BACKYARD BABIES
Biography and full discography of BACKYARD BABIES, with a page for every album, on METAL BOOST.
English Discography Overview
This English discography hub highlights BACKYARD BABIES albums such as Sliver & Gold, Four by Four, Backyard Babies. The album notes emphasize these records' riffs, vocals, production character, songwriting flow and listening context: Sliver & Gold captures Backyard Babies’ streetwise rock and roll without sanding away its rough edges. Four by Four compresses Backyard Babies’ punk roughness, sleazy rock ’n’ roll and memorable choruses into one burst of energy. Backyard Babies channels punk urgency and glam-derived flash into short, rough rock songs.
Biography
Backyard Babies
The Trajectory and Musical Legacy of Scandinavian Sleaze Rock
1. The Revolutionaries of Nordic Rock and Their Cultural Background
1.1 The Rise and Position of Scandinavian Rock
From the late 1980s to the 1990s, Sweden was establishing its position as a global music export powerhouse. While pop acts like ABBA and Roxette dominated the charts, in the underground, Death Metal and Hardcore Punk were undergoing their own unique evolution. In this cultural soil, a subgenre called "Sleaze Rock" or "Action Rock" was formed, fusing the decadent aesthetics of Glam Rock, the aggressiveness of Punk Rock, and the riffs of classic Hard Rock.
Backyard Babies, along with The Hellacopters and Hardcore Superstar, are a symbolic presence of this Nordic rock movement. Backyard Babies went beyond being a mere revival band; they fused the melancholy peculiar to Northern Europe with explosive energy to build a worldwide fanbase.
2. The Dawn: Sprouting in Nässjö and the Tyrant Era (1987 - 1989)
2.1 The Birthplace: The Stifling Feeling and Creativity of Nässjö
The origin of the band lies in Nässjö, a railway town located in the Småland region of southern Sweden. With a population of less than 20,000, the town offered little entertainment for young people, resulting in a stifling atmosphere. However, as with many rock legends, boredom became the wellspring of creativity. In 1987, teenagers attending a local school gathered to form the band "Tyrant".
2.2 Activities of Tyrant and Demo Recordings
The initial lineup was different from the classic lineup that would come later.
- Tobias "Tobbe" Fischer: Vocals / Bass
- Dregen: Guitar
- Johan Blomqvist: Guitar
- Peder Carlsson: Drums
During this period, they played live at local youth centers and small clubs while producing rough demo tapes. The demo "Tyrant," produced in 1989, is said to have contained a rougher, more metal-leaning sound before the Backyard Babies style was established.
2.3 Twist of Fate: Member Changes and Band Name Change
In 1989, a decisive turning point arrived for the band. The frontman, Tobias Fischer, left the band. Fischer later succeeded as a professional photographer and web designer in Stockholm, maintaining his relationship with the band by being involved in Backyard Babies' artwork and website creation.
Following Fischer's departure, the band underwent a radical reorganization. Johan Blomqvist, who had been playing guitar, switched to bass, and Nicke Borg joined as the new vocalist. Nicke took on not only vocals but also rhythm guitar, establishing the band's twin-guitar setup. Simultaneously with this reorganization, the band changed its name to "Backyard Babies".
Establishment of The Classic Lineup:
- Nicke Borg: Lead Vocals / Guitar
- Dregen: Lead Guitar / Backing Vocals
- Johan Blomqvist: Bass
- Peder Carlsson: Drums
All four of these members were born in 1973 and hail from the same town of Nässjö. This strong bond became the driving force to overcome numerous difficulties and hiatuses later on.
3. Surfacing from the Underground: Debut and Early Struggles (1990-1994)
3.1 Early Demo Production and Style Exploration
Starting their activities as the new Backyard Babies, they produced a self-titled demo "Backyard Babies" in 1990 and began touring within Sweden. Their sound at the time strongly reflected influences from bands like Hanoi Rocks, Guns N' Roses, and New York Dolls, blurring the lines between sleaze rock and punk.
