AEROSMITH
Biography and full discography of AEROSMITH, with a page for every album, on METAL BOOST.
English Discography Overview
This English discography hub highlights AEROSMITH albums such as Music from Another Dimension!, Honkin' on Bobo, Just Push Play. The album notes emphasize these records' riffs, vocals, production character, songwriting flow and listening context: Music from Another Dimension! moves through bluesy rock and roll, catchy arena rock and emotional balladry as if surveying Aerosmith’s long career from several angles. Honkin’ on Bobo revisits blues standards as rough, living Aerosmith rock and roll. Just Push Play brings digital textures and pop-minded hooks into Aerosmith’s blues-rooted framework.
Biography
AEROSMITH
The Champions of American Hard Rock: Their Glory and Struggles
1. The Monumental Legacy Left by Boston's Bad Boys
Aerosmith is a legendary band based in Boston, Massachusetts, that has been at the forefront of the rock scene for over half a century. Dubbed "America's Greatest Rock and Roll Band," AEROSMITH has recorded over 150 million album sales worldwide. Their musicality is hard rock deeply rooted in Rhythm and Blues, and while heavily influenced by the British Invasion like The Rolling Stones and The Yardbirds, they established a style that added a uniquely American roughness and swagger.
The core of the band consists of Steven Tyler, known for his wild, emotional vocals and acrobatic stage performances, and Joe Perry, who creates loose and groovy guitar riffs. Due to their decadent lifestyle and destructively good chemistry, the duo became known as "The Toxic Twins" and reigned as one of the rock world's premier songwriting teams.
2. The Dawn: Encounter at Lake Sunapee and Gathering in Boston (1964-1970)
2.1 Crossroads of Destiny: The Barn
Aerosmith's story begins at Lake Sunapee, New Hampshire, a summer resort far from the hustle and bustle of the city. In the late 1960s, a young Steve (later Steven Tyler), originally from Yonkers, New York, was already active as a drummer and vocalist in bands like "Chain Reaction" and had experience releasing records. He spent every summer at his family's vacation home, "Trow-Rico," located on Lake Sunapee.
Meanwhile, Massachusetts native Joe Perry was making a living washing dishes at a lakeside restaurant called "The Anchorage," while playing in a trio called "The Jam Band" with bassist Tom Hamilton. Their main hub of activity was a local club known as "The Barn."
During the summer of 1969 to 1970, Tyler witnessed The Jam Band playing at "The Barn." At the time, they were playing covers like Fleetwood Mac's "Rattlesnake Shake," and their performance was by no means technically refined. Perry's guitar tuning was loose and his playing rough, but Tyler was blown away by the overwhelming energy embedded in their sound and their free style that defied conventional boundaries. "They played sloppy, but their energetic playing was the best," Tyler later recalled.
2.2 Moving to Boston and the Search for Members
In 1970, to launch their musical careers in earnest, Perry and Hamilton moved their base of operations to Boston. They moved into an apartment at 1325 Commonwealth Avenue and plotted to form a new band. This apartment is famously known as the "AEROSMITH Apartment" and serves as a historical sanctuary for the band, though it was reportedly a terrible environment crawling with cockroaches at the time.
While searching for a drummer, a fateful reunion occurred. Tyler's old friend and fellow Yonkers native, drummer Joey Kramer, joined them. Kramer was a student at the prestigious Berklee College of Music at the time but decided to drop out to focus on the band. Kramer proposed joining as the drummer on the condition that Tyler focus entirely on being the frontman (lead vocal) rather than playing drums. Tyler had played drums while singing in his previous bands, but to fit The Jam Band's style, he agreed to transition to a vocalist who performed at the front of the stage.
2.3 Deciding the Band Name and Initial Lineup
In October 1970, the band officially got underway. Initially, Tyler's childhood friend, Ray Tabano, was brought in on rhythm guitar. Regarding the band name, candidates like "The Hookers" and "Spike Jones" were brought up, but Joey Kramer suggested a name he had written down in a notebook during his high school days: "AEROSMITH." A coined word combining "Aero" (sky/air) and "Smith" (craftsman), the other members were initially skeptical, but the name was ultimately adopted.
On November 6, 1970, Aerosmith played their first official live show in the gymnasium of Nipmuc Regional High School in Mendon, Massachusetts (the site is currently Miscoe Hill Middle School). This historic gig marked the first step in AEROSMITH's long career.
