Glam Punk Albums

Michael Monroe's eleventh solo album and his first in four years: twelve songs released by Silver Lining Music on 20 February 2026, with the Japanese edition out from Victor the same day.

The tenth solo album, with Slash guesting on the title track, released by Silver Lining Music on 10 June 2022 and by Victor in Japan the same day.

The first album for Silver Lining Music: twelve songs including "Last Train to Tokyo", released worldwide and in Japan on 18 October 2019.

The first album with Rich Jones in the band, produced by Chips Kiesbye: thirteen songs released by Spinefarm on 9 October 2015.

A number one on the Finnish album chart, certified gold in four days: the seventh solo album, made with Dregen on guitar.

Produced by Jack Douglas, with Lemmy Kilmister and Lucinda Williams guesting; Classic Rock magazine named it Album of the Year.

Street Poetry plays Hanoi Rocks’ sharp guitar, buoyant rhythm, and Michael Monroe’s flexible voice with vivid immediacy.

Another Hostile Takeover runs on loose, hot guitar, springing rhythm and Michael Monroe’s unmistakable vocal character.

A largely covers-based record made alongside the Hanoi Rocks reunion: thirteen songs taking in Eddie & The Hot Rods, X-Ray Spex and Leonard Cohen.

Twelve Shots on the Rocks reignites Hanoi Rocks’ mix of punk roughness, glam-rock flash and street-rock ease.

A six-track EP released only in Japan: two new songs plus live versions of four earlier ones.

The fourth solo album, with Monroe playing almost every instrument himself; Andy McCoy shares a writing credit and Hanoi Rocks' "Self Destruction Blues" is revisited.

The third solo album, made after Demolition 23. broke up and released by Finland's Poko Rekords: ten songs including covers of MC5 and The Damned.

The second solo album, made after signing to Mercury. Axl Rose appears in the video for "Dead, Jail or Rock 'n' Roll" and the record reached number 161 on the Billboard 200.

The solo debut, made in New York two years after Hanoi Rocks broke up, with Ian Hunter guesting on piano.

Two Steps from the Move expands Hanoi Rocks’ punk agility, glam shine and hard-rock push into a larger sound under Bob Ezrin.

Back to Mystery City moves like a run through city nights, driven by lean guitar, bouncing beat and Michael Monroe’s voice—both glamorous and rough around the edges.

Oriental Beat finds Hanoi Rocks mixing raw rock and roll with punk speed and glam-rock color.

Self Destruction Blues gathers early Hanoi Rocks singles and B-sides, yet plays like one continuous rush of raw rock and roll.

Bangkok Shocks, Saigon Shakes, Hanoi Rocks is a debut that mixes punk urgency, glam-rock color and bluesy guitar.