3.2 The Legendary EP "Something to Swallow" (1991)
In 1991, the band released their first official recording, the self-produced EP "Something to Swallow" (Opus 1 Productions). This 12-inch EP contained 5 tracks, and songs like "Strange Kind of Attitude" and "Kickin' Up Dust" would become the core of their later debut album. This EP was covered by domestic and international music media and fanzines, becoming an important catalyst for making Backyard Babies' presence known in the underground scene.
3.3 Major Deal and "Diesel and Power" (1994)
Following the EP's success, they secured a contract with the Swedish independent label "Megarock Records" in 1993. Then, in 1994, their highly anticipated debut full-length album "Diesel and Power" was released.
- Musicality: Compared to their later works, this album had a stronger Blues flavor and was somewhat more mid-tempo and groove-oriented. Including their fashion and artwork, they inherited the aesthetics of late 80s LA Metal and Sleaze Rock while wearing the cold atmosphere unique to Northern Europe.
- Key Tracks: The single "Electric Suzy" became a representative song of the band's early days, and its B-side featured a cover of Hanoi Rocks' masterpiece "Taxi Driver," clearly showing Backyard Babies' roots.
After the album's release, the band left their hometown of Nässjö and relocated their base to the capital, Stockholm. This was an inevitable step towards aiming for greater success, but at the same time, it led Backyard Babies into new trials.
4. Stagnation and Extracurricular Activities: The Shadow of The Hellacopters (1995-1997)
4.1 Deadlock in Stockholm
After moving to Stockholm, the band did not experience smooth sailing right away. Due to adjusting to the new environment, relationships with the label, and exploring their musical direction, Backyard Babies entered a period of stagnation from 1995 to 1996. During this time, they performed sporadically, such as serving as the opening act for "Demolition 23.", a band formed by former Hanoi Rocks member Michael Monroe, but the situation continued where the band's next step was unclear.
4.2 Dregen Joins The Hellacopters
During this period of stagnation, guitarist Dregen hit it off with Nicke Andersson, the drummer of Entombed, and formed "The Hellacopters" as a side project. Initially just a project, their 1996 debut album "Supershitty to the Max!" achieved explosive success, including winning a Swedish Grammis, causing Dregen's activities to shift heavily towards The Hellacopters.
Dregen participated up to The Hellacopters' second album "Payin' the Dues" (1997) and accompanied them on large-scale tours, including opening for KISS. During this time, Backyard Babies was effectively on hiatus, and there were even whispers of an impending breakup.
4.3 Decision and Return
However, the grueling touring life with two bands exhausted Dregen mentally and physically. He was forced to make a decision that he "had to focus on one band," and ultimately chose his starting point, Backyard Babies. Dregen's full return gave new vitality to the other members (Nicke, Johan, and Peder), and the band began a furious, rapid advance.
5. The Golden Era: Revolution by "Total 13" (1998-2000)
5.1 The Making of "Total 13" and Sound Transformation
In 1998, the band released their second album "Total 13" through MVG Records. This album is not only considered the masterpiece of Backyard Babies' career but also became a monumental work in the history of Scandinavian rock.
- Producer: Thomas Skogsberg was appointed. Known for producing death metal bands like Entombed, his appointment brought an intensely distorted guitar sound and a raw, aggressive sound image to the album.
- Musical Change: The bluesy elements of the "Diesel and Power" era receded, completing a "high-energy rock 'n' roll" that fused high-speed punk beats reminiscent of the Ramones and The Damned with catchy melodies.
5.2 Album Analysis
The album features many tracks that would later become live staples, such as "Made Me Madman," "Look at You," "Highlights," and "Bombed (Out of My Mind)." Notably, the Japanese edition (AMCE-2711) is known for containing the most bonus tracks among all the editions worldwide.
- Japanese Edition Bonus Tracks: "Powderhead," "Can't Find the Door," "Wireless Mind," "Rocker (feat. Michael Monroe)."
The collaboration with Michael Monroe on "Rocker" was also the moment the band was recognized as legitimate successors by their idol.
