The Crimson Idol

W.A.S.P. / / CD /

The Crimson Idol is Blackie Lawless’s concept story of fictional rock star Jonathan Steel.

The Crimson Idol – W.A.S.P. | METAL BOOST album visual
The Crimson Idol / W.A.S.P.

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Track List

  1. The Titanic Overture
  2. The Invisible Boy
  3. Arena Of Pleasure
  4. Chainsaw Charlie (Murders In The New Morgue)
  5. The Gypsy Meets The Boy
  6. Doctor Rockter
  7. I Am One
  8. The Idol
  9. Hold On To My Heart
  10. The Great Misconceptions Of Me
  11. The Story Of Jonathan (Prologue To The Crimson Idol) (Single B Side - Bonus Track)
  12. Phantoms In The Mirror (Single B Side - Bonus Track)
  13. The Eulogy (Single B Side - Bonus Track)
  14. When The Levee Breaks (Live) (Acoustic - Bonus Track)
  15. The Idol (Live) (Acoustic - Bonus Track)
  16. Hold On To My Heart (Live) (Acoustic - Bonus Track)
  17. I Am One (Live at Donnington, 1992)
  18. Wild Child (Live at Donnington, 1992)
  19. Chainsaw Charlie (Murders In The New Morgue) (Live at Donnington, 1992)
  20. I Wanna Be Somebody (Live at Donnington, 1992)
  21. The Invisible Boy (Live at Donnington, 1992)
  22. The Real Me (Live at Donnington, 1992)
  23. The Great Misconceptions Of Me (Live at Donnington, 1992)

Liner Notes

The Crimson Idol is W.A.S.P.’s finest masterpiece and a grand rock opera, on which Blackie Lawless follows the life of glory and ruin of a fictional rock star, Jonathan Steel. The splendid contrast of aggressive riffs, dramatic, expressive singing and quiet, introspective passages vividly draws the craving for success and deep loneliness as one long story. A record on which the band’s narrative and compositional ability appear as strongly as possible. Rather than merely lining up heavy songs, the very song order creates the large flow of the protagonist’s emotion. From the ferocious drama of the explosive “Chainsaw Charlie (Murders in the New Morgue)” and the moving ballad “Hold On to My Heart” to “The Idol,” “I Am One” and “The Invisible Boy,” the songs color the story while each shines as an independent classic. Its immense value lies in a grand narrative that greatly transcends the frame of heavy metal and its overwhelming polish. A work that should truly be called Lawless’s life’s work, bringing to fruition a concept he had long nurtured with all his might. A landmark, enduring masterpiece of W.A.S.P. and of the rock-opera genre — a moving masterpiece essential for fans.

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