Australia Metal & Hard Rock Albums

With Brian Johnson, Phil Rudd and Cliff Williams back in the fold, Power Up returns AC/DC to its essential language: thick rhythm guitar, forward-driving beat and a

Rock or Bust presents AC/DC’s rock ’n’ roll design in a newly tightened form: thick rhythm guitar, stripped-back beats and choruses built to stay in the listener’s head.

Black Ice finds AC/DC returning after a long break with thick riffs and Brian Johnson’s full-throated voice firmly in place.

Stiff Upper Lip strips AC/DC back to the blunt force of its blues-rooted hard rock.

Ballbreaker builds on the restored steadiness of Phil Rudd’s drumming, giving Angus and Malcolm Young’s riffs a dry, heavy frame.

The Razors Edge is a useful way to hear AC/DC from a different angle within the 1990 catalogue.

Blow Up Your Video strips AC/DC back to the essentials: the Young brothers’ riff engine, Brian Johnson’s full-throated voice and a beat that moves straight ahead.

Who Made Who is a useful way to hear AC/DC from a different angle within the 1986 catalogue.

Fly on the Wall by AC/DC: track list, Spotify player, music videos and English liner notes on METAL BOOST.

Flick of the Switch concentrates AC/DC’s force into thick rhythm guitar, hard beat and Brian Johnson’s shouted vocal attack.

For Those About to Rock presents AC/DC’s most basic strengths on a larger scale.

Back in Black finds AC/DC moving forward after Bon Scott’s death with Brian Johnson as its new singer.

Highway to Hell turns AC/DC’s stripped-down rock-and-roll language into a statement with global scale.

Powerage captures AC/DC at its most direct and concentrated. Angus and Malcolm Young do not need elaborate ornament to create momentum; the riffs are short, hard and

Let There Be Rock captures AC/DC valuing the heat of a band playing together over studio decoration.

Dirty Deeds Done Dirt Cheap uses AC/DC’s thick riffs and brazen humor to their fullest through Bon Scott’s conversational delivery.

High Voltage presents AC/DC’s early material to an international audience through the band’s most direct rock-and-roll language.

High Voltage (Australian) captures AC/DC at a point where the later image is not yet fully fixed.

T.N.T.