3. The Path to Greatness: From the Club Circuit to Debut (1971-1974)
3.1 Brad Whitford Joins and the Golden Lineup is Complete
Initial rhythm guitarist Ray Tabano was an old friend of the band, but his technical limitations and lack of professional awareness began to be pointed out. In 1971, the band fired Tabano and brought in Brad Whitford to replace him.
Whitford also had a background at the Berklee College of Music and experience playing in local bands like "Earth Inc." and "Cymbals of Resistance." With his addition, the immovable five-man roster of Tyler, Perry, Hamilton, Kramer, and Whitford—later dubbed the "Classic Lineup"—was complete. Whitford's solid, technical rhythm guitar created an exquisite contrast with Perry's intuitive, loose lead guitar, bringing thickness and depth to Aerosmith's sound.
3.2 Legends at Max's Kansas City
Through live performances at clubs and universities around Boston, Aerosmith gradually expanded their fan base. AEROSMITH steadily added original songs to their setlist while performing covers of The Rolling Stones and The Yardbirds.
In 1972, AEROSMITH seized an opportunity to expand into New York. During a showcase at the legendary live house "Max's Kansas City," Clive Davis, president of Columbia Records, witnessed AEROSMITH's performance. According to legend, Aerosmith wasn't originally on the bill for that night, but through management negotiation (or aggressively buying a slot), they secured the chance to take the stage.
Clive Davis was overwhelmed by AEROSMITH's performance and offered them a contract on the spot. The signing bonus was reportedly $125,000, an exceptional amount for the era. With this, Aerosmith secured their ticket to a major debut.
3.3 Debut Album 'Aerosmith' and 'Get Your Wings'
In January 1973, their debut album 'Aerosmith' was released. This album contained what would later become AEROSMITH signature tracks, such as "Dream On" and "Mama Kin." Initially, some critics gave them cold reviews, calling them a "cheap imitation of The Rolling Stones," but they gathered enthusiastic support in the New England area centering around Boston. "Dream On," in particular, was initially slow to move on the charts but gradually permeated the culture through the band's persistent touring.
The following year, in 1974, they released their second album, 'Get Your Wings'. Bringing in Jack Douglas as producer for this project proved to be a critical turning point for the band. Douglas knew how to replicate the band's raw energy in a studio recording, building a more solid and heavier sound on tracks like "Same Old Song and Dance" and "Train Kept A-Rollin'." This album stayed on the charts and achieved success by earning a Gold Disc.
4. The Golden Era: Champions of Stadium Rock (1975-1978)
4.1 National Conquest with 'Toys in the Attic'
In April 1975, their third album 'Toys in the Attic' was released. This album became the definitive blow that elevated Aerosmith from a merely popular band to global superstars. While the album's title literally translates to toys in an attic, the Japanese title ('Heavy Rock in the Dark Night') emphasized the dark and captivating aspects of AEROSMITH's music.
Featured tracks "Walk This Way" and "Sweet Emotion" were innovative songs that boldly incorporated Funk grooves into hard rock riffs, and they went into heavy rotation on radio stations. Specifically, Joe Perry's guitar riff and Joey Kramer's beat on "Walk This Way" hinted at the crossover between rock and hip-hop that would blossom years later. The album climbed to #11 on the US charts and earned the band their first Platinum Disc.
4.2 The Masterpiece: 'Rocks'
In 1976, their fourth album 'Rocks' was released. Many critics, fans, and subsequent musicians like Slash and Kurt Cobain have cited this album as Aerosmith's masterpiece, or one of the greatest albums in hard rock history.
'Rocks' is characterized by a sound that is wilder, heavier, and more uncompromising than their previous work. From the ominous bassline of "Back in the Saddle" to the funky rhythms of "Last Child" and the rushing momentum of "Lick and a Promise," the band's creativity had reached its peak. The album hit #3 in the US and immediately went Platinum.
4.3 Stadium Tours and the "Toxic Twins"
By this time, Aerosmith had become one of the most bankable live bands in the United States. AEROSMITH filled baseball stadiums and dome-class venues one after another, cementing their status as "America's Champions" with their overwhelming live performances. They held their first Japan tour in 1977, and their live show at the Nippon Budokan is legendary.
