1988 Metal & Hard Rock Albums

The seventh album, self-produced for Combat Records in America and the first with ex-Pentagram drummer Joe Hasselvander.

1988年発表の4作目。

Blow Up Your Video strips AC/DC back to the essentials: the Young brothers’ riff engine, Brian Johnson’s full-throated voice and a beat that moves straight ahead.

State of Euphoria brings Anthrax’s fast riffs, bouncing rhythm and Joey Belladonna’s clear voice together in a record where weight and fun coexist.

In Heat puts Black ’n Blue’s thick guitar, bouncing beat and memorable chorus writing in the foreground.

New Jersey gathers thick guitar, strong rhythm and instantly singable choruses with a very high level of finish.

Long Cold Winter keeps Cinderella’s earlier flash while digging deeper into blues grit and Southern-rock earthiness.

Frolic Through the Park keeps Death Angel’s thrash framework but brings in funk, hardcore energy and unpredictable turns.

Out of This World moves Europe further into polished arena rock through grand keyboards, open vocals and bright guitar work.

No Exit expands Fates Warning’s progressive-metal language through sharp riffs, shifting rhythms and long-form development.

G N’ R Lies places Guns N’ Roses’ raw early charge beside more introspective, acoustic-led songs.

Keeper of the Seven Keys: Part II gathers fast riffs, bright melody and grand choruses at remarkable density.

Seventh Son of a Seventh Son keeps Iron Maiden’s traditional charge while adding keyboard color and a connected narrative.

Ram It Down puts Judas Priest’s heavy riffing, rapid drumming and Rob Halford’s high voice back at the front.

Lillian Axe’s debut joins sharp guitar figures to singable melody and leaves real shadow inside its hard-rock gloss.

Dragon’s Kiss shows Marty Friedman using guitar not only for neoclassical speed but also for unusual melodic shapes, Eastern-flavored color and strong song feeling.

So Far, So Good... So What! drives Megadeth’s twisted riffs, sharp turns and Dave Mustaine’s abrasive voice into a volatile whole.

...And Justice for All builds a vast, hard-edged world through long forms, interlocking riffs and rhythm that sustains tension.

Man in Motion puts Night Ranger’s twin-guitar interplay and clear vocal melody at the center of a more rock-driven sound.

No Rest for the Wicked sets Ozzy Osbourne’s uneasy, unmistakable voice against Zakk Wylde’s thick riffs and rough guitar attack.

Power Metal is a useful way to hear PANTERA from a different angle within the 1988 catalogue.

Open Up and Say... Ahh! gathers Poison’s bright hooks, light-footed riffs and live-ready rhythm into an immediate statement.

Operation: Mindcrime binds social anger, personal doubt and a dramatic narrative to Queensrÿche’s hard-edged riffs and refined melody.

QR brings a new voice to Quiet Riot and steps slightly away from the band’s expected image.

Perfect Man adds more ordered melody and structure to Rage’s speed-metal sharpness.

Reach for the Sky builds on Ratt’s twin-guitar identity, placing Robbin Crosby and Warren DeMartini inside thick riffs and smooth groove.

Thundersteel is Riot’s high-speed restart, driven by cutting riffs, urgent drumming and Tony Moore’s soaring voice.

Savage Amusement shapes thick guitars, clear rhythm and Klaus Meine’s bright voice into a polished hard-rock sound.

South of Heaven refuses to simply repeat the violent speed of Slayer’s previous record.

The New Order connects Testament’s cutting riffs, Chuck Billy’s forceful voice and Alex Skolnick’s fluent lead guitar.

The Seventh One unites Toto’s precise rhythm work, layered keyboards and open-hearted vocals without allowing studio polish to turn cold.

OU812 expands Van Halen’s Sammy Hagar-era momentum through Eddie Van Halen’s inventive guitar and keyboards and Hagar’s open, powerful voice.

Vixen by VIXEN: track list, Spotify player, music videos and English liner notes on METAL BOOST.

Winger’s debut connects big choruses, precise rhythm and Reb Beach’s guitar into an immediate introduction.

Odyssey brings Yngwie Malmsteen’s fluid guitar work into contact with songs that give melody a larger role.