5.3 Acclaim and Worldwide Breakthrough
"Total 13" achieved a gold disc in Sweden and won the "Best Hard Rock" category at the Swedish Grammis. It was highly praised by British music magazines like Kerrang! and Metal Hammer, and the band embarked on their first full-scale world tour. In Japan, they were introduced as the "Guns N' Roses of Sweden" and instantly gained a passionate fanbase.
6. On the Shoulders of Giants: Tour with AC/DC and "Making Enemies Is Good" (2000-2002)
6.1 Selection for AC/DC's "Stiff Upper Lip" Tour
In 2000, Backyard Babies received one of the greatest honors of their career. They were chosen as the support act for the European leg of rock giants AC/DC's "Stiff Upper Lip World Tour."
- Tour Schedule and Scale: Centered around November 2000, they supported performances in major Nordic cities like Oslo, Gothenburg, Stockholm, and Helsinki, as well as in Germany, the Netherlands, and Switzerland.
- Specific Schedule Examples:
- November 3, 2000: Oslo (Oslo Spektrum)
- November 4, 2000: Gothenburg (Scandinavium)
- November 5, 2000: Stockholm (Globen)
- November 11, 2000: Leipzig (Leipzig Messehalle)
Playing in arena and stadium-class venues in front of strict AC/DC fans pushed the band's playing ability, staging, and mentality to the absolute limit. Dregen later stated, "Touring with AC/DC was like attending the university of rock and roll."
6.2 "Making Enemies Is Good" (2001)
Fueled by the experience gained from touring with AC/DC, they released their third album, "Making Enemies Is Good," in 2001.
- Sound Evolution: They organized the chaotic punk sound of the previous album and evolved into a heavier, darker sound with a sense of scale capable of handling stadium rock. Critics described it as "Controlled Chaos."
- Collaborations: Ginger from The Wildhearts was deeply involved in the songwriting, credited as a co-writer on tracks like "Brand New Hate" and "The Clash." In particular, "Brand New Hate," a fusion of a catchy riff and a "F**k You" attitude, became one of the band's biggest hits.
- Chart Action: It reached #1 on the Swedish charts and #13 in Finland. They won their second Swedish Grammis, solidifying their position as top Nordic band in both name and reality.
7. Ambition for World Domination: "Stockholm Syndrome" and US Expansion (2003 - 2005)
7.1 "Stockholm Syndrome" (2003)
In 2003, the band signed with RCA Records and released their fourth album, "Stockholm Syndrome."
- Production Background: Recorded at Polar Studios in Stockholm, and mixed by American Joe Barresi. Barresi, known for his work with Queens of the Stone Age and Monster Magnet, brought a modern, thick rock sound to the album.
- Guest Lineup: The track "Friends" featured gorgeous guests symbolizing the band's wide circle of friends.
- Joey Ramone (Ramones)
- Michael Monroe (Hanoi Rocks)
- Danko Jones
- Tyla (The Dogs D'Amour)
- Nina Persson (The Cardigans)
- Hit Single: "Minus Celsius" not only became a radio hit but was later included as a bonus track in the popular music game "Guitar Hero III: Legends of Rock," becoming a major factor in spreading the band's name among the younger generation of American gamers.
7.2 US Expansion and Tour with Social Distortion
In the mid-2000s, the band focused on cultivating the American market.
- Tour with Monster Magnet (2004): Toured together in Europe and the US.
- Tour with Social Distortion (2005): Toured the US and Europe as the opening act for American punk legends Social Distortion.
- Main Venues: Irving Plaza in New York, London Astoria, Avalon in Boston, etc.
- Setlist Example (August 6, 2005, London): They challenged the main act's fanbase with a greatest-hits selection like "U.F.O. Romeo," "Brand New Hate," "The Clash," "Minus Celsius," and "Star War," leaving a strong impact.
7.3 Live Album "Live Live in Paris"
In 2005, they released the album "Live Live in Paris," recording their peak live performances from this period. It became a work that proved how complete they were as a live band in front of an enthusiastic Parisian audience.