However, as the price of success, the environment surrounding the band became decadent. All the members, particularly Steven Tyler and Joe Perry, had reached severe levels of drug addiction and alcohol abuse. AEROSMITH was constantly drowning in drugs, both backstage and in hotels, and their destructive lifestyle earned them the infamous nickname "The Toxic Twins." This "toxin" gradually ate away at the band's unity.
The 1977 album 'Draw the Line' was recorded amid the frenzy of an entire convent rented out for the recording sessions. While it included great tracks like the title song "Draw the Line" and "Kings and Queens," it was also an album where the members' lack of concentration during the production process and the conflict between Tyler and Perry began to surface.
5. Collapse and the Dark Era (1979-1983)
5.1 The "Milk Glass Incident" and Joe Perry's Departure
Tensions within the band reached their limit during the recording of the 1979 album 'Night in the Ruts'. On July 28, 1979, a decisive incident occurred in the dressing room during their appearance at the World Series of Rock in Cleveland, Ohio.
Commonly referred to as the "Milk Glass Incident," this event started with a trivial argument between Tom Hamilton's wife and Joe Perry's wife (Elissa Jerret). Elissa spilling (or throwing a glass of) milk on Tom's wife triggered a fierce screaming match between Steven Tyler and Joe Perry. Years of accumulated frustration and drug-induced mental instability exploded, and Perry quit the band.
Perry formed his own band, "The Joe Perry Project," and began a solo career. As a replacement, Aerosmith brought in New York-born guitarist Jimmy Crespo. While Crespo was a technical player, it was difficult to fill the void left by Perry's unique charisma and chemistry with Tyler.
'Night in the Ruts' was completed as a mixture of audio recorded by Perry before his departure and Crespo's playing. It included a cover of The Shangri-Las' "Remember (Walking in the Sand)," but sales fell significantly short of their previous release.
5.2 Brad Whitford's Departure and 'Rock in a Hard Place'
The collapse did not stop. In 1981, disappointed by the band's direction and Tyler's condition, Brad Whitford also left the band. He formed "Whitford/St. Holmes" alongside Derek St. Holmes. Rick Dufay joined as his replacement.
Produced without their two original guitarists, the 1982 album 'Rock in a Hard Place' wasn't a commercial failure (it achieved a Gold Disc and hit #32 in the US), but the magic of the past was gone. While songs like "Lightning Strikes" earned some praise, Tyler's drug problems worsened, and accidents where he lost consciousness and collapsed on stage became frequent. Tyler's collapse at a 1982 concert, in particular, was widely reported as an event foreshadowing the end of the band.
6. The Miraculous Comeback (1984-1986)
6.1 "Back in the Saddle" Reunion Tour
In 1984, the biggest turning point in Aerosmith's history arrived. On Valentine's Day night, Joe Perry and Brad Whitford visited the dressing room of an Aerosmith show at the Orpheum Theater in Boston. The old friends reconciled, and a reunion of the original members was decided.
AEROSMITH embarked on a reunion tour billed as the "Back in the Saddle Tour." Although the tour was a commercial success, the members were still battling drug addiction problems, and their playing was inconsistent. They signed a new contract with Geffen Records and released their first post-reunion album 'Done with Mirrors' in 1985, but it failed to record the expected sales and didn't result in a complete revival for the band.
6.2 "Walk This Way" with Run-D.M.C.
It was in 1986 that Aerosmith truly experienced a "resurrection" and was reborn as modern icons. At the suggestion of producer Rick Rubin, hip-hop group Run-D.M.C. decided to cover Aerosmith's "Walk This Way."
Steven Tyler and Joe Perry participated in this cover version as guests. The music video, which featured a literal destruction of the wall between rock and hip-hop, received massive airplay on MTV and became a social phenomenon. As a result, Aerosmith came to be recognized as a "cool band" by teenagers who knew nothing of the 1970s. This is one of the first, and most important, examples of a rock band successfully crossing over with the hip-hop generation.
6.3 Complete Rehabilitation
Under the strong leadership of manager Tim Collins, the band made the biggest decision for their survival. All members entered rehabilitation facilities and pledged complete sobriety from drugs and alcohol. AEROSMITH established a new system to tackle music production in a "clean" state.
7. The Second Golden Age: MTV and Global Icons (1987-2000)
7.1 'Permanent Vacation' and the Hit Formula
In 1987, the album 'Permanent Vacation' was released. For this album, they actively brought in external professional songwriters like Desmond Child and Jim Vallance, producing radio-friendly and polished songs. Singles like "Dude (Looks Like a Lady)," "Rag Doll," and "Angel" became consecutive hits, and the album sold over 5 million copies in the US alone. With this success, Aerosmith completely returned to the front lines.
