Classic Rock Albums

The fourth studio album and the second with Eugent Bushpepa.

SPLAT! finds DEEP PURPLE shaping classic hard-rock improvisation, blues warmth and the conversation between keyboard and guitar into a 2026 album with a clear sense of id

The 55th-anniversary edition of Thin Lizzy's 1971 debut: three SHM-CDs and an audio Blu-ray, carrying Richard Whittaker's new stereo mixes and fifteen previously unreleased recordings.

A recording of the band's support slot for Judas Priest at the Hallenstadion in Zurich on 3 July 2025 — a short set, nine songs and about forty minutes, in f…

=1 finds DEEP PURPLE welcoming a fresh guitar color while reaffirming the essentials that have long defined the band: spontaneity, sharp riffing, and unshakable groove.

CoreLeoni's first live album, which is how Metalville Records describes it on their own page.

CoreLeoni's first album of original material, and the first with Eugent Bushpepa singing.

Crazy Times is a useful way to hear SAMMY HAGAR from a different angle within the 2022 catalogue.

Turning to Crime is Deep Purple’s first studio album built entirely from songs written by others.

Lockdown 2020 is best heard not simply as a covers-related entry, but as a record that shows how SAMMY HAGAR translates outside material into its own

Continuing its collaboration with producer Bob Ezrin, Deep Purple’s twenty-first album balances hard-rock weight with a relaxed sense of play.

The second album with Ronnie Romero singing, and the last CoreLeoni record he made. AFM Records released it worldwide on 27 September 2019.

Space Between is the first studio album credited to Sammy Hagar & The Circle, bringing together hard-rock momentum, blues warmth and songs that look out over life wi

The debut album by CoreLeoni, the band Gotthard's guitarist Leo Leoni started in 2017.

Infinite finds Deep Purple drawing on blues, hard rock and improvisational chemistry with both calmness and fire.

Beautiful Broken revisits parts of Heart’s catalogue through a present-day lens, pairing reworked material with a small number of new songs.

Toto XIV uses Toto’s refined ensemble work, rich chord sense and dependable melody to portray mature rock and AOR at their best.

Life, Love & Hope uses layered choruses, clear guitar color and wide-opening melodies to revisit the best qualities of Boston’s long-developed sound.

Now What?! lets Deep Purple’s organ-and-guitar exchanges, thick bass and flexible drumming carry a mature version of the band’s long-standing identity.

Sammy Hagar & Friends brings together various guests for a relaxed run through hard rock, blues and melodic rock.

Music from Another Dimension! moves through bluesy rock and roll, catchy arena rock and emotional balladry as if surveying Aerosmith’s long career from several angles.

Fanatic moves between powerful vocals, acoustic shading and heavy guitar riffs to show Heart’s continuing rock vitality.

Red Velvet Car shows Heart’s mature rock character through deep vocals, weighty guitar and measured arrangements.

Cosmic Universal Fashion keeps Sammy Hagar’s hard-rock strength while blending it freely with funk, blues and pop instincts.

Livin' It Up! finds Sammy Hagar using thick guitar, lively beat, and an open vocal to make relaxed hard rock.

Falling in Between joins Toto’s polished pop instinct to hard-rock weight and progressive construction.

Rapture of the Deep lets Steve Morse’s guitar, Don Airey’s keys and Ian Gillan’s voice interact with natural ease.

Honkin’ on Bobo revisits blues standards as rough, living Aerosmith rock and roll.

Jupiters Darling naturally places heavy-guitar rockers beside quieter songs shaped by acoustic texture.

Bananas finds Deep Purple working from blues-rooted riffs, Hammond organ and expansive vocals with the conversational ease of a seasoned band.

Corporate America brings Boston’s trademarks—layered guitars, huge harmonies and clear melodic lift—back to the foreground.

Not 4 Sale lets Sammy Hagar move easily among hard rock, blues, funk and Caribbean-flavored grooves.

Through the Looking Glass is best heard not simply as a covers-related entry, but as a record that shows how TOTO translates outside material into its

Just Push Play brings digital textures and pop-minded hooks into Aerosmith’s blues-rooted framework.

Ten 13 lets Sammy Hagar lean into the open-road side of his songwriting: muscular guitars, sunny hooks and a voice built to carry a chorus.

Red Voodoo is a useful way to hear SAMMY HAGAR from a different angle within the 1999 catalogue.

Mindfields uses Toto’s considerable musicianship in service of atmosphere rather than display.

Abandon brings Deep Purple’s heavy organ, blues-minded guitar and flexible rhythm into a mature hard-rock statement.

Nine Lives reconnects Aerosmith with thick riffs, loose-moving rhythm and Steven Tyler’s unruly vocal presence.

Marching to Mars places hard-driving rockers beside reflective ballads, bringing Sammy Hagar’s heat and human directness to the front.