8. Maturity and Independence: Reunion with Nicke Andersson and Self-Titled Album (2006 - 2009)
8.1 "People Like People Like People Like Us" (2006)
Their 5th overall album, "People Like People Like People Like Us," was produced by Nicke Andersson (The Hellacopters). Being produced by an old friend who used to be in a band with Dregen brought their sound back to a more straightforward, garage-rock origin.
- Key Tracks: "Dysfunctional Professional," "The Mess Age (How Could I Be So Wrong)."
- Acclaim: Reached #3 on the Swedish charts. Although less flashy than its predecessor, it was praised for its high-quality songwriting and mature musicianship.
8.2 Independence and Self-Titled Album "Backyard Babies" (2008)
In 2008, the band left the major label they had been with for years, established their own independent label "Billion Dollar Babies," and released their 6th album, "Backyard Babies."
- Meaning of the Self-Title: It embodied a return to their roots and a strong will to control their career themselves.
- Tracks: It featured provocative rock numbers typical of Backyard Babies, such as "Fuck Off and Die" and "Degenerated." "Degenerated" was included in "Guitar Hero World Tour."
- Charts: Reached #1 on the Swedish charts. It proved their popularity had not waned even under an independent production system.
8.3 20th Anniversary and Declaration of Indefinite Hiatus
In 2009, they released a deluxe box set "Them XX" to commemorate their 20th anniversary. It contained unreleased tracks, B-sides, a detailed photo book, and more, serving as a culmination of 20 years of activity. Then, in early 2010, the band announced an "Indefinite Hiatus." Dregen stated, "The last 20 years, especially the latter 10, were non-stop. To keep the band going, we needed to stop and recharge." It was emphasized that it was not a breakup but merely a "break," though for fans, it marked the beginning of a long winter.
9. Solo Activities and the Era of Exploration (2010-2014)
During the hiatus, the members pursued their respective musical interests, which later brought new depth when the band resumed.
9.1 Nicke Borg Homeland
Frontman Nicke Borg launched a solo project, "Nicke Borg Homeland." His solo work, in contrast to the high-energy rock of Backyard Babies, delved deep into Americana, Country, and Folk elements. Introspective lyrics and melodies showing deep reverence for Johnny Cash and Steve Earle reaffirmed to the world his talent as a songwriter.
Main Discography:
- Chapter 1 (EP, 2010): Debut EP.
- Chapter 2 (Album, 2011): 1st full album. #26 on the Swedish charts.
- Ruins of a Riot (Album, 2013): 2nd album approaching a more band-oriented sound. #16 on the charts.
- Chapter 3 (Live In The Studio) (2014): Studio live album.
9.2 Dregen's Busy Days
Meanwhile, Dregen continued working at the forefront of rock 'n' roll without a break.
- Joining the Michael Monroe Band (2011): Joined the band of his idol Michael Monroe as a guitarist. He participated in the making of the album "Horns and Halos" and the world tour, performing alongside legends like Steve Conte and Sami Yaffa.
- Solo Album "Dregen" (2013): Released his first solo album. Nicke Andersson and Danko Jones made guest appearances, showing a more bluesy and funky side.
- Publishing an Autobiography: Published his autobiography "Dregen: Självbiografin," which became a bestseller in Sweden.
9.3 Other Members
Johan Blomqvist and Peder Carlsson also waited for the band to resume while enriching their musical activities and personal lives. Johan worked as an artist for gear manufacturers like EBS, honing his bass playing.
10. The Return: Reunion and 30th Anniversary (2015-2019)
10.1 Restarting with "Four By Four" (2015)
Breaking five years of silence, the band declared their return to action in 2015. Their 7th album "Four By Four," released in August of that year, carried a title symbolizing "the 4th masterpiece by 4 members" and the power of a 4x4 off-road vehicle.
- Single: The lead single "Th1rt3en or Nothing" was a song that fused the classic Backyard Babies groove with the melodic sense cultivated during their solo activities, meeting fans' expectations.