7.2 'Pump' and 'Get a Grip'
The 1989 album 'Pump' surpassed the success of its predecessor. Featuring hit songs like "Love in an Elevator" and the Grammy-winning "Janie's Got a Gun," the album sold 7 million copies. The band's playing was tight, and Tyler's vocals had gained maturity.
Then, in 1993, the album 'Get a Grip' was released. Selling over 20 million copies worldwide, this album can be called the peak of their commercial career. The music videos for their ballad trilogy—"Cryin'," "Amazing," and "Crazy"—featured actresses Alicia Silverstone and Tyler's biological daughter, Liv Tyler, making a massive impact on the MTV generation. Aerosmith became a rare veteran band that reigned at the center of youth culture.
7.3 'Nine Lives' and a US No.1 Hit
In 1997, returning to their old home at Columbia Records, they released the album 'Nine Lives'. As the title (referring to a cat possessing nine lives) suggests, it became a work symbolizing the band that had survived numerous crises, and it captured the #1 spot on the US Billboard 200. It was loved in Japan under the title 'Nine Lives' as well, with its lead single "Falling in Love (Is Hard on the Knees)" becoming a hit.
Furthermore, in 1998, they provided the Diane Warren-composed theme song "I Don't Want to Miss a Thing" for the movie 'Armageddon' (starring Liv Tyler). This power ballad gave the band their first-ever debut at No. 1 on the US single charts and became a global anthem. While some older fans lamented their shift toward "corporate rock," their mass appeal was undeniably overwhelming.
8. Voyaging into the 21st Century and the Prelude to the End (2001-2023)
8.1 Rock and Roll Hall of Fame and 'Just Push Play'
In 2001, Aerosmith's achievements were recognized, and they were inducted into the "Rock and Roll Hall of Fame." During the award ceremony, they delivered a speech tinged with irony directed at the critics who had once panned AEROSMITH, demonstrating that they were still going strong.
The album 'Just Push Play', released the same year, featured digital, pop-leaning production making full use of Pro Tools, and its cover art utilized a sexy robot by Japanese illustrator Hajime Sorayama. It spawned the hit single "Jaded," though Joe Perry's dissatisfaction with the processing of the band's sound was also reported.
8.2 Return to Roots and the Final Original Album
In 2004, the band returned to their roots in the blues and released the cover album 'Honkin' on Bobo'. Produced in a format close to a live studio recording, it was highly praised as a work where the band regained their original groove.
After that, the pace of their activities slowed due to members' solo endeavors and health issues (such as Tyler's foot surgery and Hamilton's throat cancer treatment), but in 2012, they released their first original album in 11 years, 'Music from Another Dimension!'. This became their de facto final studio album.
8.3 Las Vegas Residency and Members' Health Issues
Starting in 2019, they began their "Deuces Are Wild" residency shows in Las Vegas. The highly produced stage featuring a wealth of hit songs was well received, but around this time, drummer Joey Kramer increasingly missed shows due to health reasons (ankle injuries, heart strain, etc.). In 2020, a situation arose where Kramer sued the band seeking participation in a Grammy Awards performance, though he later returned to the band (however, a full return to the stage did not come to pass).
9. The End: Peace Out Tour and Retirement Announcement (2023-2025)
9.1 The Kickoff and Interruption of the "Peace Out" Farewell Tour
In May 2023, commemorating their 50th anniversary, the band announced their final career tour, "Peace Out: The Farewell Tour." The title "Peace Out" contained a message of gratitude and farewell to the fans. The Black Crowes accompanied them as the support act, and it was announced that long-time drum tech John Douglas would participate on drums in place of Joey Kramer.
The tour kicked off in Philadelphia in September 2023 and received high praise. However, after completing just three shows, the tour was temporarily suspended because Steven Tyler suffered severe vocal cord damage. Initially announced as "vocal cord damage," it was later revealed to be a severe injury involving a fractured larynx.
9.2 Retirement Announcement: An Immortal Legacy
Aiming to resume the tour, Tyler dedicated himself to rehabilitation under the best medical team. However, on August 2, 2024, Aerosmith released an official statement announcing that there was no prospect for a full recovery of Tyler's voice.
