Sleaze Rock Albums - Page 2

Reckless Love is Reckless Love’s full-color debut, firing off huge choruses, bouncing beats and sweetly catchy melodies.

Beg for It combines Hardcore Superstar’s glam flash with rough hard-rock aggression in a volatile balance.

Backyard Babies channels punk urgency and glam-derived flash into short, rough rock songs.

Black Butterfly gathers Buckcherry’s rough guitars, bouncing beat and Josh Todd’s provocative vocal character.

Chinese Democracy is a large-scale Guns N’ Roses statement built around Axl Rose, dense layers, aggressive guitars and elaborate arrangements.

The Unattractive Revolution combines thick riffs, flashy choruses, and a darker mood.

Loud Minority puts thick guitar, bright choruses, and playful vocals at the front of a debut built for instant response.

Dreamin' in a Casket by HARDCORE SUPERSTAR: track list, Spotify player and English liner notes on METAL BOOST.

People Like People Like People Like Us puts Backyard Babies’ punk-sprint energy and Swedish garage/sleaze-rock grit right at the front.

Deuce by BEAUTIFUL CREATURES: track list, Spotify player, music videos and English liner notes on METAL BOOST.

15 is built on simple, strong riffs, springing beat and Josh Todd’s rough-edged vocal delivery.

Rest in Sleaze puts thick guitar, springing beat and provocative vocals at the front of a sleaze-rock debut.

Hardcore Superstar builds its sound from hard guitar, low groove and Jocke Berg’s rough vocal attack.

The ninth L.A. Guns studio album, released by Shrapnel Records on 16 August 2005. Fourteen songs by the Phil Lewis and Steve Riley line-up, written around the memory of the Sunset Strip.

Stockholm Syndrome uses distorted guitar, rough vocals and punkish beat to make rock and roll with a dangerous scent.

No Regrets uses rough guitar, bouncing beat and spit-out vocals to make punk-leaning rock and roll.

The eighth L.A. Guns studio album, released by Spitfire Records in 2002 — the last studio record Tracii Guns played on before leaving. Ten songs.

Making Enemies Is Good brings Backyard Babies’ street-rock roughness and punk speed into sharp riff-led songs.

Beautiful Creatures is a debut that blends L.A. hard-rock flash with punk roughness.

Time Bomb retains Buckcherry’s raw rock-and-roll charge while aiming for tighter, more urban hooks.

Thank You (For Letting Us Be Ourselves) collides punk speed with glam-rock flash in classic Hardcore Superstar fashion.

The seventh L.A. Guns studio album, released by Spitfire Records on 24 April 2001 — the first with Phil Lewis back on vocals. Ten songs.

Bad Sneakers and a Piña Colada introduces Hardcore Superstar with punky roughness, glam-rock color and a taste for immediate hooks.

Buckcherry arrives with bluesy guitar riffs, gritty vocals and a dangerous rock-and-roll rush.

The sixth L.A. Guns studio album, released in 1999 and the only one with Jizzy Pearl on vocals. The Japanese edition appeared on 24 July 1999 as ZACB-1008. Twelve songs.

Total 13 by BACKYARD BABIES: track list, Spotify player and English liner notes on METAL BOOST.

It’s Only Rock ’n’ Roll is an early Hardcore Superstar album built from rough guitar, forward-charging beat and provocative vocals.

The fifth L.A. Guns studio album, released by CMC International on 29 October 1996 and reaching for an industrial surface across its thirteen songs. The Japanese edition followed on 21 November as BVCP-984.

Diesel and Power captures BACKYARD BABIES at a point where the later image is not yet fully fixed.

The fourth L.A. Guns studio album, released by Polydor / Mercury in 1994 with fifteen songs. Mercury issued the Japanese edition on 5 October 1994 as PHCR-1254. It is the band's last album of the PolyGram years.

The Spaghetti Incident? finds GUNS N' ROSES in a phase that reconnects Guns N’ Roses with the raw impulses of punk, glam and garage rock through a wide-ranging cover set.

Use Your Illusion I keeps the dangerous charge of Guns N’ Roses’ earlier work while greatly expanding song length, arrangement and emotional range.

Paired with the same-day first volume, Use Your Illusion II shows a darker shade and a broader swing of feeling.

The third L.A. Guns studio album, released by Vertigo on 25 June 1991 with twelve songs. The Japanese edition at the time was PHCR-1085, and Universal Music Japan reissued it on SHM-CD on 25 March 2026.

The second L.A. Guns album, released by Vertigo on 19 August 1989 and the band's best-known record thanks to "The Ballad of Jayne". Fourteen songs; the Japanese pressing was PPD-1032.

G N’ R Lies places Guns N’ Roses’ raw early charge beside more introspective, acoustic-led songs.

The debut L.A. Guns album, released by Vertigo in January 1988 with eleven songs. In Japan it has always carried a title of its own, and Universal Music Japan reissued it as a limited budget edition (UICY-78616) on 14 March 2018.

Appetite for Destruction captures Guns N’ Roses at the meeting point of raw playing and unusually strong melodic instinct.