- Live Activities: Starting with a performance at the Sweden Rock Festival, they energetically embarked on a European tour and a Japan tour (including an appearance at LOUD PARK).
10.2 Video Release "Live at Cirkus" (2017)
In 2017, they released "Live at Cirkus" on Blu-ray/DVD and CD, capturing a live performance at Stockholm's historic venue "Cirkus," a highlight since their reunion. It included an acoustic set, showing off their dignity as a veteran band.
10.3 30th Anniversary Album "Sliver & Gold" (2019)
In 2019, they released their 8th studio album, "Sliver & Gold," via Century Media to commemorate their 30th anniversary. They appointed Chips Kiesbye of the Swedish punk band Sator as producer (also known for producing The Hellacopters). Singles like "Shovin' Rocks" and "Good Morning Midnight" were the ultimate culmination of the "Backyard Babies sound," where early impulses and 30 years of mastery coexisted.
11. Current Status and Future (2020-2025)
11.1 The Pandemic and Dregen Rejoining The Hellacopters
After the "Sliver & Gold" tour, the world was hit by the COVID-19 pandemic. While live activities were restricted, Dregen rejoined The Hellacopters again as an official member. The Hellacopters released the album "Eyes of Oblivion" in 2022 and have been carrying out large-scale activities.
11.2 Current Status (2024-2025)
In a 2024 interview, Dregen spoke about the current state of Backyard Babies: "The band hasn't broken up, and there's no falling out between the members. It's just that I'm currently busy with The Hellacopters, so we're temporarily slowing things down. In the future, we will definitely do something as Backyard Babies again."
The members are still in touch today, and officially they are on a "Hiatus," but fans confidently wait for Backyard Babies to "restart the engine" anytime. As the history of Backyard Babies proves, they never die; they are always in the backyard preparing for the next party.
12. Discography
Below is a detailed list of all Backyard Babies works along with their data. The unique specifications of Japanese editions, in particular, are detailed as much as possible.
12.1 Studio Albums
| Year | Title | Label | Peak Chart (SWE) | Notes & Japanese Editions |
|---|---|---|---|---|
| 1994 | Diesel and Power | Megarock | - | Debut. Japanese edition (TECP-25556, etc.) exists. Strong blues hard rock flavor. |
| 1998 | Total 13 | MVG/EastWest | 12 | Masterpiece. Japanese edition (AMCE-2711) Bonus: "Powderhead", "Can't Find the Door", "Wireless Mind", "Rocker (feat. Michael Monroe)". |
| 2001 | Making Enemies Is Good | RCA/BMG | 1 | Japanese edition (BVCP-21192) exists. Ginger (Wildhearts) features. A more refined rock sound. |
| 2003 | Stockholm Syndrome | RCA/BMG | 2 | Japanese edition (BVCP-21318) Bonus: "Please! Please! Please!", "Big Bad Wolf". |
| 2006 | People Like People Like People Like Us | Sony BMG | 3 | Japanese edition (BVCP-21460) exists. Produced by Nicke Andersson. |
| 2008 | Backyard Babies | Billion Dollar Babies | 1 | Japanese edition (VICP-64386) exists. Includes "Fuck Off and Die". |
| 2015 | Four By Four | Sony / Gain / Victor | 2 | Reunion album. Japanese edition (VICP-65326) Bonus: "Th1rt3en Or Nothing (Live)". |
| 2019 | Sliver & Gold | Century Media | 5 | 30th-anniversary album. Deluxe edition with acoustic live audio exists. |
12.2 Live Albums
| Year | Title | Venue | Notes |
|---|---|---|---|
| 1998 | Safety Pin & Leopard Skin | UK, Sweden | Live recordings from the "Total 13" era. Also released as a Japan-exclusive edition. |
| 2005 | Live Live in Paris | Paris, France | Recorded the May 2005 show at "La Maroquinerie" in Paris. |
| 2017 | Live at Cirkus | Stockholm, Sweden | Recorded the February 10, 2016 show at Cirkus. Video version also available. |
12.3 Demos, EPs, Compilations
| Year | Title | Format | Details |
|---|---|---|---|
| 1989 | Tyrant | Demo Cassette | Early formation demo. |
| 1990 | Backyard Babies | Demo Cassette | First demo after renaming. |
| 1991 | Something to Swallow | 12" EP | Official debut EP. 5 tracks. Rare item. Includes "God's Favourite", "Suicidal Thoughts", etc. |
| 1992 | Bite & Chew | EP | - |
| 1997 | Knockouts! EP | EP | Features singles and cover songs. |
| 2001 | Independent Days | Compilation | Compilation gathering singles, B-sides, and rare tracks from before "Total 13". |
| 2002 | From Demos to Demons 1989-1992 | Box Set/CD | Archive release covering early demo recordings. |
| 2009 | Them XX | Box Set | 20th-anniversary box set. Includes CDs, DVD, and a photo book. |
12.4 Selected Singles
Backyard Babies have released many singles and are well-regarded for their B-side tracks.
