electronic color.

An early six-track EP that captures teenage urgency, envy, time pressure, ghosts and a return to zero through raw metalcore and fresh melody.

BABYMETAL’s 15th-anniversary album, using ten globally connected tracks to push beyond established metal boundaries.

A concept album announcing BABYMETAL’s return through ten parallel worlds of reflection, loss and renewal.

BABYMETAL’s first best-of collection, tracing ten years of transformation from early shock to global-scale metal spectacle.

BABYMETAL’s third album expands its universe through worldwide musical colors, major guests and a broad light-and-dark design.

BABYMETAL’s second album turns global momentum into power metal, metalcore and progressive scale, confirming the group’s strength.

The debut album that collided idol pop with extreme metal language and introduced kawaii metal as a worldwide surprise.

A five-song 2026 EP that condenses the four-piece NEMOPHILA’s physical groove, self-written material and renewed identity.

NEMOPHILA’s fourth album, written by the four members and renewing the band’s heaviness, emotional vocals and free-form mixture.

NEMOPHILA’s third album, concentrating scale, technique, melody and modern heaviness ahead of the band’s Budokan milestone.

A cover EP that rebuilds songs by Metallica, System of a Down, Slipknot and Limp Bizkit through NEMOPHILA’s own attack.

A second album capturing NEMOPHILA’s international momentum through heavy riffs, wide melodies and an unrestricted mixture.

NEMOPHILA’s debut album, rebuilding its early independent songs into a worldwide statement of the band’s “hellishly heavy, otherwise fluffy” sound.

An international early compilation collecting NEMOPHILA’s three independent singles plus an English version of “DISSENSION.”

Zilqy’s first EP, presenting the Japanese all-female metal band’s post-melodic nu-metal identity with global ambition.

The End Is Not The End finds ATREYU shaping metalcore aggression and the larger melodies of modern rock and post-hardcore into a 2026 album with a clear sense of identity

Into Oblivion finds LAMB OF GOD shaping physical groove-metal weight, thrash-sharp riffing and modern aggression into a 2026 album with a clear sense of identity.

Antifragile finds ALL THAT REMAINS shaping metalcore riffing and emotionally direct melodic-metal hooks into a 2025 album with a clear sense of identity.

This Consequence finds KILLSWITCH ENGAGE shaping metalcore weight and a melodic-death/heavy-metal sense of melancholy into a 2025 album with a clear sense of identity.

The Beautiful Dark of Life collects ATREYU’s three 2023 EPs and adds new songs to complete a larger statement.

Life Is But a Dream... pushes AVENGED SEVENFOLD far beyond a simple metal framework and into an intensely experimental, existential space.

Omens puts Lamb of God’s interlocking riffs, groove and Randy Blythe’s raw roar directly in the listener’s path.

After a major shift in its vocal setup, Atreyu move toward more open melodies and larger choruses on Baptize.

Trivium’s tenth album integrates thrash sharpness, metalcore aggression and progressive structure at high density.

By choosing a self-title for its tenth album, Lamb of God reasserts the band’s core.

Trivium’s ninth album tightly connects thrash sharpness, metalcore aggression and progressive movement, even within compact songs.

Atonement brings together the elements Killswitch Engage do best—heavy riffs, urgent screams and clean vocals that reach for relief—in an especially emotional form.

Victim of the New Disease shifts All That Remains back toward a heavier metalcore center after the broader reach of Madness.

In Our Wake retains Atreyu’s sharp riffs and breakdowns while putting the force of the choruses in clear view.

Madness retains All That Remains’ metalcore edge while reaching toward wider melody and a more modern-rock texture.

The Sin and the Sentence integrates Trivium’s thrash sharpness, metalcore aggression and melodic chorus work at a high level of tension.

The Stage turns themes of space, science and existence into complex, dramatic heavy metal.

Incarnate gathers Killswitch Engage’s sharp metalcore riffs, breakdowns and melodic choruses into a concentrated form.

The Order of Things balances All That Remains’ heavy riff pressure with clean-vocal melodies that stay in the ear.

Long Live brings Atreyu’s heavy riffs, cutting shouts and expansive clean vocals together with direct momentum.

VII: Sturm und Drang uses Lamb of God’s low-slung groove, cutting riffs and raw vocal edge to create sustained tension.

Silence in the Snow places Trivium’s sharp heavy-metal riffs beside strong, fully sung clean vocals.

Hail to the King puts thick riffs, slow and heavy-footed beats, and arena-sized traditional-metal choruses at the front.

Disarm the Descent links Killswitch Engage’s sharp-chopped riffs, explosive breakdowns and clean choruses that open with real emotion.

Ceasing to Breathe combines heavy breakdowns, sharp guitars and melodic clean vocals to bring Still Remains back into metalcore with real heat.

Vengeance Falls packs Trivium’s sharp riffs, tight rhythm and memorable clean choruses into a focused, compact form.

