Brazil Metal & Hard Rock Albums

The eighth album and the first with new singer Ângelo Parisotto — Seneca's On the Shortness of Life as its subject, released in the band's thirtieth year.

The four-song EP that is Sepultura's last studio release, out in April 2026 and in Japan on 10 July.

Cycles of Pain turns ANGRA’s Brazilian color, progressive construction and power-metal lift into one extended drama.

A seventh album four years on, rebuilt around new singer Victor Emeka — with three former members guesting on "Tribal Mark".

Rescue sees Shaman restating the heat and symphonic splendor of Brazilian power metal.

Sepultura's fifteenth studio album, from February 2020, built on the number four and divided into four sections.

Ømni gathers Angra’s fast metal, Brazilian rhythmic identity, classical harmony and progressive construction inside a science-fiction narrative.

The sixth album and the last with Iuri Sanson — released weeks after the mass departure was announced, and so the closing chapter of the band's first era.

Sepultura's fourteenth studio album, from January 2017, produced by Jens Bogren and built on the robotisation of society.

A self-titled fifth album that cuts its song titles down to single words and strips the arrangements to match.

Secret Garden joins Angra’s progressive construction, Brazilian rhythmic sense and classically shaped melody.

A fourth album with new guitarist Renato Osorio and a move to AFM Records — and once again the Japanese edition came out first.

Sepultura's thirteenth studio album, from October 2013, and the first Ross Robinson had produced for them since Roots seventeen years earlier.

A third album released in Japan ahead of the rest of the world — and the Tokyo show that May became the live record Blinded by Tokyo.

Sepultura's twelfth studio album, from June 2011, their first for Nuclear Blast, and a record about time.

Aqua uses a water-themed concept to connect Angra’s Brazilian rhythmic feel, progressive turns and melodic power-metal lift.

Origins layers Shaman’s Brazilian-metal passion, symphonic color and emotional melody.

Sepultura's eleventh studio album, from January 2009, a concept record built on A Clockwork Orange.

A second album that came out in Japan first, led to Loud Park the next year, and made Japan this band's principal market.

Immortal combines complex rhythm, bright keyboard color, and strong melody in a renewed lineup.

Aurora Consurgens uses Angra’s shifting rhythms, detailed guitar, and Edu Falaschi’s expressive voice to shape progressive power metal with both tension and lyricism.

Sepultura's tenth studio album, from March 2006, built on Dante's Divine Comedy and the last with Igor Cavalera.

Reason builds a dramatic sound around Andre Matos’s soaring voice, thick keys and classically colored guitar.

Temple of Shadows combines fast guitar, classical arrangement, Brazilian rhythmic color and soaring vocals to tell a story on a large scale.

A debut eight years in the making, home to "Steel Lord on Wheels" — the record that carried Brazilian power metal abroad.

Sepultura's ninth studio album, from 2003. The title is an old English word for a forged story used in politics.

Ritual uses dramatic keyboards, fast guitars and expressive high vocals to build Shaman’s expansive narrative.

Rebirth presents Angra’s renewed lineup through Brazilian rhythmic color and grand power metal.

Sepultura's eighth studio album, from 2001, their last for Roadrunner and the one with the most guests.

Fireworks threads Brazilian rhythmic character, progressive movement and delicate melody through Angra’s power-metal drive.

Sepultura's seventh studio album, from 1998, the first with Derrick Green singing and the one Kodo play on.

Holy Land layers power-metal speed with classical grandeur, Brazilian rhythm, choral color and acoustic detail.

Sepultura's sixth album, released in 1996. It carries recordings made in a Xavante village in Brazil, and it is the last with Max Cavalera.

Angels Cry captures ANGRA at a point where the later image is not yet fully fixed.

Sepultura's fifth album, released in 1993. It was made with Andy Wallace at Rockfield Studios in South Wales, and it is the record on which they step into groove metal.

Sepultura's fourth album, released in 1991. It was made at Morrisound in Tampa with Scott Burns, and it has been called the point at which their death-thrash reached its conclusion.

Sepultura's third album, recorded through the night at Nas Nuvens in Rio de Janeiro in December 1988 with Scott Burns producing.

The debut by Brazil's Sarcófago, recorded in July 1987 at J.G. Studio in Belo Horizonte and issued by Cogumelo Records that August.

Sepultura's second album, issued by Cogumelo in Brazil in 1987 and the first with Andreas Kisser.

Sepultura's debut, eight songs issued by Cogumelo in Brazil in 1986.