- Electric Suzy (1994) - c/w "Taxi Driver" (Hanoi Rocks Cover)
- Look at You (1998)
- Bombed (Out of My Mind) (1998)
- Brand New Hate (2001) - One of their biggest hits.
- The Clash (2001)
- Minus Celsius (2003) - Included in Guitar Hero.
- A Song for the Outcast (2004)
- Dysfunctional Professional (2006)
- Fuck Off and Die (2008)
- Th1rt3en or Nothing (2015)
- Shovin' Rocks (2018)
13. Member Profiles & Equipment
The greatest characteristic of Backyard Babies is that the four original members have remained unchanged for over 35 years.
13.1 Nicke Borg
- Role: Lead Vocals, Rhythm Guitar
- Date of Birth: April 3, 1973
- Hometown: Nässjö
- Style: Possesses a distinct nasal, husky voice and the expressive power to sing anything from punk to country. Heavily uses acoustic guitars in his solo work.
- Main Equipment:
- Guitars: Gibson SG Standard, Gibson Les Paul Junior, various Gretsch models.
- Amps: Marshall JCM800, Fender Bassman.
13.2 Dregen
- Real Name: Andreas Tyrone Svensson
- Role: Lead Guitar, Backing Vocals
- Date of Birth: June 12, 1973
- Hometown: Nässjö
- Style: Characterized by his wild actions on stage and his loose yet sharp riff work. He is a "guitar hero" following in the lineage of Keith Richards and Johnny Thunders.
- Main Equipment:
- Guitars: Gibson ES-335 (His trademark. Features words like "Richards" or "Dregen" on the pickguard), Gibson Les Paul.
- Amps: Fender Super Sonic, Marshall 1959 SLP.
- Side Projects: The Hellacopters, Michael Monroe Band, Imperial State Electric, Supershit 666 (w/ Ginger & Nicke Andersson).
13.3 Johan Blomqvist
- Role: Bass
- Date of Birth: March 6, 1973
- Hometown: Nässjö
- Style: Being a former guitarist, he excels at melodic, driving basslines played with a pick. He reveres Dee Dee Ramone of the Ramones and basically plays his Precision Bass slung low.
- Main Equipment:
- Basses: Fender Precision Bass (Many, including Custom Shop models).
- Amps: EBS Classic 500 heads, EBS ClassicLine 810 cabinets.
- Pedals: EBS Micro Bass II, Valve Drive DI.
13.4 Peder Carlsson
- Role: Drums, Percussion
- Date of Birth: 1973
- Hometown: Nässjö
- Style: Characterized by powerful, busy drumming, but maintains a tightness that doesn't ruin the groove of the songs. He also sings chorus during live shows.
- Main Equipment:
- Drums: Ludwig, Yamaha, etc., varying by era.
- Cymbals: Zildjian.
Trivia
The third Backyard Babies album was finished in a Los Angeles studio owned by a Japanese musician. Sony Music Japan's profile of the band says they began recording in 1999 and mixed the record in Los Angeles in 2000 — at Extasy Studio, which the profile names as belonging to Yoshiki. A few more songs were cut in 2001, and the result was Making Enemies Is Good.