A War You Cannot Win combines All That Remains’ tightly chugging guitars and heavy breakdowns with large clean-vocal choruses.

Resolution uses shifting rhythms, hard-chopped riffs and rough vocals to build high-tension groove metal.

Fire From the Sky uses sharp thrash riffs, heavy breaks and rough vocals to create dark, aggressive metal.

In Waves crosses Trivium’s sharp thrash riffs, breakdown weight and melodic choruses to display the band’s range.

For We Are Many combines All That Remains’ cutting riffs, heavy breakdowns and singable choruses in tightly built metalcore.

Nightmare connects Avenged Sevenfold’s sharp metal riffs, dramatic lead guitar and darker melody.

Congregation of the Damned connects Atreyu’s shadowed atmosphere to rough, forceful metalcore.

Killswitch Engage balances the band’s metalcore weight and melodic strength with confident consistency.

Wrath uses Lamb of God’s massive riffs and biting rhythms to unleash overwhelming aggression.

Retribution integrates the cutting edge of thrash metal with metalcore’s heaviness at high density.

Overcome tightly joins All That Remains’ urgent riffs, low heavy breakdowns and Philip Labonte’s clean vocal.

Shogun takes Trivium into extended metal forms through complex structures, sharp guitars and Matt Heafy’s strong vocal.

Lead Sails Paper Anchor pushes aggressive rhythm and singable melody with equal force.

Avenged Sevenfold packs heavy riffs, dramatic choruses, and ideas that cross hard rock, metal, and progressive music into a self-titled statement.

Threads of Life gathers rough riffs, fluid lead guitar, and Brian Fair’s roar into a forceful whole.

The Serpent combines electronic texture, hard guitar, and emotional vocals into a dark metalcore frame.

The Fall of Ideals packs All That Remains’ chugging guitars, breakdowns, and Phil Labonte’s harsh-to-clean vocal contrast into dense, sharply focused songs.

A Death-Grip on Yesterday compresses Atreyu’s sharp riffs, breakdowns, harsh vocals, and melodic singing into tighter songs.

As Daylight Dies connects Killswitch Engage’s hard riffs, tight breakdowns, and Howard Jones’s powerful voice.

Sacrament combines Lamb of God’s precise guitar chug, twisted rhythms, and Randy Blythe’s raw voice.

The Crusade pushes Trivium toward more classic thrash and heavy metal through rapid chugging, twin guitars, and hard rhythm.

City of Evil combines intricate twin-guitar lines, restless rhythm and expansive vocals.

Of Love and Lunacy balances hard riffs and breakdowns with switching screams, clean vocals and subtle keyboard shade.

Ascendancy drives forward on cutting riffs, hard rhythm and vocals that move between screams and clean lines.

This Darkened Heart introduces All That Remains through cutting riffs, raw vocals and racing rhythm.

The Curse combines Atreyu’s sharp riffs, intense screams and highly singable choruses.

The End of Heartache tightly joins Killswitch Engage’s heavyweight guitars, urgent screams and soaring clean vocals.

Ashes of the Wake packs low, rolling riffs, sharply shifting rhythm and raw roars into overwhelming density.

The War Within uses slicing twin guitars, heavy breakdowns and fierce vocals while still pushing memorable melody to the front.

Waking the Fallen joins harsh roars, heavy breakdowns and twin-guitar melody into music that balances aggression with drama.

As the Palaces Burn builds high-pressure metal from low-chugging riffs, sharply changing rhythm and raw roars.

Ember to Inferno uses fast guitar, rough vocals and shifting rhythm to make aggressive metal with obvious ambition.

Behind Silence and Solitude is All That Remains’ debut, connecting rough riffs, growls and lyrical guitar leads.

Suicide Notes and Butterfly Kisses is an early Atreyu record built from rough screams, hardcore-rooted rhythm and emotional guitar melody.

Alive or Just Breathing fuses thrash-like riffs, melodic-death-metal guitar language and rough shouts into Killswitch Engage’s defining early statement.

The Art of Balance brings together thrash metal’s cutting riffs, melodic leads and hardcore-derived force with impressive control.

Sounding the Seventh Trumpet is Avenged Sevenfold’s debut, mixing hardcore urgency, melodic-death-metal guitar and classic-metal ambition.

Killswitch Engage’s debut captures the raw collision of hardcore urgency and metal weight that would help define metalcore.

New American Gospel by LAMB OF GOD: track list, Spotify player, music videos and English liner notes on METAL BOOST.

Of One Blood connects melodic-death guitar language with hardcore force in an early Shadows Fall statement.

Burn the Priest is a useful way to hear LAMB OF GOD from a different angle within the 1999 catalogue.

Somber Eyes to the Sky is Shadows Fall’s debut collision of rough riffing, shouted vocals and lyrical guitar.