In the statement, the band noted: "Steven’s voice is an instrument like no other. He has spent months tirelessly working on getting his voice to where it was... but sadly, it is clear that a full recovery from his vocal injury is not possible. We have made a heartbreaking and difficult, but necessary, decision - as a band of brothers - to retire from the touring stage."
With this, the history of Aerosmith's live activities, which began with their first gig at Nipmuc Regional High School in 1970, officially came to a close. However, AEROSMITH's music continues to live on in radio, movies, and the hearts of fans.
10. Detailed Member Biographies
10.1 Current Members (Final Lineup)
- Steven Tyler
- Real Name: Steven Victor Tallarico
- Date of Birth: March 26, 1948
- Hometown: Manhattan, New York
- Role: Lead Vocals, Harmonica, Piano, Percussion
- Persona: Known by the moniker "The Demon of Screamin'". His unique singing style, which mixes a wide vocal range, husky shouts, and scatting, influenced many successors like Axl Rose. His trademarks include his wide mouth, flashy stage outfits, and the scarves tied to his mic stand.
- Joe Perry
- Real Name: Anthony Joseph Perry
- Date of Birth: September 10, 1950
- Hometown: Lawrence, Massachusetts
- Role: Lead Guitar, Backing Vocals
- Persona: The embodiment of American hard rock guitar, iconic for slinging his Gibson Les Paul low. A genius who creates bluesy, dirty riffs by emphasizing feeling and groove over technique. Also active in solo work and with Johnny Depp and Alice Cooper in the "Hollywood Vampires".
- Tom Hamilton
- Real Name: Thomas William Hamilton
- Date of Birth: December 31, 1951
- Hometown: Colorado Springs, Colorado
- Role: Bass
- Persona: The tall bassist who anchors the band's bottom end. He is deeply involved in composing key band tracks, including the intro to "Sweet Emotion" and "Janie's Got a Gun." Known for his calm and intelligent personality.
- Brad Whitford
- Real Name: Bradley Ernest Whitford
- Date of Birth: February 23, 1952
- Hometown: Winchester, Massachusetts
- Role: Rhythm Guitar, Lead Guitar
- Persona: A theoretical player from the Berklee College of Music possessing solid technique. His twin-guitar interplay with Perry is the key to the band's sound, and on some songs, he showcases more technical solos than Perry. Also known as the riff-maker behind funky tracks like "Last Child."
- Joey Kramer
- Real Name: Joseph Michael Kramer
- Date of Birth: June 21, 1950
- Hometown: Bronx, New York
- Role: Drums
- Persona: The godfather who named the band. With his groovy drumming influenced by R&B and funk, he created Aerosmith's "swinging" rhythm. In his later years, he withdrew from tours due to health issues but remained an official member until the end.
10.2 Former Members and Main Support Members
- Ray Tabano: Original rhythm guitarist (1970-1971). After leaving, he was involved in running the band's fan club and merchandise design (including creating the early version of the famous wings logo), supporting the band from behind the scenes for a time.
- Jimmy Crespo: Lead guitarist (1979-1984). Supported the band during the difficult period after Perry's departure, and his contributions on 'Rock in a Hard Place' are significant.
- Rick Dufay: Rhythm guitarist (1981-1984). Joined after Whitford's departure. He served as a good confidant for Tyler and is said to have pushed for the reunion of the original members.
- Russ Irwin: Touring keyboardist. Handled chorus and keyboards live for many years and was also called the band's "sixth member."
- John Douglas: Drummer. Participated in the band's late-era tours as Joey Kramer's substitute.
11. Comprehensive Discography
Below is the data for all of Aerosmith's studio albums. Japanese titles are included side-by-side as they hold highly significant cultural meaning for Japanese fans.