The four members of Backyard Babies were born in the same year, in the same town. The band's own press material gives Nässjö in southern Sweden as the birthplace of Peder Carlsson, Johan Blomquist, Dregen and Nicke Borg alike, and 1989 as the year the band formed. The same document states plainly that the line-up has never changed. For a rock band of this vintage, four people who started together in 1989 and are still the whole band is genuinely unusual.
The song Friends carries Joey Ramone's voice. Posting an old photograph on his official Facebook page, Dregen wrote that Backyard Babies recorded Joey Ramone for the song in New York City, and that it was one of Joey's last recordings. Sony Music Japan's page for the Japanese edition of Stockholm Syndrome names the same track as the one featuring Michael Monroe of Hanoi Rocks and the late Joey Ramone, and describes it as the recording that turned out to be Ramone's last.
One entry in the discography on the band's own site is neither a CD nor a record. Under the heading Video Games sits Guitar Hero 3: Legends Of Rock (2007), listed as including Minus Celsius, with PS2, PS3, Xbox 360, Wii, Windows and OS X named as the platforms. A 2003 single had, four years later, become something people played with their fingers on a plastic guitar.
The list of acts Backyard Babies have opened for reads like a family tree of rock and roll. The band's press material says that after Making Enemies Is Good they toured Europe as main support to AC/DC. Sony Music Japan's profile fills in what came before and after: opening for the reunited KISS in 1997, opening AC/DC's UK tour in December 2000, and later supporting Velvet Revolver on their European shows. Another page from the same company counts the run in one breath — Hanoi Rocks, AC/DC, KISS and, most recently at the time, Velvet Revolver.
Gold certification in Sweden starts at 30,000 copies. Blabbermouth reported in 2003 that Backyard Babies had passed that line with both of their then-latest albums — Total 13 from 1998 and Making Enemies Is Good from 2001. The band's own press material adds that Total 13 went gold at home and took a Swedish Grammy, and that Stockholm Syndrome earned a gold award as well. In an announcement the band posted in 2016, the tally of Swedish Grammys stands at two.
Sliver & Gold was not recorded as an album. It was recorded as four EPs. Dregen explained in 2018 that the band had always written a whole album first, chosen the songs, then gone into the studio; this time they went in as soon as they had three or four songs, took those three or four all the way through mixing and mastering, and then went back to writing. Four rounds of that were assembled into one record. Walking into a studio with fourteen songs, he said, turns the work industrial and drains the heart out of the songs, while three or four leaves you in full control of what you are doing. After thirty years together, it was the first time they had worked that way.
In November 2009, at the end of a European tour, Backyard Babies announced an indefinite hiatus. According to Blabbermouth they officially reunited five years later, in 2014. Four by Four, the album that followed, came in 2015, and their first show back was on 5 June that year at the Sweden Rock Festival in Sölvesborg. Around the twentieth anniversary Dregen had described the break as a matter of months after twenty years of touring, recording and writing — the last ten of them at a very intense level — with a year as the absolute maximum. In the event it ran to five.
Albums
Sliver & Gold captures Backyard Babies’ streetwise rock and roll without sanding away its rough edges.
Four by Four compresses Backyard Babies’ punk roughness, sleazy rock ’n’ roll and memorable choruses into one burst of energy.
Backyard Babies channels punk urgency and glam-derived flash into short, rough rock songs.
People Like People Like People Like Us puts Backyard Babies’ punk-sprint energy and Swedish garage/sleaze-rock grit right at the front.
Stockholm Syndrome uses distorted guitar, rough vocals and punkish beat to make rock and roll with a dangerous scent.
Making Enemies Is Good brings Backyard Babies’ street-rock roughness and punk speed into sharp riff-led songs.
Total 13 by BACKYARD BABIES: track list, Spotify player and English liner notes on METAL BOOST.
Diesel and Power is BACKYARD BABIES's 1994 record from a period when the outline of heavy music was changing quickly.