Modern Metal Albums

Zilqy’s first EP, presenting the Japanese all-female metal band’s post-melodic nu-metal identity with global ambition.

The Catalyst sharpens AMARANTHE’s defining contrast of three distinct vocal colors.

Övergivenheten feels like a large-scale summary of Soilwork’s journey, combining melodic death metal, alternative textures and progressive development across an expansive

Manifest pushes Amaranthe’s defining three-vocal approach into bolder electronic detail and metal momentum.

Verkligheten spreads Soilwork’s melodic-death-metal attack and open hard-rock sense of melody across a double-album scale.

Helix sharpens Amaranthe’s meeting point of modern metal, electronic rock and pop.

Maximalism lets Amaranthe stack multiple vocal styles, electronic texture, hard guitar riffs and immediate melody without restraint.

The Ride Majestic moves freely between Soilwork’s heavy riffs and harsh vocals, and the lyricism of clean singing and spacious arrangement.

Massive Addictive sends Amaranthe’s multiple vocal voices, electronic textures and heavy guitars racing across one another.

The Nexus sends clean vocals, harsh vocals, electronic texture and heavy guitars across one another at high speed.

The Living Infinite uses the scale of a double album to explore Soilwork’s sharp melodic death metal, modern groove and clean-vocal songfulness in wide detail.

Ceasing to Breathe combines heavy breakdowns, sharp guitars and melodic clean vocals to bring Still Remains back into metalcore with real heat.

Amaranthe’s self-titled debut crosses female clean vocals, male clean vocals and harsh vocals within the same songs, connecting metal force with electronic-minded product

A Road to Depression uses the contrast of female dual vocals and metallic guitar to build shadowed, melodic rock.

The Panic Broadcast combines Soilwork’s cutting melodic-death riffs, modern groove and vocals that move between clean and harsh approaches.

All Ends uses the contrast between two vocalists and hard guitar sound to create a distinctive melodic-metal debut.

Sworn to a Great Divide combines low, chugging riffs, electronic treatment, and Björn “Speed” Strid’s varied vocals.

The Serpent combines electronic texture, hard guitar, and emotional vocals into a dark metalcore frame.

Stabbing the Drama combines low chugging riffs, electronic texture and Björn “Speed” Strid’s varied vocals.

Of Love and Lunacy balances hard riffs and breakdowns with switching screams, clean vocals and subtle keyboard shade.

Figure Number Five connects fast guitar, tight rhythm, harsh vocals and clean melody with real force.

Natural Born Chaos connects Soilwork’s sharp melodic-death-metal guitars with a tighter, more modern rhythmic feel.

A Predator’s Portrait adds more modern rhythm and catchy chorus writing to Soilwork’s melodic-death-metal aggression.

The Chainheart Machine emphasizes Soilwork’s machine-tight precision and Nordic melody.

Steelbath Suicide is Soilwork’s debut, driven by fast riffs, harsh vocals and aggressive rhythm.