List of Studio Albums
| Release Year | Original Title | Japanese Title | US Chart | Overview / Key Tracks |
|---|---|---|---|---|
| 1973 | AEROSMITH | Yajuu Seitan (Birth of the Beast) | 21st | Debut work. Straight rock and roll and blues. Includes "Dream On" and "Mama Kin". |
| 1974 | Get Your Wings | Tobe! Aerosmith (Fly! Aerosmith) | 74th | First production by Jack Douglas. Band's identity established. Includes "Same Old Song and Dance". |
| 1975 | Toys in the Attic | Yamiyo no Heavy Rock (Heavy Rock in the Dark Night) | 11th | Breakthrough work. Over 8 million sales. Includes "Walk This Way" and "Sweet Emotion". |
| 1976 | Rocks | Rocks | 3rd | A hard rock monument widely hailed as their masterpiece. Includes "Back in the Saddle" and "Last Child". |
| 1977 | Draw the Line | Draw the Line | 11th | Produced amidst chaos, but possesses a rough charm. Includes "Draw the Line" and "Kings and Queens". |
| 1979 | Night in the Ruts | Night in the Ruts | 14th | Work immediately following Perry's departure. Many cover songs. Includes "Remember (Walking in the Sand)". |
| 1982 | Rock in a Hard Place | Bijuu Rambu (Beautiful Beasts Dancing Wildly) | 32nd | The only album with Crespo and Dufay. Includes "Lightning Strikes". |
| 1985 | Done with Mirrors | Done with Mirrors | 36th | Original members' reunion work. A simple, return-to-roots sound. Includes "Let the Music Do the Talking". |
| 1987 | Permanent Vacation | Permanent Vacation | 11th | Complete comeback work. Packed with pop hit songs. Includes "Dude (Looks Like a Lady)", "Angel", and "Rag Doll". |
| 1989 | Pump | Pump | 5th | A masterpiece that cemented their second golden age. Includes "Janie's Got a Gun" and "Love in an Elevator". |
| 1993 | Get a Grip | Get a Grip | 1st | Mega-hit worldwide. Includes the ballad trilogy. Includes "Livin' on the Edge" and "Cryin'". |
| 1997 | Nine Lives | Nine Lives | 1st | Columbia return work. Includes "Falling in Love (Is Hard on the Knees)" and "Pink". |
| 2001 | Just Push Play | Just Push Play | 2nd | Introduced digital processing. Includes "Jaded". Cover art by Hajime Sorayama. |
| 2004 | Honkin' on Bobo | Honkin' on Bobo | 5th | Blues cover album. Return to roots. Includes "Baby, Please Don't Go". |
| 2012 | Music from Another Dimension! | Music from Another Dimension! | 5th | Final studio album. Includes a duet with Carrie Underwood, among others. |
Major Live Albums and Compilations
- Live! Bootleg (1978): A live album packaging the peak and chaos of the 70s. The Japanese title was once written as "Mamonogatari" (Demon Tale).
- Greatest Hits (1980): Best of the early Columbia era. A monster album selling over 11 million copies in the US alone.
- Big Ones (1994): A best-of album covering their hit songs from the Geffen era.
- O, Yeah! Ultimate Aerosmith Hits (2002): An all-time best album crossing label boundaries.
12. What Aerosmith Left Behind
The history of Aerosmith is the history of rock and roll itself. AEROSMITH experienced every drama a band could face—success and setback, breakup and reunion, drug addiction and overcoming it, and aging and illness—and each time, they rose again like a phoenix.
AEROSMITH's musical achievement lies not simply in selling records. It lies in bringing funk elements into hard rock, becoming the first to successfully fuse rock with hip-hop, and utilizing the medium of music video to its fullest potential to elevate rock into visual entertainment. And above all, the greatest legacy is the way of life of AEROSMITH, who kept rolling as "brothers" with almost the exact same members for over 50 years.
In 2025, AEROSMITH stepped down from the stage, but their music will continue to ring out forever, just as the lyrics of "Dream On" say: "Dream On, Dream On, Dream Until Your Dreams Come True." Aerosmith was truly a band that embodied that dream.
Trivia
On Universal Music Japan's own track listing for its Nine Lives reissue, track 12, "Falling Off", carries the annotation "Bonus Track for 'NINE LIVES' [Japan] (1997)". The song, in other words, was the extra the 1997 Japanese edition had carried.
Aerosmith saw the year 2000 in on stage at Osaka Dome on 31 December 1999. On the stroke of midnight, twelve thousand balloons rigged to the dome roof came down. After the countdown Steven Tyler read out a poem of his own, titled 世界の祈り — a prayer for the world — in English. He had asked the local crew that same day to prepare a Japanese translation, and a woman read it aloud after him.
On 2 January 2000, in the daytime before the Nagoya Dome show, Joe Perry stopped at a music shop he had spotted by chance from the car. Inside, an oddly shaped guitar caught his eye; he asked the staff about it and bought it on the spot. It was a "Butterfly Guitar" by the maker Brian, a replica of a National model that had only ever been sold in Japan. His guitar tech swapped the pickups inside a day to make it stage-worthy, and four days later, on 6 January at Tokyo Dome, Perry played it on "I Don't Want to Miss a Thing".
