Heavy Metal 2010s Albums - Page 3

2013年発表のスタジオ作。

2013年に出た、旧作の楽曲を録り直した作品。

Steelhammer delivers traditional heavy metal through U.D.O.’s steel-hard riffs, forward-driving rhythm and instantly recognizable vocal character.

Stalingrad drives Accept’s sharp guitar riffs, marching rhythm and commanding choruses into a concentrated statement of traditional metal weight.

BLAZING CRISIS joins Blindman’s expressive vocals, fluent guitar lines and full choruses into dramatic melodic hard rock.

Broken Bones is shaped by Dokken’s hard guitar riffs, shadowed melodies and a somewhat darker sound.

Few Against Many centers Firewind’s sharp riffs, fluid solos and strong vocals in a tightly focused power-metal record.

Unbreakable puts Primal Fear’s steel-edged riffs, fast rhythm and powerful high-register vocals at the front of a title-true power-metal record.

21 joins Rage’s cutting guitars, tight rhythms and constantly changing structures into power metal that is aggressive yet intelligent.

Armed to the Teeth uses cutting twin guitars, speedy drums and big choruses to deliver youthful traditional metal.

Dark Roots of Earth joins Testament’s sharp thrash riffs, heavy groove and aggressive vocals into thrash metal with modern thickness.

The tenth studio album, released by Rocksector Records on 24 September 2012. It is a record full of returns.

A Different Kind of Truth reunites Van Halen with David Lee Roth and brings the band’s thick riffs, bouncing rhythm and unruly vocal personality back to the front.

Spellbound carries Yngwie Malmsteen’s neoclassical style through classically shaped phrases, high-speed guitar runs and dramatic harmony.

Determination joins Aldious’ bright twin guitars, speed-driven rhythm and soaring vocals into melodic metal with real lift.

Worship Music brings together Anthrax’s cutting thrash riffs, bouncing groove and commanding choruses to balance tradition with a modern punch.

A third album released in Japan ahead of the rest of the world — and the Tokyo show that May became the live record Blinded by Tokyo.

The Landing carries Iron Savior’s science-fiction atmosphere through steel-edged riffs, fast rhythm and heroic choruses.

Tokyo Jukebox 2 is best heard not simply as a covers-related entry, but as a record that shows how MARTY FRIEDMAN translates outside material into its

Thirteen combines Megadeth’s slicing riffs, restless rhythm and Dave Mustaine’s dry, sardonic vocal character.

Ravenlord puts Mystic Prophecy’s hard guitar riffs, heroic choruses and powerful vocals at the front of a traditional power-metal record.

The fourth album, produced by Fredrik Nordström and the first with drummer Roel van Helden — and the band's first German chart entry, at No. 23.

Dedicated to Chaos uses dark sound, irregular rhythm and electronic texture to move Queensrÿche somewhat away from a conventional metal template.

Immortal Soul combines Riot’s sharp twin guitars, speedy rhythm and powerful high-register singing to renew the heat of traditional US metal.

Comeblack is best heard not simply as a covers-related entry, but as a record that shows how SCORPIONS translates outside material into its own sense of

Recorded in Stuttgart with Mat Sinner producing and Achim Köhler engineering, it reached number 65 on the German album chart. Rage drummer André Hilgers and Alex Beyrodt play on it.

2011年に出た、他アーティストの楽曲を取り上げた作品。

Rev-Raptor puts U.D.O.’s hard riffs, forceful drums and Udo Dirkschneider’s unmistakable raspy voice at the front of traditional metal.

Blood of the Nations finds Accept rebooting the classic heavy-metal frame with Mark Tornillo and a modern sense of weight.

Deep Exceed is Aldious’ debut statement, joining bright twin guitars, speed-driven rhythm and melodic vocals in a traditional melodic-metal frame.

Nightmare connects Avenged Sevenfold’s sharp metal riffs, dramatic lead guitar and darker melody.

Order of the Black puts Zakk Wylde’s thick guitar riffs, heavy groove and bluesy song sense at the front in classic Black Label Society fashion.

Re-rise reaffirms Blindman’s melodic-hard-rock strengths through fluent guitar work, rich melody and flexible rhythm.

Relentless Retribution packs Death Angel’s Bay Area thrash sharpness, shifting rhythm and urgent vocals into an ambitious record.

In the Night drives traditional heavy metal straight ahead with Dream Evil’s thick riffs, heroic choruses and passionate vocals.

Exhibit B: The Human Condition is an expansive blast of Exodus’ unforgiving thrash riffs, sharp drumming and socially tense atmosphere.

Days of Defiance unites Firewind’s fast power metal, memorable lead guitar and strong choruses.

The Final Frontier uses cosmic atmosphere, long-form construction and layered triple guitars to create Iron Maiden metal on an adventurous scale.

Bad D.N.A. layers Marty Friedman’s exotic-tinged melodies, sharp guitar phrases and arrangements that cross rock and metal.

Scream combines Ozzy Osbourne’s unmistakable vocal character with heavy guitar and modern rhythm to create dark, hard-edged metal.

A twelfth album after four years, led by "Little Drops of Heaven," that put the band back on a steady release cycle.

Strings to a Web combines Rage’s hard riffs, speed and multi-part large-scale construction.

Sting in the Tail balances Scorpions’ hard guitar riffs, forceful rockers and emotional balladry.

Eyes in the Night is Striker’s youthful traditional-metal debut, powered by sharp guitar riffs, racing rhythm and high-reaching vocals.

Facemelter delivers classic hard rock through Y&T’s bluesy guitar, sturdy rhythm and direct vocals.

Relentless puts Yngwie Malmsteen’s neoclassical melodies, breathtaking speed and heavy riffs at the front.