Heavy Metal 2000s Albums - Page 2

Tales of Rock'n'Roll reunites Michael Schenker with a range of past vocal collaborators and presents his melodic guitar world anew.

Savage Souls puts Mystic Prophecy’s low, cutting riffs, hard rhythms, and forceful vocal delivery in the foreground.

The first album for Frontiers, held over from 2005 to 2006 while the drum and keyboard chairs both changed hands.

Operation: Mindcrime II returns Queensrÿche to the story begun in 1988, turning its characters’ conflict and resolution into dramatic metal.

Speak of the Dead places an orchestral suite beside direct heavy-metal songs, showing Rage at two different scales.

Army of One centers Riot on sharp twin guitars, forceful beat, and expansive vocal lines.

Christ Illusion puts Slayer’s cutting riffs, accelerating drums, and Tom Araya’s furious presence in the foreground.

A Twisted Christmas is best heard not simply as a covers-related entry, but as a record that shows how TWISTED SISTER translates outside material into

City of Evil combines intricate twin-guitar lines, restless rhythm and expansive vocals.

Mafia anchors its sound in heavily distorted guitar, low groove and Zakk Wylde’s rough vocal character.

Shovel Headed Kill Machine charges forward on rapid chugging, sharp guitar and a snarling vocal attack.

Forged by Fire by FIREWIND: track list, Spotify player, music videos and English liner notes on METAL BOOST.

Angel of Retribution puts thick riffs, sharp twin leads and Rob Halford’s high-voltage voice directly at the front.

Under Cover is best heard not simply as a covers-related entry, but as a record that shows how OZZY OSBOURNE translates outside material into its own

Church organ, an operatic voice and straight-driving riffs: the debut on which Powerwolf's style is already assembled.

Seven Seals puts tightly chugging guitar, driving drums and Ralf Scheepers’s high vocal power at the front.

前作から15年を置いて2005年に出たスタジオ作。

A live album released by Angel Air Records on 6 June 2005 as SJPCD206.

Mission No. X puts thick guitar, solid beat and Udo Dirkschneider’s rough, singular voice directly up front.

Unleash the Fury is driven by flowing shred, classical harmony and forceful riffing.

The Greater of Two Evils revisits familiar material through the voice, production weight and arrangement sense of its recording period.

Hangover Music Vol. VI steps away from Black Label Society’s usual riff-heavy attack toward acoustic guitar, piano and melancholy melody.

The Art of Dying brings Death Angel back to the thrash-metal front through sharp riffs, shifting rhythms and tense vocals.

Hell to Pay is built around fluid guitar phrases, thick riffs and shadowed melody in a steady Dokken form.

The Book of Heavy Metal uses thick riffs, racing beat and proud choruses to state Dream Evil’s love of heavy metal without hesitation.

Tempo of the Damned reasserts Exodus through slicing riffs, accelerating beats and a raw vocal attack.

FWX uses sharp guitar, restrained rhythm and shadowed vocals to create progressive metal that turns inward.

A debut eight years in the making, home to "Steel Lord on Wheels" — the record that carried Brazilian power metal abroad.

Battering Ram joins metallic guitar riffs, machine-precise rhythm and powerful vocals in classic Iron Savior fashion.

The System Has Failed sharpens Megadeth’s identity through cutting riffs, shifting rhythm and Dave Mustaine’s distinctive vocal delivery.

The Weight of the World uses hard guitar riffs, heavy-footed beat and forceful vocals to push traditional heavy-metal weight to the front.

Never-Ending connects low, heavy riffs, powerful vocals and commanding choruses in a direct Mystic Prophecy statement.

Devil’s Ground connects heavy guitar, a solid rhythmic foundation and piercing high-register vocals in the most direct Primal Fear manner.

Unbreakable brings Scorpions back to a hard-rock core of low-slung riffs, steady beat and powerful vocal delivery.

Still Hungry revisits songs from the Stay Hungry period with a more immediate, heavier performance feel.

Thunderball runs on short, cutting riffs, an unshakable beat and Udo Dirkschneider’s unmistakably rough vocal character.

The Neon God: Part 1 – The Rise uses heavy guitar, shadowed vocals and dramatic movement to tell the story of a central character.

The Neon God: Part 2 – The Demise takes the story begun in the first volume into darker, heavier territory.

We've Come for You All connects Anthrax’s sharp riffs and springing rhythm to John Bush’s forceful vocals inside a modern, hard-edged production.

Waking the Fallen joins harsh roars, heavy breakdowns and twin-guitar melody into music that balances aggression with drama.

The Blessed Hellride joins Zakk Wylde’s thick riffing and Southern-blues feeling to a dragging, heavy groove.

Soul Talks, Melodies Walk layers smooth vocals, full keyboards and poised guitar into hard rock that values melody.

Evilized puts thick riffs, forceful vocals and crowd-ready choruses at the front of a pure heavy-metal statement.

Burning Earth joins thick riffs, fast rhythm and neoclassical lead guitar in heavy, aggressive power metal.

Dance of Death uses layered guitar harmony, driving bass and Bruce Dickinson’s theatrical voice to tell stories on a large scale.

Music for Speeding joins Marty Friedman’s singing guitar melodies to changing rhythm and pop-minded hooks.

St. Anger chooses urgent riffs, raw sound and anger-filled vocals over Metallica’s usual polish and architectural control.