On the 2004 Japanese run Steven Tyler took to writing Japanese on his left arm before going on. In Nagoya it read 復活, revival. In Tokyo, 帰京 — returning to the capital. At Rock Odyssey Yokohama on 24 July it was 猛暑, fierce heat. And on 25 July in Osaka, the last Japanese night of the year, 完→始: end, arrow, beginning.
The single-disc Japanese career retrospective issued in 2006 as エアロスミス濃縮極極ベスト had a track list assembled for Japan alone. First pressings also carried a Japan-only bonus DVD of four video clips, which the label announced as the first time Aerosmith video clips had ever been issued as a bonus DVD. The heading above the track list flags one of the songs by its other job in Japan: "Walk This Way", the SoftBank commercial song.
For the compilation Greatest Hits, issued on 18 August 2023, Universal Music Japan put out six different configurations, every one of them on SHM-CD — a Japan-only specification. Four of the six were Japan-exclusive packages pairing the hits disc with bonus live discs which, the label says, the band's side put together for Japanese listeners. None had been issued before, and one of them, Rock For The Rising Sun (Live In Japan 2011), was reaching CD for the first time.
During the 1999–2000 Japanese visit Steven Tyler bought a mobile phone at Kiddy Land in Harajuku. What he was actually after was not the phone but the ringtone machine in the shop, which stocked Aerosmith's "Dude" and "Miss A Thing". He had a nearby staff member's handset loaded with both first, then decided he wanted his own — and bought a phone that could not possibly work in the United States. At 200 yen a song he took both, and played them to his children.
The Japanese product page for Just Push Play carries a disclaimer from the label itself. After bonus track 13, "Face", ends, some thirty seconds of silence are followed by a performance of "Under My Skin (Reprise)" — and nothing in the artwork credits it anywhere.
News
HOLLYWOOD VAMPIRES Joined By THE ROLLING STONES' RONNIE WOOD At European Tour Kick-Off
Wood joined the encore of the August 12 show at London's O2 Arena for 'Brown Sugar' and the blues standard 'Train Kept A-Rollin'. The band is Alice Cooper, AEROSMITH's Joe Perry, Johnny Depp and Tommy Henriksen, and the European leg runs through September 2.
An AEROSMITH Ballet Will Be Staged Next Year
The contemporary ballet, built around the band’s songs, is set to premiere in Virginia in 2027.
Albums
Music from Another Dimension! moves through bluesy rock and roll, catchy arena rock and emotional balladry as if surveying Aerosmith’s long career from several angles.
Honkin’ on Bobo revisits blues standards as rough, living Aerosmith rock and roll.
Just Push Play brings digital textures and pop-minded hooks into Aerosmith’s blues-rooted framework.
Nine Lives reconnects Aerosmith with thick riffs, loose-moving rhythm and Steven Tyler’s unruly vocal presence.
Get a Grip finds AEROSMITH in a phase that joins the band’s blues-rooted roughness to a huge pop scale through heavier riffs and sharply defined vocal hooks.
Pump joins Aerosmith’s bluesy swing to the larger, polished sound of the late 1980s with remarkable control.
Permanent Vacation reconnects Aerosmith’s blues-rooted instincts with the radio and MTV scale of the late 1980s.
Done with Mirrors brings Aerosmith back toward guitar-led rock and roll after the return of Joe Perry and Brad Whitford.
Rock in a Hard Place is a rough, tense Aerosmith record made during an unsettled period.
Night in the Ruts puts Aerosmith’s blues-rooted grit, street-level swagger and raw nervous energy in the foreground.
Draw the Line sets Aerosmith’s dirty blues instinct against the urgent push of hard rock.
Rocks keeps Aerosmith’s dirty blues roots but sharpens the playing and dangerous tension to an extreme.
Toys in the Attic joins Aerosmith’s blues-rooted roughness to sharper riffs and more immediate melodies.
Get Your Wings finds Aerosmith keeping the raw charge of its debut while taking a major step forward in songwriting, playing, and sound.
Aerosmith begins with the rough feel of blues rock, yet it already reveals the streetwise instinct and vocal power that would support the band’s later success.